Middle of Nowhere (2008)

This movie is the proof that the world is becoming a sick and dumb place

It is both painfully honest and laugh-out-loud funny at the same time.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I didn't know what to expect from this movie, since its visible lack of propagation. First, I highly congratulate this film for being so real; all the cast is pretty unknown and they surely do their work with professionalism and realism. Better than that, they chose actors that look like ordinary people, not perfect actors with artificial beauty and years of gym. Main story is reasonable and we feel connection with every character, even thought sometimes they act a little strange-- mainly the younger sister, who didn't speak a word until some point. Anton Yelchin has an evident similarity with Corey Haim, specially when comparing with his work in 1988's "License to Drive". There isn't a moment in this movie that we see overacting or lack of plausibility, which is another plus for the flick. It is also impressive to see how these actors express their feelings with nature, getting into the characters for real. All in all, it's a surprisingly GREAT movie, and I congratulate the whole team for such professional work.

Middle of Nowhere is a coming of age comedy about friends, family and the struggles that come along with that. We meet the protagonist, Dorian Spitz (Anton Yelchin) in the opening scene getting stoned. He is rebellious and witty, like Matthew Broderick in 1986. Initially I thought I was getting into another Charlie Bartlett which although I enjoyed, felt like the genre was a little worn out. I knew this was going to be different as I got further in. We soon meet Grace (Eva Amurri) who is at the loan office trying her hardest to sweet talk her way around thousands of dollars in credit card debt to get a student loan to go to college in the Fall. She blames the debt on her mother, Rhonda (Susan Sarandon), stating that after her father died her mother needed the money. We are then brought back to Dorian, his parents have high expectations that he feels he doesn't need to meet and this is presumably the motive for his actions. Dorian lands a job at a water park where he meets Grace and puts forth a great amount of effort to get to know. She needs money for school and he needs money to break off his dependence from his parents. Being without a vehicle he is forced to walk everywhere and buys a ride from Grace for $100. They make a few different stops and Grace finds out that he is selling weed and being the straight edge that she is drives off, leaving him at gas station. Grace later realizes that selling pot would be her best bet on paying for school. Grace and Dorian team up for a series of drug runs. Dorian meets Grace's younger sister, Taylor (Willa Holland) when they pick her up. Like Grace, Taylor also struggles with their mother. Taylor is being forced into starting a modeling career. Grace meets Ben Pretzler (Justin Chatwin)at the water park and they form a relationship of lust. Dorian is jealous because he begins to form feelings for Grace all while Taylor forms feelings for Dorian. As the story progresses, we find Grace, Taylor and Dorian struggling with family issues but forming a friendship through it. This is a drama-comedy about love, drugs, money, lust, suicide, family and friends. What looks like the formation of a nasty love triangle turns into a beautiful friendship between a lonely non- conformist and two sisters brought together by tragedy and angst.

This is a good character driven film without any spectacular fireworks. It's about growing up - meeting new friends, dating, coping with parents, and some illegal activities; but its' certainly not done in a preachy way. Each of the characters has his own individuality and we see them work out their problems alone and together. So you can say that it's earthy- but there were a few times where it did become somewhat self-absorbed, however these scenes were never of any great length.One of its strengths is that it never goes over the top. At one stage Anton Yelchin (playing Dorian) is beaten up. It would have been so easy for the film-makers to have fist-fight histrionics, but the film wisely refrains from this. The emphasis is successfully kept on each character's emotions. Apparently this was filmed in Louisiana, but hardly any accents were detected!

MIDDLE OF NOWHERE is one of those surprise films that appear to have gone direct to DVD - not because they are unworthy of theater showing but because they are thinking films rather than explosively entertaining/CGI/3D extravaganzas. The script (Michelle Morgan) is smart, the concepts are viable and refreshingly not overdone, the direction (John Stockwell) shows great respect for the talents of the actors, and the cast is as solid as could be assembled for a film about touchy subjects. The theme that is born at the beginning of this film and grows in importance right to the end is the parent/child conundrum: when is parenting adequate and what are the drivers for dysfunctional family units. Grace Berry (Eva Amurri, in a very natural and focused tough role) explains to a college scholarship counselor (Sharon London) that she needs financial aid to begin her higher education to become a doctor, but though she is a brilliant student, the counselor refuses to award a scholarship because of Grace's exceptionally bad credit rating. Distraught, Grace challenges her mother Rhonda (Susan Sarandon) when she discovers Rhonda has used Grace's name to open credit cards and has spent them to the limit. Grace needs big money to attend college and her summer job at the water park in town is minimum wage only. Also working at the water park is the happy-go-lucky Dorian (Anton Yelchin) who flirts with disaster, having found an 'extra job' selling weed to the rich folks of the city. After a lot of patter Dorian gently coerces Grace into being his driver (Dorian has no car, having been grounded for misbehavior by his grumpy uncle who is serving as relief for Dorian's adoptive parents), and the two begin a quality friendship that fills emotional and financial gaps in each of their lives. But the truth about Grace and Dorian's parents surfaces: Dorian was given up by his 15-year- old mother for religious reasons and has been placed with quasi-appropriate wealthy parents; Grace lives with the knowledge that her father committed suicide only to come to discover that the suicide was the result of discovering that Rhonda was (and still is) having an affair with his brother Bob (William Haze). Grace's discovery comes through a conversation with her Aunt Polly (Karen Bramen, in an excellent role for this new actress) and Grace's mother-favored younger sister Taylor (Willa Holland), and the revelation sets off a series of events that propels the story to an end. Yes, there are sidebars expected in stories of teenagers: Grace falls in lust with rich kid Ben (Justin Chatwin); Taylor rebels against her mother by cutting her hair thus ending her mother's obsession with Taylor's becoming a model and Taylor seduces Dorian; Dorian confronts his birth mother; there are fights where Dorian is injured and finds himself alone without family support. But without a sugarcoated finale, the film ends quietly, affirming the importance of friends - a kind of love than can replace gaping holes in family relationships. The movie truly belongs to Eva Amurri who proves she is becoming as fine an actress as her mother, Susan Sarandon. The film also allows Anton Yelchin to demonstrate a much broader range to his acting than he has been given before. The entire cast is excellent. This is a coming of age story - with far more attention being paid to the adult end of the developmental spectrum. Grady Harp