A Sense of Freedom (1979)

an ambitious but ultimately ineffective debut endeavor.

The film never slows down or bores, plunging from one harrowing sequence to the next.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Although the video description is a little misleading as it suggests Jimmy Boyle was an innocent man, the movie, based on Jimmy's autobiography, tells the story of Jimmy's life as a brutal gangster and is amazing from beginning to end. There's a lot of violence and a lot of blood, but some very emotional moments as well which make you re-evaluate your opinion of a person.After terrorising people for ages, eventually Jimmy starts to get a taste of his own medicine - but this guy is too hot to handle.The emotions are raw in this movie and though there is some music, none is needed. The lack of music adds to the intensity of the film and David Hayman's acting as the star of the movie is better than brilliant - he shows us pure evil, anger, sadness, and compassion, and every emotion seems as real as the other.People say that beatings work against criminals so they think such violence should be used as a deterrent - this film proves exactly THE OPPOSITE - when Jimmy is treated like a human instead of being beaten, there is a drastic change which leads to him running a rehabilitation centre and preaching against gangs and violence.The fact that VIOLENCE DOESN'T WORK AS A DETERRENT is what this film proves, evidenced by a man who's suffered loads of it.Jimmy's 'sense of freedom' is when he is treated like a human instead of being beaten.

This is an extremely powerful film. Certainly one of the most influential dramas of its time.But do not be confused.... Boyle is no hero.He was a very nasty individual who had little/no regard for other people and (to my recollection) has never shown remorse or regret for the life he led.By all means watch the movie... it is excellent, but do not mistake his stubborn, rebellious and lawless nature for anything other than it is.

The true story of Jimmy Boyle, one of Scotland's most notorious troublemaker's. This movie gives the viewer; 1. A glimpse into the harsh reality of growing up in one of Europe's toughest neighbourhood's, the "Gorbells" in Glasgow, Scotland, and; 2. It shows the 'Incredible' strength of one man's spirit. Jimmy, use to run small time protection rackets and the usual 'Gangsterism' that goes with, that is until he's caught and sent to prison. Everybody feared Jimmy Boyle, and I understand why, Boyle was one hell of a nasty character and you will see why, but that was no excuse for the brutal punishments this Human being received once imprisoned. He was actually in solitary confinement longer than any other person on record or "in the movies", but that's just one of the punishments Jimmy receives in prison. This movie will bring you through all the emotions that "Midnight Express" did. I actually prefer 'a sense of freedom' because of it's low budget and realism, and it's portrayal of one man's strength of spirit to defy condititioning by way of extreme brutal punishment inflicted upon him by the British Judicial System, this guy would not give in, until they did, unbelievable, you gotta' see what this guy went through. One of my favourite parts is when Jimmy is at His Mother's funeral, so sad, and the line "you'll see, jimmy" J.B. replies "you'll see,!? you'll see f*#k'all without your eye's." Ouch!. Jimmy Boyle still lives in Glasgow, he houses and counsels homeless and drug addicted teenagers.

Peter McDougall, British televisions most unfllinching writer, skilfully avoids making this a message-movie or an adaptation in a traditional sense. It is partly fictionalised, as it is not a story about criminality, it is about Boyle, a man with a will of iron who defies all society's attempts to dispose of him, and eventually reforms through compliance not defiance. David Hayman is very convincing and there's a wonderful cameo from Hector Nichol as a gatecrasher at a party. The violence is noticeably a long time coming. McDougall never needs to throw as many shocks in as possible, but brings in whatever is needed when it is needed. The icing on the cake is Frankie Miller's score and John McKenzie again showing he can film violence more truthfully than any other director. Wonderfully honest for STV, the emotion reaches more grim levels than McDougall's previous BBC works. Hayman plays the death of his mother and his contemplation of suicide beautifully, but most impressive is his curled up, wounded animal figure on the cell floor saying his name over and over again. This is the way to make a television film.