Mylène Demongeot, la milady du cinéma (2018)
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Self-important, over-dramatic, uninspired.
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Amazing worth wacthing. So good. Biased but well made with many good points.
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Close shines in drama with strong language, adult themes.
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There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
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