Piccadilly Jim (1936)

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Blistering performances.

Supporting players Cora Witherspoon and Eric Blore steal the show in this funny 1936 film.A guy, (Robert Montgomery)who is a cartoonist and his father, a Shakespearian actor, who hasn't played Shakespeare in 20 years, (a very funny Frank Morgan) vie for the attention of two women.Morgan is after Billie Burke, from a wealthy family, who is a plain ordinary lady. The trouble is her sister, Nesta, played with an aristocratic humor by Witherspoon. She sees Morgan as a fortune hunter and tries to end the liaison. Montgomery starts a cartoon series based on the family which is soon a hit throughout England. Little does her know that the girl he is after is the niece of Witherspoon.There's a ship-board romance to America. Morgan dresses up as a European aristocrat to impress Witherspoon and her family. Further complications leads him to have the butler, Blore, play his father.The ending is predictable but it's funny to see how things entangle in this screwball comedy of 1936.

I am becoming a Robert Montgomery fan as I see more of his movies. As an actor who made most of his films in the 30's he is largely forgotten today compared with actors who kept making films into the fifties like Cary Grant and Jimmy Stewart. However he is a fine natural actor, a very good comedian and an altogether charming leading man. His specialty is the warm-hearted, well-mannered and slightly tipsy gentleman in evening clothes and he doesn't disappoint in this film. He pursues the girl with an admirable single-mindedness and belief in the inevitability of her eventual reciprocation.The film has other pleasures, most notably the presence of Eric Blore as the gentleman's gentleman. This delightful actor is one of the great funny-men of this era. Also in fine form are Frank Morgan, as the ham actor who impersonates a Hungarian Count, Cora Witherspoon as an overbearing society woman, Billy Burke, Grant Mitchell and Robert Benchley as, what else, a lush. Truly a smorgasbord of character acting.The plot is interesting enough to hold our attention and the little snippets of caricature and thirties-style newspaper comic strip are fun.The only slight disappointment is Madge Evans as the ingénue, who plays it straight and is no match for the sublime Montgomery. All in all an enjoyable interlude.

In August, 1934, Metro-Goldwyn-Mayer offered $5,000 for the screen rights to the 1917 novel Piccadilly Jim, first filmed in 1919. The remake was initially to be produced by then M-G-M producer David O. Selznick in early 1935, with songs provided by Harold Adamson and Burton Lane. Rowland Lee was assigned by Selznick to complete work on the screenplay, which was initially written by Robert Benchley. J. Walter Ruben was set to direct, and Chester Hale had prepared dances.After two years of scripting by at least nine writers, the new version of PICCADILLY JIM became overlong, finally clocking at 100 minutes. One-time screenwriter Benchley joined the cast. Rather than a musical, PICCADILLY JIM turned into a vehicle for Robert Montgomery. As the title character, he was aptly cast, one of the few Hollywood comedians who could simultaneously play an Englishman who combined intelligent and "silly ass" traits. Equally appropriate were Eric Blore as his valet, Frank Morgan as his father (the elder Jim Crocker, an unemployed ham actor), and many of the supporting players. However, leading lady Madge Evans brought no sense of comedy to her role.As adapted for film, the story concerned how father and son both fall in love, not with the same woman, but with related women, although neither knows this, and Jim initially does not yet even know Ann's last name. When Jim's father is rejected as a suitor by the arrogant in-laws, the son conceives of a comic strip, "From Rags to Riches," centered around the dictatorial mother, the henpecked husband, and their obnoxious son Ogden. (Unlike the novel, in the movie Jim's nickname derives from his skill as a caricaturist, more than his reputation for late London nights.) When the strip becomes a hit, it makes further romantic progress impossible, but contractually Jim must continue drawing it. The family can't remain in England because they are so widely recognized, so the Crockers pursue their beloved to America, father in disguise, and son by concealing his true identity. Jim gradually changes the characterizations in the comic strip to make the family proud of the association, until only Ann, the niece, resists him.Little of this is from the book; the main thread in common is the Pett family, with its meek father and rambunctious child, the title character's newspaper experience, and a few brief chapters which become the middle third of the movie, in which Jim follows Ann on board a transatlantic ship, using the name of his butler and pretending he is his father. Many of the movie's elements which had appeared in the novel and were standard Wodehouse devices, such as the eccentric butler, the henpecked husband, and the use of disguise and masquerade, compounded by mistaken identity, were also typical conventions of 1930s romantic comedy. Genuinely amusing passages scattered throughout the film are finally overwhelmed by too many dull stretches. Although PICCADILLY JIM had potential, under the direction of Robert Z. Leonard (who had previously directed the estimable THE CARDBOARD LOVER) it fails to achieve the standard of many other more memorable comedies of the period. Nonetheless, this version of Piccadilly Jim, when compared with the 2004 remake, retains the spirit of Wodehouse, his tone and characterizations. The 1936 film is amusing and ideally cast, with a cast and crew who know how to make the brand of charming romantic comedy seemingly unique to that era. And despite its shortcomings, it succeeds in that regard, displaying the skills of the studio era that are so obviously absent in the confused 2004 version.

Another great "gentleman's gentleman" role for Eric Blore, similar to his role in "It's Love I'm After," with Leslie Howard. He's hilarious!