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Death Walks on High Heels

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Death Walks on High Heels (1971)

November. 30,1971
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6.5
| Horror Thriller Mystery
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Exotic dancer Nicole finds herself terrorized by a black-clad assailant determined on procuring her murdered father's stolen gems. Fleeing Paris in hopes of evading her knife-wielding pursuer, Nicole arrives in England only to discover that death stalks her at every corner.

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Bardlerx
1971/11/30

Strictly average movie

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Phonearl
1971/12/01

Good start, but then it gets ruined

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PiraBit
1971/12/02

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

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Ava-Grace Willis
1971/12/03

Story: It's very simple but honestly that is fine.

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enosfenton
1971/12/04

Seems boring for just a while, as the plot builds, then WOW! The ending is twisted just like all Giallos, and you can't figure out who did it. This one has plenty of skulduggery, but it's not the "psycho" style like many Giallos. I don't want to spoil it,but it is well worth the watch. I was delighted. Like almost all Giallos- this would have been banned in the USA in 1971, or at least X rated. This is a WHO DONE IT mystery, and a good one. It satisfied my itch for the classic mystery.

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Mark Turner
1971/12/05

(This review is of the box set of two Luciano Ercoli films, DEATH WALKS ON HIGH HEELS and DEATH WALKS AT MIDNIGHT) This box set from Arrow Film combines two films by director Luciano Ercoli, an Italian director with little output in that role and only double that as a producer. While his output wasn't significant the quality of these two films shows much potential and the fact that had he chosen to do more he would have left a larger legacy behind for others to follow. As it is, both films offer well-made giallo films that fans of the genre will want to add to their collections.The first of the two is DEATH WALKS ON HIGH HEELS and is the better of the two films. The film stars the director's wife Nieves Navarro as Nicole Rochard, a well-known and much sought after striptease artists in France. Nicole's father was a renowned jewel thief and when he's killed someone calls her asking if she has his last score, something she knows nothing about.A fan of Nicole's, Dr. Robert Matthews, attends nearly every performance she has no matter where she's working. After Nicole has an argument with her boyfriend over his drinking due being jealous of her success, she finds friendship and love in the arms of Matthews. After a quick romance heads home to England and she accompanies him. He sets her up in a house in the country, a place his wife knows nothing about. With promises of leaving her to set up his own practice, things begin to happen.Murders of various side characters occur with startling frequency. An attack on Matthews happens, his wife the main suspect. Nicole's boyfriend shows in England trying to find her. And a twist near the middle of the film comes completely out of nowhere and sends the film off in a new direction. While this may seem like a brief synopsis to reveal any more would be to spoil the surprises the film has in store.The movie works best as a mystery with clues being presented for the viewer to decipher but all doesn't become clear until the end of the film. What makes it work is that they all make sense and were there for the most part to be seen throughout the film. What makes it even better is the fact that even the most jaded mystery fan might have a difficult time knowing who did what to whom, something few mysteries can accomplish these days.The second film, DEATH WALKS AT MIDNIGHT, once again stars Navarro this time as super model Valentina. Valentina tries an experimental drug in the presence of a reporter friend and while on the drug sees images of a murder taking place. The fact she took the drug ends up in his article and she loses work because of it. It also discusses her visions and suddenly she begins seeing the murderer tracking her. When he makes an attempt on her life, only she has seen him. Is there someone out to kill her or is she simply hallucinating it all? Characters appear for no reason with no background only to take center stage at various parts of the film. As viewers even we aren't sure of Valentina's mental state at first. While the film starts with a decent premise it becomes a "are you kidding me" film as stupid decisions are made from start to finish. An example is, after having been attacked by someone she doesn't see, Valentina is asked to get in the car of a woman she has never met to talk and go for a drive. Not the smartest thing to do. When the woman abandons her in a mental institution where the convicted killer of the victim she saw in her drugged state is at (who is also supposed to be the sister of this woman), Valentina leaves only to go with the same woman to another location later on. With enough moments like this the movie became frustrating for me as a viewer.But good or bad the main thing here is that two movies that may have been lost to the world have been rediscovered and brought out in the best possible transfer possible. Arrow once again goes above and beyond to deliver a package that fans will clamor to and others may want to see to get a taste of what giallo is all about, if for no other reason than the first film. Both display great cinematography that I've not come to expect in Italian made films from the time. Another plus.Keeping in mind that this is an Arrow Films release you know there will be plenty of extras on hand for those that enjoy them. Included in the box set is a limited edition 60 page booklet with writings from authors Danny Shipka, Troy Howarth and Leonard Jacobs, all non-fiction writers about the giallo genre, that includes stills and posters for both films. For the first film you'll find extras like an introduction by screenwriter Ernesto Gastaldi, an archive interview with Ercoli and Navarro, an interview with Gastaldi, an interview with composer Stelvio Cipriani, the original Italian trailer and an English trailer. On the second film you'll find another introduction by Gastaldi, an audio commentary track by film critic Tim Lucas, and extended TV version, an interview with Gastaldi and a visual essay by Michael Mackenzie discussing the collaborations between Ercoli and Navarro.Fans of giallo will find this a must have. The same for collectors of Italian cinema of that time period. Fortunately for both, Arrow Film has done a marvelous job on this one, making it one worth owning as well as worth watching for those new to the genre.

