Space Master X-7 (1958)

The greatest movie ever made..!

Good start, but then it gets ruined

Amateur movie with Big budget

This story has more twists and turns than a second-rate soap opera.

I was ten years old back in nineteen fifty eight. My Grandmother dropped me off at the theater, The Lowe's Paradise (a grand movie palace) in the Bronx, while she went shopping. I wanted to see the first of the double feature,"The Fly". I was fascinated by the colorful lab scenes, The hydraulic press got to me, as did the fly's head on the guy, and the the spider web finale. The movie was a classic, but I also remembered "Blood Rust" from the co feature. That was not it's name. It's title was Space Master X-7. It was in black and white, I remember the bubbling blobs in the bell jars. The image stayed with me. Far more so than the adult storyline. I was too young to appreciate the non monster parts. I would like to see this one again as an adult. It reminded me in retrospect of the Quartermass films. Particularly "The Creeping Unknown" I had been mistakenly calling the film, "Rocket-Ship XM" An altogether different film with a somewhat similar title.

As a 12 year old, this was the most mind blowing movie of my childhood. Much more scary than the "A" movie, The Fly (great movie), released with it. I would always think that the mold would get into the house and eat me away (something like Necrotizing Fasciitis). Even though this movie is in B&W, the movie, for me, was much scarier than the BLOB. This is one of the two most psyche scaring movies of my childhood...the other being GOG. Honorable mention for this segment would go to the Crawling Eye, Invasion of the Saucermen, and War of the Satellites. My dad was a sci-fi nut as much as me and the two of us would see every new release as soon as they came out. These movies are very much part of my upbringing/childhood. I would love to get a copy of Blood Rust/SpaceMaster X7.

I figure I saw this gem when I was about 11, back when I lived in Queens NY.My memories are similar to the other notations on this flic, except that I was too young to form an opinion about its artistic merits. My real memory was the term blood rust, and the memory of a scene where detectives were finding it in a boxcar. (Ok, its possible I mixed that one up with a scene from "Them". I remembered it as the b part running with This Island Earth, but it may well have been playing with the Fly, as others indicated. The long and this short of it was that this one bugged me, as I could until recently find no movies referenced to "blood Rust". None of the printed compendiums of Sci-Fi movies helped. A recent call for help on another web site finally gave me the Space Master title, which did the trick! A 45 year mystery solved!Now I need to find a copy!

Behind this bland, forgettable and indescriptive title is one of that decade's more interesting low budget items. "Blood Rust" was probably the script's original name, and this refers to the red coloring of Mars which, as is found out on the return of a space probe, is a fungal overgrowth that could easily thrive on the Earth. THE ANDROMEDA STRAIN, while not exactly a remake, shares both the panicky concept and something akin to realism in its approach. SPACE MASTER's an Edward Bernds quickie, no nonsense drive-in fare with logic secondary to pace, but there's a continual teetering on the edge of DETOUR-like brilliance that makes it, if not a classic, quite exceptional.The strength of writing is ever evident, as the threat to humanity theme is subverted away from the usual conquering hero routine to documentary-like police procedural, the pursuers taking on near anonymity as our attentions, and sympathies, focus on the fleeing "Typhoid Mary". She's finely played by Lyn Thomas, a mature and intelligent 50s beauty in the Jan Sterling mode. We're told just as much as we need to know about her, that she once was involved in an S&M fling (I kid you not, it's ALL THERE in 1958) with arrogant scientist Paul Frees (Richard Deacon doing Clifton Webb, and does he deliver cutting lines!) Their unholy reliance resulted in a child that she now wants back in her new life of respectability. His experiments with the alien fungus result in his hideous death and the government, knowing that she was with him at the time, has to track her down so that she won't infect the world. However, they can't throw the public into panic (cover-up stuff, another first) by saying why they've put out an all-points bulletin out on her, so she goes into hiding and flees so that she won't be framed for his murder! Now I ask you, how often do you run into plot intricacies (as opposed to absurdities) like this during your typical monster movie round-up?At the same time SPACE MASTER X-7 is as frustrating as it's intriguing, because get-it-out-on-schedule Bernds never quite takes that extra step ahead of his time. There's a beautiful scene involving Miss Thomas and a cop the predates PSYCHO, where you're rooting for her to get away and the world's fate be damned, and though this perversion of empathy carries on the irony of it is somehow lost in the climactic shuffle. Said climax, stunningly prepared for in both mood and pacing, aboard a threatened air liner complete with children on the threshold of death, is shied away from in terms of intensity when it could've become a Hitchockian runaway carousel. One feels, by the movie's end, that something truly magnificent just didn't quite break free from the shackles of its period's conventions.I think this one's ripe for a remake and hopefully by someone with brains and taste. It certainly has a plot, very friendly to updating, that doesn't sit still. One thing that gets this film footnoted out of the collective amnesia is the presence of Moe Howard as a cab driver. He's funny as can be but plays it straight, as a regular Joe who finds himself in the midst of things, and makes one wish that, like brother Shemp, he and the rest of those Stooges would've done a little more dramatic character work.