Run for Cover (1955)

You won't be disappointed!

Disturbing yet enthralling

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

It’s sentimental, ridiculously long and only occasionally funny

This interesting western was shot mainly around Durango, CO, and the Aztec ruins in NM., as well as some studio shots, all in Technicolor. I enjoyed it despite a few questionable aspects........ Clearly, the heart of the drama is the complex and fluctuating relationship between James Cagney's and John Derek's characters. It starts out something like the relationship between mature ex-sheriff Henry Fonda and young new sheriff Anthony Perkins, in "The Tin Star", where Fonda gives Perkins advice on how to be an effective sheriff and gunslinger. In the present case, the mature Cagney gives a reluctant young Derek a chance to prove himself as a sheriff's deputy. But, in this case, it doesn't work out well, as Derek loses a prisoner(played by Ernest Borgnine) he is escorting to another town. Derek quits in embarrassment.. He then, unknowingly, joins a band of thieves, who rob the town bank in broad daylight, while practically the whole town is in church. The gang would soon meet an ignominious end, without involvement of the sheriff or town's people........Let me say that, when Cagney and Derek first met, out in the boondocks , Cagney very nearly pugged Derek, who came upon him quite by surprise. This was just the first of a series of incidents where it was the intent of one to defend or to shoot or otherwise promote the death of the other. While on the trail of the bank robbers, Derek suddenly, pulled out his gun and was about to fire at Cagney, when his horse reared up. This is when Cagney discovered that he was allied with the robbers(In what capacity, isn't apparent). For a while, they rode together in an uneasy truce. But when, they have to swim a raging river, Cagney calls out for help, but Derek ignores him. Derek gets to the far shore first, and heads for the Aztec ruins, where he finds Borgnine: the prisoner who escaped from him(Why did he come to this forsaken place?). They have an uneasy truce. WARNING: SPOILER ALERT! Cagney survives the rapids and later encounters these ruins, eventually finding the other 2. Initially, there is an uneasy truce. But, Borgnine draws on Cagney, who shoots him apparently dead. The remaining 2 have some words. Borgnine is not quite dead, and slowly reaches for his gun on the floor. Cagney doesn't see this, but Derek finally does, as Borgnine is about to shoot Cagney. Derek draws his gun and fires at Borgnine, while Cagney shoots Derek, whom he assumed drew to kill him: Only one lucky survivor, and he knows where the bank money is hidden........Viveca Lindfors, as Helga Swenson, who emigrated from Sweden with her father, takes a liking to Cagney, seeing his devotion to his friend Derek, who had serious gunshot wounds instilled by a posse that assumed that he, along with Cagney, were a pair of train robbers. Derek is staying with the Swensons during recovery. Pretty soon, Cagney and Helga are talking marriage. Cagney says he wants to live in their house. But, this may sometimes cause conflict with Mr. Swensen. Conveniently, the latter is formalistically killed in the bank raid, thus eliminating this potential problem. This principle is applied in many westerns, where the traditional significant other of a person is eliminated to symbolically clear the way for a new significant other.

RUN FOR COVER is a somewhat bloated Hollywood western of 1955, directed by that maestro of the genre, Nicholas Ray. It's one of his lesser movies that suffers from a script which more often than not descends into pedestrianism in the dragged-out romantic sub-plot involving a farmer's wife. The unusual opening has an innocent guy mistaken for a train robber before turning the tables and becoming town sheriff instead. James Cagney, aged so much that he's barely recognisable, is okay as the hero, but the script gives him little meat to work with throughout and the excitement level is low.

Run for Cover is directed by Nicholas Ray and adapted to screenplay by Winston Miller from a story by Harriet Frank Jr. and Irving Ravetch. It stars James Cagney, Viveca Lindfors, John Derek, Jean Hersholt, Grant Withers, Jack Lambert, Ray Teal and Ernest Borgnine. A Technicolor/VistaVison production, with music by Howard Jackson and cinematography by Daniel Fapp.When Matt Dow (Cagney) and Davey Bishop (Derek) meet up they quickly become friends, but events conspire to see them wrongly suspected of robbing the train heading for Madison. Hunted down by a Madison posse, Bishop, a Madison resident, is severely injured and Dow taken to town for possible lynching. What unfolds is the truth comes out and the two men end up working as the law in town, but there is many more secrets to be unearthed in this part of New Mexico...Nicholas Ray brings a meditative state to the picture, ensuring the thematics of surrogate families, generation conflicts, mob justice and the corruption of youth, are all delicately handled by the great director, even dealing in Freudian textures for the key character relationship. There's a whiff of High Noon in how Matt will inevitably have to stand alone, and he will also have to fight inner turmoil about injustices and cope with disappointments as things refuse to go to plan under Madison's glaring sun. But this is a skilled character piece able to stand on its own terms.As a looker the film is quite simply stunning. Filmed out of Durango, Silverton and Aztec (the latter providing the finale set in the Aztec Ruins), the scenery is breath taking, Ray and Fapp surrounding the story with an imposing beauty that is hard to take your eyes from. Cast are led superbly by a restrained and reflective Cagney, who can say so much with just one glance of his eyes, and while Lindfors as Cagney's love interest is a bit wooden, she's at least given some decent scripting to work with. Elsewhere nobody fails in bringing their respective characters to life.Absolutely lovely Oater, one that may not break new ground with its formula of plotting, but comes out roaring regardless. It makes you wish Cagney had made more Westerns, Nicholas Ray also, while Fapp's photography here is alone worthy enough to consider catching this on any potential Blu-ray release. 7.5/10

Nicholas Ray will be remembered for "The Lusty Men," "Johnny Guitar," "Run for Cover," and "The True Story of Jesse James."With a slight echo of "High Noon," the film is Cagney's first Western, shot in stunning Technicolor and VistaVision, since Lloyd Bacon's "Oklahoma Kid" in 1939... Cagney was beginning to show his age, but his performance is colorful as always... It is interesting to remark that Grant Withers whom Cagney had supported in his film debut ("Sinner's Holiday," 1930) and his third movie ("Other Men's Women", 1931) is in his support as Gentry....Released from a six-year prison term for a crime he did not commit, Cagney goes West, where he meets John Derek...Riding along, they innocently become involved in a train robbery and are later ambushed by a posse... Derek's leg is smashed and is taken to Viveca Lindfors' farm where she nurses him and falls in love with Cagney...The townsfolk offer Cagney the tin star, and he appoints Derek (who is now a cripple), as his deputy...Derek's bitterness over his bad accident separates the two men in different directions and soon are seen on opposite side in a fight involving Grant Withers' widely known gang and a group of Indians...