Marked Men (1940)

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

an ambitious but ultimately ineffective debut endeavor.

The first must-see film of the year.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

When there's a prison break, the escaping cons carry Warren Hull away with them. They are recaptured, but he is not, and they blame the death of a guard on him. Hull makes his way to Tempe. Arizona where, along with screen dog Grey Shadow (in his film debut), he goes to work for John Wilson and his daughter, Isabel Jewel. Yet bad luck pursues him. The marshal recognizes him and he is about to turn himself in, when the cons, who have escaped again, turn up in Tempe and rob the bank, killing a man. Hull is assumed to be part of their gang, and flees, making his way into the desert to track them down and prove his innocence.It's an okay little picture, mostly interesting for location shooting in the Arizona desert. It's surprising to realize through the poor prints and ludicrous credits of Jack Greenhaigh -- REEFER MADNESS and ROBOT MONSTER were two of the best remembered of the almost 200 features that he shot -- that there were tremendous reserves of technical ability in Hollywood. Although he worked in the Bs for his entire career, Greenhaigh was a respected craftsman and for many years held the record for being the youngest member of the American Society of Cinematographers.As for the director of this movie, Sam Newfield, a lot of people thought of him as a hack. Well, maybe. However, he turned out over 200 movies in 30 years behind the megaphone, and made money and careers for a lot of people. In a field of commercial art, that's worth at least as much as someone who turns out beautiful movies that the critics love and no one pays to see. This one was bright, quick, decently acted, and kept me watching, unlike many a well-regarded work of art.

Although Marked Men starts rather haphazardly once it gets going it turns out to be a pretty nice drama with both men against men and men against the elements present in it.I could never quite buy why Warren Hull was in prison, how could he be that naive? Allegedly a group of some rather rough types ask medical school student Hull to do a driving job for them. It turns out being the getaway driver in a bank robbery. Later on Hull can't make anybody believe that he got innocently roped into it.It doesn't wear well today, but I'm guessing that those Depression Era audiences people did a lot for money and just learned not to ask questions until the consequences smacked them in the face.In any event leader Paul Bryar likes Hull's company so much that he takes him along during a jail break when a couple of guards were killed. Now Hull is on the hook for murder, but he gets separated from the others as they pull yet another job.Hull and a German shepherd dog start traveling together after meeting in the desert. Then Hull arrives at a small town and settles there, even meeting Isabel Jewell and her doctor father John Dilson. But he can't escape the gang and in the end goes back to the desert where Bryar and the group are fleeing after some more robberies.What's a mediocre film up to this point becomes a fine drama in the end. All the elements of vicious greedy men with little water come to the fore. Worst of all is Bryar who cannot control his own greedy impulses. But it's here where Hull proves to be the toughest.This one is from the poverty row studio PRC. But occasionally they turn out a decent film and this is definitely one of them.

There are several things that endear this film to me. It's a fun little movie that packs a lot of plot into slightly over an hour. First there's a dog, a smart dog, and then another cute little dog who becomes his bud, and neither one gets killed. Second Wolves in Tempe, we've got Coyotes in the hills, but Wolves? Third, filmed on location in Tempe, AZ in the 40's. I don't remember one outdoor scene that appeared to be filmed in a studio setting. Well maybe some desert backdrops, but no phony desert shots. Fourth, good guy is vindicated, bad guys loose out in the end. Fifth, a simplistic story of right's triumph over wrong, with lots of opening gunfire. Sixth, A town full of people who don't hesitate to turn on a hero at a perceived indiscretion, you gotta love that. I always get a kick out the portrayal of survival in the desert in movies, especially older films. Laying down on the desert floor on a blistering day isn't much different than laying down on that proverbial sidewalk that folks fry eggs on. A small canteen of water is good for a couple hours when it's 115 and you don't have shade, at least for me.

Warren Hull is a prison inmate who ended up being forced by a gang of fellow inmates to escape with them from a prison hospital, and is the only one not rounded up upon their initial escape. He travels through the desert, befriends a wolfhound, is lucky enough to be offered a job by the daughter (Isabel Jewell) of a doctor and finds himself settling into the community as if he had lived there all his life, everybody in town preparing for him and Jewell to wed even before they have had their first full date. But the gang escapes again, his true identity is discovered, and now he does everything he can to prove his innocence.While this is obvious hokum, it is charmingly written and acted, and those excesses are quite forgivable. Hull and Jewell are an appealing couple, not looking like movie stars playing regular folks, and are surrounded by a dozen small-town types who don't seem to be acting, just "being". Wolf, the dog, is very well trained, and the thought of him romancing Jewell's smaller pooch is just sillier than the plot line. In fact, the final fade-out will have you rolling your eyes, yet amused by the implications.