Honest (2000)

Too many fans seem to be blown away

Amazing worth wacthing. So good. Biased but well made with many good points.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

One of the most extraordinary films you will see this year. Take that as you want.

Now I'd be the first to admit that I haven't seen this pop star vanity project for a while, but as they say: Bad memories cut deep and I find it virtually impossible to come up with answers to these questions a) Who would want to pay money for a production with a script as patently rubbish as this and b) If this is the first film where the starting point was.. Nicole Appleton's breasts. When is someone going to pluck up the courage to tell these singing prima-donnas that to star in a movie you need ACTING LESSONS. Britney and Mariah, I hope you're listening too(And who can forget From Justin to Kelly....Urgh). These poor deluded creatures should keep their Hollywood dreams at bay and concentrate on their singing careers (Though admittedly, some of them aren't even too hot at that). Anyway back to the film: Well it's rubbish if you haven't got the message by now, squeezing every British crime movie cliche out into the open and still making a pigs ear of it. Oh Lock Stock, what have you brought upon us?! Plus the movie is full of time-line mistakes considering it's meant to be set in the 60's (check out the goofs section) and it also wastes a fantastic British supporting cast. It all adds up to a huge waste of celluloid, an experience that the All-Saints ( Now embarking on their career as solo artists) would no doubt rather forget and (hopefully) a message that rings loud and clear to all singers thinking of venturing outside their area of expertise.. Don't do it guys!!

This film started poorly and did very little to pull itself up and away from the lowest common denominator; 'roll up and see the All Saints get their boobs out!' Any film needs more than celebrity nudity to make it watchable - sadly Honest didn't have much else to recommend it. The script is average, the plot has an exciting base but doesn't build on this, and the Appleton accents are 'novel' at best. For me Melanie comes away her head held high. She is sweet and engaging as Jo, but is that because she is a good actress or that Melanie Blatt herself is sweet and engaging? The film would always be slated in England regardless of how good it was. It isn't terrible, but it definitely isn't anything to write home about.

Foreign critics have received this movie much better than British ones. Possibly because, although Dave Stewart has done a reasonable recreation of sixties swinging Hippiedom in London, it really isn't that interesting to home-grown audiences any more. The addition of three-quarters of a well-known girl band (All Saints) gives it even less charm (although one of the ladies concerned turns in quite a reasonable performance, as well as letting the camera linger longingly on her bosom. Nice to see ex-pop star Dave Stewart make a go of directing now his music career isn't what it used to be - he's done a reasonable job but he will hardly be hailed as a great director for this effort.

Honest has had something of a rough press in England; it's content and cast earning it a pre-release reputation as "The All Saints Movie". (Even though one of the group - Shaznay Lewis - doesn't appear) More precisely, it has another reputation - that of "The All Saints Exposing Their Boobs Movie". If that's the reason you would want to see this film (and it was a small part of the reason I went. Well, okay, a fairly large part. A large part. Okay, alright, it was the only reason I went to see it. Happy now?) then you'll be disappointed. The scenes in question, heavily cut at the girls' bequest, last for no longer than three minutes, or less than 3% of the film's runtime.What is slotted into the place of a perceived celebrity nudefest is a look at sixties counterculture. We even get a Hendrix impersonation, an LSD trip and Bootsie Collins in the cast. Music is of the era, with some covers of Motown originals by the three girls evident in the background. However, it's all so self-consciously done (Nicole, as Gerry, can't even sit down without picking up an authentic copy of a 1960s Radio Times) that it comes across more as a pastiche or someone's anecdote of what the era was like, rather than the supposedly-genuine recreation of Dave Stewart's youth. Similarly, the satirical bent the movie favours in this regard is a little too broad to be fully effective; though there is a nice little in-joke with "Clement La Frenais" appearing on a roadsign, and a scene where an acid-soaked hippie debates the nature of existence to a cow.The other half of the film is a look at East End villainy; the three girls playing a small-time armed robbery unit who clash with a bigger outfit. Nicole is the definite lead with by far the largest role. She does reasonably well, carrying a surprisingly effective London accent. Mel Blatt, the one who doesn't have to strip, has the smallest role, possibly only 10 or 15 minutes in all. This is a shame as she gives a nice performance, and her lack of achievement with the opposite sex does cause some of the film's main amusement. By far the weakest of the group is Natalie Appleton as Mandy, a tough psychotic. Except she's neither tough nor particularly psychotic and her ordering a crowded room at gunpoint is especially unconvincing. As is her accent, come to that. Thankfully, she too gets a minor role, possibly twenty minutes or so.There's also a love interest with Peter Facinelli as Daniel Wheaton, the romance perhaps not always convincing due to strained relations off screen. In a scene which gives the role-reversal of A Clockwork Orange's "man kills woman with phallic object"; Nicole tries to squish Daniel with a statue of a female nude. He overcomes her, and, eschewing a stunt double, Nicole found herself covered in bruises filming the rest of the fight sequence. What followed has been reported differently, some magazines alleging that during their sex scene together Nicole yelled "cut!". Her account in the reliable Empire magazine states that the fight had caused them to have a massive argument. So much so that the atmosphere was hostile for their lovemaking scene and that, while Nicole didn't stop the filming, she was extremely pleased when a low-flying aircraft disturbed the shoot and curtailed it prematurely.In the same publication the singer was attributed with the following unpromising quote: "Everyone has dodgy first films. But everyone has to start somewhere, and not every actor's first film was great". When your leading actress starts an interview with a sentence like that, you pretty much know what you're getting for your money. But ultimately, three things will go through your mind as you leave the cinema: 1. The film is no classic, but certainly not as bad as you've been led to believe; 2. The 60s were not as much fun as people make out; and 3. Bob Dylan was a truly awful singer.