Dark Alibi (1946)

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

This is a must-see and one of the best documentaries - and films - of this year.

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Usually films with this much activity are cluttered and over- plotted, but it all works reasonably well in "Dark Alibi". It needed padding but rather than slow it down, the producers wisely just kept adding filler bits, so there is a lot going on. The film's basic frame-up concept is good. The police, warden, prosecutor are blended and balanced expertly by the director to advance the plot.Teala Loring is attractive and a good actress, well suited for this b-movie. The old gent who portrays her father does a good job, too. I can live without the Birmingham and Benjamin corny old vaudeville bit but it was popular in the 1940's era and it is a better filler for padding purposes than most routines (filler was probably necessary due to Toler's health). Benson Fong is inconsequential, he just moves along and tries to keep up with the pace. Janet Shaw delivers one of her insouciant tough girl performances that always keep her watchable in films.Sidney Toler gets the job done but he really looks ill at times. He manages valiantly to stay active enough to stride across a room now and then, but he is sitting down in some scenes, obviously for health reasons.Good work by the director, good red herrings, and lots of somewhat overloaded activity provide us with an OK low budget b-movie in "Dark Alibi".

Most of the movies in the Charlie Chan series were bona-fide mysteries that were short on plot credulity and laced with a measure of comic relief throughout. "Dark Alibi" falls in line with this tried and true formula, but somebody dumped in an overload of comedy and nearly spoiled the whole picture. There are a lot of suspects to choose from in the clever plot in which we have to figure out who is the bank robber/murderer who masterminded the crime and used someone else's fingerprints to frame an innocent man. Not bad, huh? Even though the story is a little hard to swallow it gets points for creativity. However...No question Mantan Moreland is a funny guy and gets a lot of mileage here with his pop-eyed, 'feets-do-your-duty' scared stiff routine. He is almost hung out to dry with it, and coupled with some misguided scenes with Benson Fong as two incompetents, it is all too much. The picture could have been 15 minutes shorter without some of the excruciating hi-jinks involving these two. The cast was a good one, production values were very good and the film did not betray any trace of a Poverty Row production. Recommended for Charlie Chan fans and for those who enjoy a mystery in which the murderer is very tough to spot (and don't worry too much about the details).

This is my twelfth review of a Charlie Chan movie in series chronological order on these consecutive days. In this one, a man who's been out of prison for twenty years is suddenly arrested for a recent robbery at a bank he claims he's never set foot in. His daughter and lawyer are on the verge of giving up until Charlie overhears and offers his services...Directed by Phil Karlson who had previously helmed The Shanghai Cobra, he once again provides an exciting beginning and ending sequence for a Chan entry. While I admit to not understanding everything that is going on concerning the case, it was still interesting to hear Charlie's analysis, as always. And despite the now-not-very-acceptable stereotype of a scared black man with bulging eyes in these modern times, Mantan Moreland is still funny to me when he does what he does here. His comedy is perfectly aided, once again, by Benson Fong as "No. 3 Son" Tommy, and Ben Carter in a reprise of his and Mantan's "interrupted talk" from The Scarlet Clue. Even Charlie joins in this routine at the end. Incidentally, Carter would pass away not long after appearing here. Good atmospheric touches throughout. So on that note, I recommend Dark Alibi. P.S. Joyce Compton, who's Emily Evans here, was a native of Lexington, Ky. where I lived as a child from 1974-75 during which my youngest sister was born. Ray Walker, who's Danvers here, was another character actor who appeared in my favorite movie-It's a Wonderful Life-as Joe, a luggage handler who gives the adult George Bailey his suitcase with his name on it as we see James Stewart as the lead character for the first time. Also, on a personal note, I started watching these Monogram Chan movies (usually starring Roland Winters) on my local station here in Baton Rouge on Channel 2, WBRZ-TV, in the late '70s during the late night lineup of movies on Saturday morning on "Charlie Chan Cinema". The wraparound open and closing sequence had someone banging a gong before we dolly to a silhouette of a Chinese man speaking in Pidgin English introducing the movie and mentioning the next week's title, respectively, while the country's type of music played in the background. Actually, since we only see his shadow, I don't know if he was actually Asian or some other race but that was my memory of that sequence...

I was a fan of Charlie Chan when the films were first released. I did not realize Sydney was past 70 when he made this movie. There is a lot of humor in the prison scenes. There are a couple of big scenes that come as a surprise for a film that had a shoestring budget. One is the interior of a real prison with the convicts going into their cells in unison. That scene is melded into a stage copy of the same action but slightly more modest. Another scene has a big moving camera set as the cast enters a police lab. There are a lot of familiar faces in the supporting cast. Everyone does a great job with their role. There are some exterior shots of the old cars and trucks which were not that old when the movie was made. This is a good old movie to watch to get a glimpse of what the world was like right after World War II. While watching it you will want to check the ladies hair styles and the interior of the old rooming house and telephones.