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Hold That Woman!

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Hold That Woman! (1940)

June. 28,1940
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5.6
| Comedy Crime
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A skip tracer--someone who collects late payments from people who've purchased appliances, etc., or takes them back them when they don't pay--repossesses a small radio from a deadbeat who's skipped payments. What he doesn't know is that a gang that has stolen diamonds from a Hollywood movie star has stashed them inside the radio, and they start hunting for him.

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Breakinger
1940/06/28

A Brilliant Conflict

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CrawlerChunky
1940/06/29

In truth, there is barely enough story here to make a film.

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DipitySkillful
1940/06/30

an ambitious but ultimately ineffective debut endeavor.

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Janae Milner
1940/07/01

Easily the biggest piece of Right wing non sense propaganda I ever saw.

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Paularoc
1940/07/02

Jimmie Parker, an easy going, affable, likable guy is just not very good at his job as a skip tracer. Skip tracers either get the cash owed on a product or repossess the product and return it to the store. Parker's completion rate is very low and he is in danger of losing his job. His boss likes to point out how very good Miles Hanover (Dave O'Brien) is as a skip tracer. Given how smug and smarmy Hanover is, the audience can eagerly anticipate his being given his comeuppance by Jimmy. In addition to being a nice guy, Jimmy also has incredible good luck. In one afternoon he gets married to a beautiful woman (who is fortunately also easy going), buys a house, buys furniture, moves into the house, catches jewel thieves and helps a colleague repossess a car. There are a couple of snags along the way like getting arrested and buying the furniture from a crooked old lady who sold it (cheap) to Jimmy right before the skip tracers came for it. Somehow this convoluted plot works and is actually entertaining and a pleasant way to spend an hour.

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classicsoncall
1940/07/03

I'm simply astounded by what used to pass for movie entertainment back in the Thirties and Forties. In this one for example, the picture's leading man (James Dunn) marries his girlfriend (Frances Gifford), buys a house, and fills it with furniture that will wind up being repossessed by the company he himself works for - Skip Tracers Ltd. Not only that, he solves the case he started working on that same day, the recovery of some jewels that were stolen from a glamorous movie star. And are you ready for this - it all happens in the space of a single afternoon! Oh well, can't be too critical. This was done more as a comedy than an actual crime drama, with the leading players an affable enough couple. However I couldn't wrap my mind around the idea that a pretty gal like Mary Mulvaney (Gifford) would ever go for a guy like Jimmy Parker (Dunn), and then I find out that the actors were actually married in real life! Sometimes you just can't account for taste.Anyway, this is a fairly fast paced and frenetic story that's all over the place with car chases, stake-outs and other assorted hi-jinks before it's satisfactorily wrapped up by skip-tracer Parker. You have to keep an eye on that radio with the hidden jewels as the central plot element. When Jimmy recovers it from Lulu Driscoll (Rita La Roy) the first time, he unplugs it from the wall in her apartment only to be arrested by the time he makes it down the stairs of the building. By the end of the picture, the film makers dispensed with that little inconvenience; when Jimmy grabbed it near the end of the story, it didn't even have a cord!Well I guess this didn't have to make too much sense as long as it was entertaining. Which it was for the most part if you don't think about it too much. Filmed by Poverty Row movie company PRC (Producers Releasing Corp.), I was intrigued by one of the opening credits that mentioned it was filmed using Western Electic's 'Noiseless Recording' process. Who would have thought?

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csteidler
1940/07/04

Hold That Woman introduces an awful lot of characters for a one hour movie—skip tracers, policemen, gangsters, a couple of jewel thieves, a movie starlet and a policeman's daughter. It's a bit much for a while, but the story finally brings them all together for the last fifteen minutes—one after another, alone and in groups, all of the characters wind up at the house where a certain much sought after radio has arrived.What's with the radio? Well, it's not paid for….and also a girl crook has stashed some jewels in it that were stolen from a movie star who is unwittingly mixed up with another crook.Enter James Dunn, repo man, and Frances Gifford, the girl who loves him. Dunn is working at tracking down said radio, but finds time during this particular work day not only to spend some time with lovely Gifford but to marry her, buy a house, and also purchase a houseful of used furniture and order it delivered.It all really doesn't make much sense, but honestly, there's so much going on in this picture—and it's all presented so good-naturedly—that it would be overly picky to parse details in search of logical gaps. Suffice it to say that Dunn and Gifford look like they're having a good time and the rest of the cast do their best to keep up.Funny line from early in the picture—mother to young son: "You know, if you don't get an education, you'll grow up to be a policeman, just like your father." (To which the son replies, "Well, then I won't do my homework at all!") –If you chuckle at that, then this movie is for you.

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rsoonsa
1940/07/05

Originally titled SKIP TRACER. this very entertaining, briskly paced comedy adventure features James Dunn, cast as Jimmy Parker, an agent for Skip Tracers, Ltd., who with his girl friend Mary (Dunn's real life wife Frances Gifford) find themselves embroiled in the midst of a burglary case concerning diamonds stolen from a movie star, bringing about their being arrested, shot at and chased by the thieves, yet finding opportunity to be wed and set up housekeeping, all during one frenetic day, thanks to a snappily penned script that neatly ties together disparate plot elements. A small budgeted production from producer Sigmund Newfield's PRC studio, the work is ably directed by his brother Sam, an old hand at such poverty row action pieces, assisted here as often by Holbrook Todd, editor, and cameraman Jack Greenhalgh who is accustomed to thinking quickly for this type of film, the trio joining to create smooth montage effects. That aspect of acting called "business", prominent from the 1930s into the 1950s, particularly in U.S. cinema, benefits this production, especially that employed by Dunn (who ad libs effectively) in conjunction with beautiful Gifford whose natural graces earn for the future star of serials the acting laurels here, although her native athleticism is sublimated for her role, while able turns are to be appreciated from Rita LaRoy, Paul Boyar and George Douglas as members of the gem thieving gang, and from Dave O'Brien as a skip tracer in competition with Parker. The DVD release from Alpha offers adequate sight and sound, with no extras.

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