Rubber's Lover (1996)

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

If Rubber's Lover was meant to be understood and fully appreciated, It fell short. I was intrigued by the camera angles, technological props, and trying to find the storyline. This cyberpunk, art house, music video type spectacle, tired me out and seemed a lot longer than the posted 91 minutes. After considerable attempts to understand this movie, I surrendered. If I was at the theater, I would have left early. This movie brings up memories of David Lynch's Eraserhead and Croenenberg's Scanners. If this was a film school assignment in which the assignment was to make the weirdest movie you can think up, this was probably the winner. Not my thing, maybe yours.

From the man who made Pinocchio 984 comes another cyberpunk story filmed in black and white industrial. This is the story of the DDD which is a device which researchers hope will turn into some sort of super weapon. The test subjects are strapped to a chair and the DDD is turned on inducing a weird trance and trip. It also induces insanity and death. Chalk this up as another Japanese assault on our senses with the use of disjointed soundtracks and jarring fetishistic images. Not as lacking in story as Pinocchio, this film does have a plot, but its more an excuse to hang button pushing images together. As a collection of images or as a button pusher its gangbusters. As anything that resembles a real movie its lacking. A fine example of form over content...if you like that sort of a thing

This is another one in a long line of typical Japanese black-and-white film-student-project-gone-wrong pretentious wannabe-deep-but-it's-not pseudo-surrealistic piece of crap masquerading as "disturbing horror." A never-ending bout of morons screaming for no reason and just "freaking out" is what you are in for with this film.Of course, any movie like this will attract countless reviews speaking of how "briliant" the director is, how "disturbing" the film's "message" was (bwhahaha!) and a long string of steamy nuggets of self-delusional insight, but what it comes down to is this: low budget black and white boring inanity with lots of stupid screaming that will bore you to the verge of tears.If you're looking for an actual movie with plot that will entertain you, this is not it.

Rubber's lover is Fukui's second movie, a prequel to Pinnochio 964. The plot (from what I can gather from reading other reviews and summaries of the movie off the internet as well as my visual interpretation of the movie since I don't speak Japanese and my copy isn't subtitled) concerns a group of scientists working to unleash the psychic potential of human beings. For some reason this involves injecting them repeatedly with a drug dispensed by a huge cannonlike needle, and then strapping a device to their heads similar to a VR helmet. The company they work for decides the project is a loss and sends a secretary to tell them the news of the project's shutdown. The poor scientists react rather badly to the news, and in a desperate attempt to make a final breakthrough, subject one of their own ranks to the drug and device. He responds well so they put him in an isolating rubber suit that deprives him of all sensory input but that which is governed by the experiment. The results are succesful and much mayhem ensues. Thus begins Rubber's Lover.Shot in black and white, primarily in one location, this is a perfect example of low or no budget but high concept film making. A feeling of isolation permeates thoughout, perfectly controlled by the director's choice of angles and locations. The outdated technology the scientists are using isolates the movie from any specific date in time. The character's reactions to the events happening around them only amplify the feeling of isolation. The effects are gruesome, the editing is kinetic, the story is bizarre. Fans of Tetsuo: The Iron Man will love it as both can easily be compared at the most shallow levels. It is, however, an amazing film that stands on it's own strange island in cyberspace, far removed from Tsukamoto's film. Highly recommended, not for the squeamish.