The Rise of Catherine the Great (1934)

Just perfect...

Good story, Not enough for a whole film

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

An old-fashioned movie made with new-fashioned finesse.

Yet more intrigue from the court of imperial Russia, which (at least according to movie history) must have functioned entirely on plots, counter-plots, rumors, gossip and scandal. Produced in England by the celebrated Alexander Korda, this handsome spectacle stars Douglas Fairbanks Jr. (less dynamic but a better actor than his father) as the petulant heir to the royal throne who marries the petite German princess Catherine more or less against his will. Favored by the Queen Mother and beloved by her subjects, the sensible and modest Catherine has only one flaw in her character: an unquenchable love for her power-mad, playboy husband. Their bittersweet love/hate rivalry must have seemed quite sophisticated to a 1934 audience, and seen today the film still possesses a freshness rarely seen in early sound productions, thanks in large part to a quality script and some lively, natural performances.

Alexander Korda produced this lavish film, "The Rise of Catherine the Great," starring Elizabeth Bergner, Flora Robson, and Douglas Fairbanks, Jr. It's the story, not wholly accurate but still interesting, of, as the title suggests, Catherine the Great's (Bergner)ascension to the throne as it was wrested from her crazy husband Peter (Fairbanks). Though in the film this all seems to happen somewhat quickly, Catherine and Peter were married for 17 years and had children before the Empress Elizabeth dies and Peter becomes tsar.In the film, Peter cheats on Catherine on their wedding night, and she pretends to take many lovers. This makes him jealous, and the two reconcile. However, after the Empress Elizabeth dies, the decisions that he makes as tsar on behalf of Mother Russia are outrageous, and Catherine is encouraged to go along with a coup.Wide-eyed, girlish Bergner is Catherine. Bergner was a noted stage actress in Europe who unfortunately never caught on in Hollywood; nevertheless, she worked in Europe until she was 87 years old. Supposedly an incident in her life was the inspiration for "All About Eve." Tiny, she nevertheless had authority as an actress, with line readings that were at times reminiscent of Garbo. She is a good Catherine. The showier roles were those of the Empress Elizabeth and Grand Duke Peter. Flora Robson is a wonderful Empress Elizabeth, and Fairbanks, always an underrated actor, is brilliant as the volatile, mad Duke.Worth seeing for the performances.

The drama and characters in this movie about "Catherine the Great" are generally pretty good, although often non-historical, and the atmosphere is often quite good. The settings and many of the details were crafted with care, and apparently with ample resources available.Elisabeth Bergner often gives distinctive, sometimes unusual portrayals of her characters, and this is no exception. Yet Catherine was such a complex figure that it's almost a moot point as to how accurate Bergner's portrayal may be, especially since the story here is mostly concerned about her younger days, before she became Empress. Bergner definitely makes Catherine interesting and worth caring about.The story itself is interesting, and though it should not be viewed as accurate history, as a movie it works well enough, and sometimes it works quite well. As Peter, Douglas Fairbanks, Jr. gives his character a nature that is probably quite different from the historical Peter, but in itself it is a believable and effective portrayal.The story of the ongoing intrigues involving Peter, Catherine, Elizabeth (a well-cast Flora Robson), and others, has some good moments. The historical situation was complicated, and it lends itself easily to a movie adaptation. The settings work well in conveying both the historical period and also the atmosphere of plots and counter-plots. The movie as a whole was overshadowed, even in its own time, by other features on the same subject, but it is still a good effort that is worth watching.

This is the story of CATHERINE THE GREAT, Czarina of All The Russias. Summoned by a fierce, dying Empress to marry the Russian heir, young princess Catherine soon learns that her bridegroom is both unfaithful & insane. After the death of the old Empress, Catherine's danger increases and she must learn to be very cunning in order to save herself from her unpredictable royal husband...Vienna-born Elisabeth Bergner, in her first English-language film, is radiant as the obscure German princess who would become the most powerful woman in Russian history. Hers is an excellent performance in a difficult role, where it would have been easy to be upstaged by the other, flashier, characters. As Grand Duke Peter - later Czar Peter III - Douglas Fairbanks Jr. behaves like a homicidal Hamlet, all moodiness & flares of deadly temper. He makes an interesting effort to create a charmer out of a pathetic man who was obviously a maniac.(Actual history relates that Catherine & Peter were married 17 years and had 3 children before Peter's ascension to the throne - a time period necessary for Catherine to build her strength, but which the movie makers ignore.)Miss Bergner & Mr. Fairbanks are given an excellent supporting cast. Dame Flora Robson is wonderful as the Empress Elizabeth. Suspicious, domineering & rather wanton, Dame Flora makes the viewer want to know the story of this noteworthy monarch, overshadowed in history by her colorful successor. Celebrated stage actress Dame Irene Vanbrugh makes a rare screen appearance as Catherine's mother. The small role of Peter's French valet is performed by Sir Gerald du Maurier, one of the great English actor-managers of the early days of the century. In this, his penultimate role & a few months from his death, Sir Gerald had become largely forgotten by his once enormous public. He gives his few lines great dignity. In his autobiography, Fairbanks relates that upon arriving at the studio prior to filming and before the other cast members, he discovered that he had been assigned a large dressing room, whilst Sir Gerald had been given a tiny one. Deciding this was not a proper way to treat the legendary actor, Fairbanks switched names on the doors. Sir Gerald soon arrived, sweeping majestically into the larger room, as if this was only natural...It is fascinating to compare this very fine historical drama with Marlene Dietrich's SCARLET EMPRESS, also produced in 1934.