Where's Marlowe? (1998)
After making a disastrous 3-hour documentary on New York City's water supply, two young filmmakers focus on the goings-on of life in the LA offices of Boone and Murphy, private investigators. Cheating husbands and missing dogs fail to bring in the big bucks, however, and after sleeping with the wife of one of their clients Murphy leaves. To stop Boone from having to close down the business, the filmmakers must resort to a more hands-on approach in the investigations to ensure the completion of their movie.
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Wow! Such a good movie.
A story that's too fascinating to pass by...
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
I could not agree less to that being a mandatory movie to truly watch and compare to your own experiences, otherwise you may be missing the point and should think twice about reviewing your own inventory before posting. It's not about P.I., it's about you!On par in insight with with the great likes of Mulholland Dr., Dogville and many others. It may change your mind! Or set it aflame in the least.As for water, the introduction has a very proper spoiler in decently suggestive skin. I too choose to believe it is the spirits - our ancestors and animals.If you liked being in Malkovic's head, do not overlook this one!
To say this is a noir curiosity is to say The Bible has some colorful characters and quaint storytelling. Takes a good half hour to get going, but for those who keep faith, some serious plot twists and rather impressive surprises are in store, including one which takes the basic brilliant twist of CHINATOWN and goes it one better. It's very difficult to discuss this movie without spoiling things, however, so suffice to say there is more going on than meets the eye (frankly too much), and the filmmakers set out a challenging premise and very nearly pull off the impossible resolution. That they finally don't quite do it is almost more of a relief than a surprise, because given the dollar fifty budget and clear guerilla student filmmaking style which permeates this apparent vanity project for Ferrer, it would have been embarrassing had they actually hit a home run for about 1/10,000th of the cost of a typical low budget studio noir. However, this is enough of a near-miss that anyone who is interested in noir (especially the iconic detective stuff personified by Mitchum and Bogart and Powell and Montgomery) would probably benefit from a look. The tone uneasily shifts between mockumentary and b-movie gumshoe melodrama, but occasionally succeeds at both just enough that the excursion is worth it for fans. Those who aren't patient will probably just scratch their head, but I'd guess if you've read this far, you are one of those who would enjoy it. Ferrer makes the most of his ample screentime. The rest of the cast are unknown to me; the black cameraman cum private eye has a few amusing moments, including the mugging of a few rather familiar lines of dialogue. 7.5 / 10
This practically undistributed movie deconstructs the deeply hilarious American Private Dude archetype MUCH more sagely/gently/smartly/straightly than the also amusing, if brazenly campy/overcooked/dumbed-down, "The Big Lebowski". Commercial media wizards reject complexity, especially comic complexity (anything not BROADLY slapstick/satiric?) BEFORE it can come to market? Apparently. Wonderful stuff. Rent/buy it if you can find it. You might be charmed. You might even wonder WHY our professional masters consider us so uniform? Or plumb stupid? If we want ONLY movies that wash over us sensationally, WAVES of light/sound, we don't need ANY movies that ask for our attention, our thoughtful participation. Of course. If, on the other hand...
Channel surfing one night, saw Miguel Ferrer, stopped flicking and I'm so glad I did. How do movies like this not make more impact at the box office? Probably because there are no explosions or chase scenes and the audience was forced to think. Ahh, the horrors of having to think. Bullets don't fly around, but boy does the plot ever! I found myself thoroughly entertained throughout and even a bit confused sometimes, but I think that was the idea. Solid performances from everyone, including the script and direction. The camera work was excellent. Miguel Ferrer is a wonderful actor and more surprising than the standard top ten Hollywood throws at us nonstop. Miguel, this piece of work is rock solid. Keep it up.