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The Savage Horde

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The Savage Horde (1950)

May. 22,1950
|
6.6
|
NR
| Western
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A charismatic gunfighter who is on the run takes refuge in a frontier cattle town and attempts to help a group of ranchers against a wealthy cattle baron.

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SoftInloveRox
1950/05/22

Horrible, fascist and poorly acted

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Solidrariol
1950/05/23

Am I Missing Something?

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Billie Morin
1950/05/24

This movie feels like it was made purely to piss off people who want good shows

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Justina
1950/05/25

The film never slows down or bores, plunging from one harrowing sequence to the next.

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bsmith5552
1950/05/26

"The Savage Horde" of the title refers to a gang of cattlemen trying to run the "nesters" off of their grazing land. A tried and true plot to be sure, but it makes for an entertaining 90 minutes under the capable direction of Republic's busiest director Joe Kane.In the prologue, we learn that notorious gunman "Ringo" (William Elliott) is on the run with his brother Lt. Mike Baker (Jim Davis) in hot pursuit. When Ringo accidentally wounds his brother, he decides to hang up his gun and move on using his real name of John Baker.Baker rides into the middle of a conflict between rancher Proctor (Grant Withers) and his gang and nester Glenn Larrabee (Noah Berry Jr.). After settling a dispute, Baker rides into town where he meets Livvy Weston (Adrian Booth) a former flame. Baker learns that Proctor hopes to marry her. In spite of his own reluctance to become involved in both situations, he ultimately does.The various raids, conflicts etc. are expertly staged by Kane who was a master of this genre. Republic also assembled a cast of seasoned veterans for the various parts. Proctor's gang is an example. First we have Bob Steele as Dancer the sadistic trigger happy gunman, Roy Barcroft as Fergus and Marshal Reed as Polk. Steele had been a star of his own series for many years but at this stage of his career was playing mostly villains. His portrayal of Dancer almost steals the picture. Barcroft on the other hand, appeared as a bad guy in just about every Republic western made in the forties and early fifties. Marshal Reed although never achieving great success had been around since the early forties playing villains for many of the so-called Poverty Row studios.Also in the cast or veterans Douglas Dumbrille as Col. Price, Will Wright as Judge Cole (whose side is he on?), Earle Hodgins as a fast talking salesman (what else?), Hal Taliaferro as Sgt. Jeffries, Lloyd Ingraham as Sam Jeffries, a nester and Charlie Stevens, George Cheseboro, Kermit Maynard and Bud Osborne in minor roles.Great action, lots of shooting, showdowns and fights.

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tavm
1950/05/27

Continuing to review movies and/or TV appearances of the original "Dallas" cast, regular or recurring, either previously or during or after the show, in chronological order, we're still in 1950 when Jim Davis is still at Republic once again teaming with leading man William Elliott from Hellfire and director Joseph Kane from Brimstone. Unlike in those last two pictures, here he's a good guy, a Lt. Mike Baker of the calvary, who's in pursuit of his outlaw brother, Elliott, who's killed a captain in his troop in self defense though only he knows it. I'll stop there and just say this was another rousing western from what would be referred to as the good ol' days that had plenty of great action and some good singing too from one of the supporting players, a Stuart Hamblen who later wrote "Open Up Your Heart (and Let the Sunshine In)" which I remember as a child hearing from some other kids not to mention Pebbles and Bamm-Bamm on "The Flintstones". And there's also a couple of fine lookin' ladies to also root for, too! Really, all I'll say is if you're in the mood for some old-fashioned oaters, The Savage Horde should be right up your alley!

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shiloh_3
1950/05/28

If you're anything like me, movies with no regard to continuity are just too distracting to enjoy. This little gem caught me by surprise right from the first few scenes because its continuity is absolutely dead on perfect. There are probably very few people who are fooled by sound stages versus the real outdoors. Not much can be done to satisfactorily convince the viewer that the actors are in the desert when they are actually in a studio with sand on the floor. BUT! This movie uses continuity to make the transition from indoor sound stage to outdoor reality as seamless and believable as I've ever seen. Watch closely as Wild Bill Elliot goes into a crouching position at the campfire on the sound stage to the exact same crouching position at the outdoor campfire. Someone cared about details like this in a 1950 western when it seems like no one in today's movie making industry can keep the level in a water glass within two inches of the proper level from scene to scene.Watch this movie for everything it has to offer, but while you're doing that PLEASE keep an eye on the near perfect job the continuity department did. I'm afraid this kind of pride in workmanship is a fading Hollywood legend.

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bux
1950/05/29

Well above average western from Republic Studios. Elliott is 'Ringo', on the run and Davis is his brother, in charge of a cavalry command chasing him. Ringo stops to visit old girl friend, and becomes embroiled in a range war. Withers portrayal of a psychopathic mogul is convincing. Great supporting cast-Noah Beery Noah Jr. is the 'Kid' and Hamblin provides some enjoyable tunes along the way. Supposedly the title "Savage Horde" was a tribute, by director Kane, to actor Grant Withers, who appeared in "the Fighting Marines", a serial, containing a chapter titled "The Savage Horde." Unexpected climax can leave you wondering. A good western.

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