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Red-Barracuda
1971/12/06

Luciano Ercoli's Death Walks on High Heels is a sexy and suspenseful thriller. The convoluted plot revolves around the whereabouts of some stolen jewels and the involvement of a strip tease girl.Susan Scott (aka Nieves Navarro) plays the stripper who is central to the story. And, quite frankly, she's a revelation. Oozing sex appeal and stealing every scene she appears in, Miss Scott was one of the queens of giallo cinema. She was highly impressive in Forbidden Photos of a Lady Above Suspicion but she is given a more central role here. And she delivers one of the most erotic performances in the giallo sub-genre.Other than the obvious appeal of the delicious leading lady, Ercoli's movie works as a suspenseful thriller, with some genuinely unsettling scenes. Chief amongst them being the somewhat haunting appearance of the 'high heels' killer in the opticians, whose approach is seen through through frosted glass and, also of note is an extremely brutal murder scene in the latter half of the movie, the savagery of it is definitely shocking. This murder stands out all the more as this is not exactly a body-count movie. The violence is kept to a minimum but is strong when it rears it's head.Like in Forbidden Photos, Ercoli uses another actress who looks strikingly similar to Susan Scott, in this case Claudie Lange. Simón Andreu, another Ercoli regular, puts in another sleazy performance as the chief suspect. And there is a host of other shady characters prowling about. In fact there are so many red herrings that we even have a dodgy character selling fish! In order for early 70's gialli to sell themselves to an international market they were often expected to do two things. Firstly cast leading ladies who look more Anglo-Saxon than Italian (which the Spanish but strawberry haired Miss Scott fulfilled) and secondly to incorporate locations outwith Italy (this being achieved by the French and British settings).Death Walks on High Heels is one of the most erotically charged gialli I've seen. Recommended for fans of both Italian thrillers and, of course, Susan Scott.

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bensonmum2
1971/12/07

A jewel thief is brutally murdered on a train by a masked assailant. But when the murderer is unable to locate any diamonds, the murderer immediately suspects that the thief's daughter, a Parisian stripper named Nicole (Nieves Navarro aka Susan Scott), may have the diamonds. Nicole, however, claims to know nothing of the diamonds. After a series of threats, both verbal and physical, Nicole decides to flee France with a man she hardly knows. The pair begin a seemingly ideal relationship in a secluded seaside village. But Nicole is unaware that the killer has followed her to England and will stop at nothing to get his hands on the diamonds.What a fun Giallo! Death Walks on High Heels has one of the most convoluted plots I've run into – even by Giallo standards. While the movie may lack the quantity of murder scenes found in other Gialli (although at least one murder scene is as violent as they come), Death Walks on High Heels makes up for this shortcoming with more plot twists than a mountain road and boatload of red herrings. It had me guessing (incorrectly, I might add) up to the very end. It's all about the mystery and director Luciano Ercoli skillfully casts the shadow of suspicion on just about everyone in the cast. Much of the movie is told quite nicely in flashbacks with bits and pieces of the story being revealed as each person confesses to what they may or may not have seen. There's even a pair of bumbling Scotland Yard detectives who are (surprise, surprise) actually funny. Overall, Death Walks on High Heels is very well done.The acting is a notch or two above what I've come to expect in a Giallo. The highlight, at least for me, is Nieves Navarro. She is amazing as Nicole. I didn't think I would ever say this, but I think she might have been capable of challenging Edwige Fenech in my mind as the Queen of the Giallo had she made a few more of these movies. I'm looking forward to checking out more of her work.As much as I enjoyed Death Walks on High Heels, it's not without its flaws. Chief among them, at least to me, is a "cheat" with respect to one of the murders. I don't want to give anything away, but there is one particularly nasty murder that the killer could not have committed given the circumstances immediately following the murder. Hopefully, with repeat viewings, I can reconcile this point in my mind and just enjoy the movie for what it is.Finally, and I'm really starting to sound like a shill, NoShame's new DVD is fantastic. I would have never dreamed that a movie like Death Walks on High Heels would look this good. Bravo NoShame!

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