Life and Nothing But (1989)

Sadly Over-hyped

Let's be realistic.

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

I watched La vie et rien d'autre, about a year ago. Well, it stuck with me. And I really wanted to see it again. So I watched it a second time. And some things became clearer to me. The central message obviously that war sucks, that war is a disaster for everybody. And nothing should be done to hide this truth from anybody. That's Delaplane's belief, that's his fight, his moral code. And yes, there is a love story coming to interfere with his dull and depressing duty. Why people can't see that a man such as Delaplane could not handle love, specially while in the middle of such an ugly struggle? I read some negative comments about this film. I just could not understand that. This is a beautiful movie, touching, a bit slow certainly, but the topic does require that we take time to learn all the details so as to better understand the nature of this human drama. What pushes all these people to look for remnants of their loved ones, just to have proof of their death. For what? This we may never understand for not having to live through this. Go ahead, watch this movie. It's not a big action movie, no, it's a reflection movie. A movie that a lot of people who see war as something that's glamorous should have seen, but probably never will... alas!

I was fascinated by this film--probably because I am a history teacher and teach about WWI (among other topics). But I wonder if most other people would really care about the plot. You see, it's about the aftermath of WWI and the setting concerns soldiers sifting through the French countryside trying to find and identify all the bodies. The officer in charge is a bit fixated on all this and into his obsessive little world come two ladies who are looking for a husband and a fiancé who have been missing since 1917. The attention to details in the film is interesting and there are many little touches that make it a must see for history lovers. However, I must also point out that for me, the relationships that develop and unfold during the movie don't always work all that well. Plus, another recent French film dealing with the same topic (A VERY LONG ENGAGEMENT) is a vastly superior film. It would be great if you could see them both, but if you only want to see one film, see A VERY LONG ENGAGEMENT--it's better in most every way.

I take issue with some of the negative reviews regarding the storyline. It works. The superb acting of Noiret is better than usual and he's great when he's merely being ordinary. This is a powerful film about the nihilism following the end of la grande guerre. The character of Noiret, a man torn by complex emotional conditions identifying the unidentified, finds himself torn between his own moral code, his emerging love for a widow looking for her dead husband, his repulsion at the profiteering capitalism of industrialists and his secret knowledge of the dead man's bigamy. The intensity of Gallic emotions are often misunderstood by us Americans (too much English influence for my tastes, je suppose) but this is an excellent film with all the necessary elements for a classic. See it. Decide for yourself!

A wonderfully acted and well written drama set in France in the aftermath of World War One. It's a romance about the importance of memory in morality and love and coming to terms with loss on an individual and national scale.