Way Out West (1930)

Better Late Then Never

The best films of this genre always show a path and provide a takeaway for being a better person.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

This movie feels like it was made purely to piss off people who want good shows

Leila Hyams was MGM's perfect leading lady. She had a patrician beauty but a very unaggressive personality so she seemed to fit into any genre. She was paired well with Chester Morris in the powerful "The Big House" and again in the zippy pre-code comedy "Red Headed Woman". Only once did she show a spark of some hidden emotion - that was when she played the carnival girl in "Freaks" but whenever John Gilbert looked at her with intensity or William Haines wisecracked, there she was, unobtrusive and behaving like a perfect leading lady. The main reason I bought this DVD was to hear Cliff "Ukelele Ike" Edwards sing "Singing a Song to the Stars" and even though he didn't get much of a chance to shine in this movie, I can guarantee that listening to his glorious falsetto will send shivers up your spine.Windy (Haines) is a carnival barker (that's Ann Dvorak on the far left of the dancers) who also doubles as a gambling shyster. He bites off more than he can chew when he steal from a bunch of cowboys who promptly drag him to the nearest tree. He is saved by Buck (Charles Middleton "Ming the Merciless") who suggests that he work off what he stole from the cowboys by working on his shorthanded ranch. He doesn't get off to a good start - flirting with the "help", Molly (Hyams) who just happens to be the boss!!! Most of the movie seems to be centered on the tricks the cowboys play on Windy to bring him down a peg or two - like the old "putting him on a docile horse that just happens to be unrideable" and sending him into town for food which means gathering hay for the cows!! It doesn't really pick up pace until the end when Molly is bitten by a snake and Windy puts the fainting maiden into the car to travel to the Indian doctor. Pansy (Polly Moran) the cook, mistakes what she sees as a kidnapping and sends all the cowboys out for Windy's blood!!If this was the best that MGM could come up with for one of their top stars (Haines) there might be a case for studio sabotage - on top of that there seemed to be some decidedly off colour jokes (mistaking him for the cook "Pansy") and name calling all at Haine's expense. Cliff Edwards as Trilby has less to do in this movie than any I have seen him in. Among the cowboys, a couple, Buddy Roosevelt and Jay Wilsey were soon to become regulars on the Gower Gulch circuit!!

Other than the novelty of seeing a very effeminate performance from leading man William Haines, there isn't much to recommend this picture. It seems that despite the fact that Haines was a major silent star, in the sound age he was given crappy roles. I read a book ("The Leading Men of MGM" by Jane Ellen Wayne) that discussed leading men of the day and the author indicated that studio head, Louis B. Mayer did not like gay actors and so Haines, despite his great popularity, was given rotten films in order to destroy his career. I can't say for a fact that this is true, as the book seemed VERY scandalous and dished a lot of dirt, but based on this film, I tend to believe the author in this case. This isn't even good enough to be considered a B-movie! The writing is pretty terrible and clichéd, the action generally pretty cheesy and the whole idea of a stereotypically gay man trying to win a woman's love just seemed silly. An interesting curio, perhaps, but NOT a good film.

William Haines plays a brassy carnival barker who gets caught cheating 3 cowboys in a roulette game. His punishment is to work off the debt (after a carny girl steals his money) on a local ranch. Great concept and perfect for the Haines formula, but the film is flat in a couple places and needed a better director. The editing is also bad. But Haines is a delight as usual. His silly billy character made a smooth transition to talkies. Haines was one of the most appealing and popular stars of the late 20s and early 30s.Good cast here with pretty Leila Hyams the ranch owner, Cliff Edwards the hapless cowhand Trilby (whom Haines keeps calling Svengali), Polly Moran as Pansy the housekeeper, Ralph Bushman the lead cowboy, Charles Middleton the brother, Vera Marshe the carny girl, Jack Pennick as Pete, and Jay Wilsey and Buddy Roosevelt the other cowboys. Ann Dvorak is one of the carny dancers.Very odd but the carny girls wear the same cannibal outfits in their dance number as the dancers in the Free and Easy number from the 1930 film of the same name. And Dvorak was a dancer in THAT film as well (which starred Buster Keaton). MGM recycled the costumes! Minor Haines film and one credited as his first flop, but still interesting to see this once-major star in action.

Although he's all but forgotten now, in 1930, Hollywood's first full year of talkie films, William Haines was king of the box office. His movies - he starred in three of them - made more money than those of any other male star. WAY OUT WEST is one of those films.Haines plays a carnival shyster who cheats some cowboys out of their money with a crooked roulette wheel. They retaliate by kidnapping him, taking him back to their ranch and forcing him to work off the debt.There are some of the usual silly-billy antics you expect from a Bill Haines film. But there are also lapses into very serious areas as well. The look on Haines' bleeding face after he's been roughed-up by a big cowboy, without a word spoken, speaks volumes.Also appearing are Leila Hyams, one of MGM's pretty starlets of the early 1930's; Francis X. Bushman, Jr.; the ubiquitous Polly Moran; and little Cliff Edwards, who gets to play his ukulele & sing.