Something from Nothing: The Art of Rap (2012)

What makes it different from others?

Fantastic!

everything you have heard about this movie is true.

While it doesn't offer any answers, it both thrills and makes you think.

One of the many interesting things about Ice T's directorial debut, Something from Nothing: The Art of Rap, is the explanation rapper Lord Jamar offers us as to how rap music came about. He tells us that growing up in the ghetto, there were obvious budget cuts and the public schools were woefully underfunded to begin with. He tells us that since instruments such as pianos and drums were taken away, the only instruments kids found were their own mouths and a record player. I'm positive those who idolize rap are not even aware of this.Something from Nothing: The Art of Rap explores just what its title proclaims; the art and craft of a genre so controversial and so openly slandered by critics, the media, and sometimes, its own audience. Rap is a lawless, anarchic breed of music, often objectifying women and promoting reckless behavior. Or has it let itself evolve that way? Has "swag," stupidity, and cockiness been traded for a subtle and unique panache? Nowadays, you'd be hard-pressed to find a rap song lacking the word "hoe" in any way, shape, or form. It seems the men Ice T (Tracy Marrow) interviews almost are ashamed at what the genre has become and faithfully spend their time recalling when the genre was more about being misunderstood and underestimated rather than boastfulness and amoral behavior.The key to success in the rap world is originality, we're told by Big Daddy Kane. If there's anything these men seem to have pioneered it's a unique sound and a unique outlook on life. Interviews with Afrika Bambaataa, Dr. Dre, Eminem, Grandmaster Caz, Ice Cube, MC Lyte, and Snoop Dogg take place as they offer their views on the movement and also don't hesitate to give us highly-skilled freestyles.Some of the interviews are informative and eye-opening - some have the unfortunate disadvantage of being concise and loose. The first hour of this documentary gives those who came for the insights exactly what they want. The second hour gives those who came for the music what they want. This is where Ice T's documentary begins to slightly fall from its throne. While there is a goal in mind, some of the interviews teeter on the edge of being rambling and rather irrelevant. There comes a point where the quality and the speed of the freestyles is favored over actual information inside the whole rap movement.But there is a wonderful devotion to the subject matter, regardless on what is chosen to be the primary focus in different scenes. Ice T doesn't seem to many as the one you'd want to direct a documentary on hip-hop and rap, but after the film was over, I couldn't really see anyone else doing it and doing it to the extent of what he has personally accomplished. He has proved to be not only knowledgeable on the medium but completely capable to delivering all the components of a film determined to explore the broad concept of rap.The documentary seems to run a little too long for this sort of subject matter. Perhaps if you're a die-hard fan of rap, you won't believe so. As an insightful look at the medium, it manages to wander into that sort of territory, but never does it gridlock itself to that area. It too manages to incorporate freestyles, jokes, old memories, and extensive interviews all in its runtime. On second thought, maybe it isn't too long at all.Starring: Ice T, Afrika Bambaataa, Big Daddy Kane, Dr. Dre, Eminem, Grandmaster Caz, Ice Cube, Lord Jamar, MC Lyte, and Snoop Dogg. Directed by: Ice T and Andy Baybutt.

I was quite looking forward to this film, having been away when it made its very brief appearance into UK cinemas. The film presents itself as a documentary on rap music in light of how massive it has become as a genre and, as a fan of some aspects of hip-hop, it was something that interested me. In reality it isn't actually a documentary so much as it is a very loose celebration of the genre and those involved in it from the start. Ice-T presents, directs and various other roles and the whole film is him chatting with fellow artists about their first introduction to the music, their thoughts on it, favourite lines and so on. There appears to be no real structure other than what has been put in afterwards and as a result the value of the film is limited.If you are looking to learn about hip-hop as a genre of music and how it grew and developed then this is not the film to come to. Conversely, if you are already a fan of the music and know your history then this film will offer the same to you as it appears to have offered to Ice-T – a chance to shoot the breeze with lots of artists all talking with passion about the music they love. This is where the film works best and it is not a good thing that it does so. Even fans of the music will struggle with some of the ways time is spent here because it feels padded at times and also some of the artists don't really have a great deal to say. The interviews are quite weak in terms of their direction and I did get the feeling that they had not been particularly well prepared for and that the film was relying on the subjects to just be good. Luckily some of them really are but of course this trust also means that at times the contributions aren't worth a great deal other than the name of the person involved.As much as I love him, Q-Tip was one such example; it was great to have so many names involved but it would have been better to have had fewer and make more use of them. The credit for the many, many artists involved rests with Ice-T but unfortunately as presenter he is unable to draw the best from his subjects. Indeed he often seems too fond of himself and there are multiple slow-motion walking shots of him along with far too many obvious helicopter cityscapes. He is not bad per se, but at times he gets in the way of his own film and some of this selection of material seems to speak to his ego rather than the content of the film.There is plenty here for older fans of the genre though, but this is different from it being a good film, because it really isn't that good. As a documentary it offers little and it really does need the viewer to already be in the right place to watch it. As a fan of the music and the culture, I liked it, but I would be lying if I said it were a good film in and of itself.

I saw this movie followed by a live feed with Q&A of ICE-T (and others) in London.According to Ice-T this movie is just the appetizer and more will follow Well I for one can't wait to see more. Ice-T said he wanted to "give back" and I think he did with this movie. I certainly liked the stories told in the movie even If I do not fully agree with the distinction they make between Rhyme Sayers (rappers) and MC (entertainers), I personally think it really depends on the era.I've now dusted off all my old records and am listening to stuff I had not listened to for years. Ice-T also made me remember why I fell in love with hip hop. It was the old stuff that was like magic to me.It's not that I do not like modern hip-hop, I do, but in my mind I probably never granted the modern kind the same stature as the Old School.The term Old School it self is tricky. There were always fierce disputes as to what could be considered Old School in the nineties and who was part of it. Now every one of those disputing is over 30 and called old. Look up Old School in wiki for more info.On a personal note. I don't know if Old School is/was better but it certainly appealed to me at that point in my live. As I believe that what was on the radio back then was more diverse.I doubt that political rap of PE, KRS-1, Arrested development, X-clan, or the early Paris would even stand a chance against today's more mainstream popular hip-hop of Jay -Z Kanye, Lil Wayne and M&M. But the former was necessary at the time. It was an era of so many styles, ego tripping, enjoyment (party rap) and education (a tribe called quest, De La soul, intelligent hoodlum) and who would have thought that Miami Bass pioneer Luther Cambell (Luke) would be the one to defend artist's constitutional right to use profanity and parody.What I mean to say is that Old School laid a lot of bricks for newer artists to follow; you cannot have Jay-Z without Grandmaster Melle Mel.Something this movie makes really clear.

I saw this at a screening with about 600 people and the crowd went mental. The crowd was really mixed which goes to show you rap is not just for black kids anymore. The fact that Ice is friends with everyone makes a big difference as you can tell that the artist are being 100% real. The overall production value is top notch and the music is mind blowing. If you have never seen free styling seeing KRS and Eminem do it will blow your mind. Another thing that was cool was Kanye's interview, I know there is a lot of negativity about him but in this movie he comes off super humble and sincere. This is a doc that is best seen in a theater as the crowd makes it really fun and seeing these guys HUGE on a screen is fantastic.