Docks of New Orleans (1948)

I gave it a 7.5 out of 10

Good story, Not enough for a whole film

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

This is one of the Roland Winters episodes. He is really weak as Chan. Of all the non- Asians who played Charlie, he is the least Asian appearing of all. He delivers lines poorly and is, frankly, boring. This is another episode about international terror. Apparently, some guys are trying to kill masses of people by producing a kind of poison gas. Once again, while everyone is in a room, a guy goes into his office and dies mysteriously. There is something to do with radio tubes and high frequency sound. It's a good idea, but the way everything unfolds is so far fetched. Another weakness is how little Mantan and Tommy are utilized. Since Chan is so lame, these guys are normally the fun. Winters seems to have no chemistry with these guys. One can see the series gasping for air as we move to the last episodes.

Charlie Chan (Roland Winters) is asked by one of the owners of a chemical plant to investigate the murders of some of his co-owners. The guy is worried he's next. At least, I think that's what the plot was about as it was convoluted and the movie was so dull I stopped caring early on.Winters is absolutely terrible as Chan. I can't stress this enough. I hate everything about his performance. I especially hate how he delivers lines ("How long you have..uh...been...uh..shaking hands with trouble?"). There is nothing likable or appealing about Roland Winters performance in any of his Chan films. Mantan Moreland is in this as Birmingham Brown. The less said about him the better. Victor Sen Yung is Tommy Chan. Why they messed with the names I don't know but for all of the Toler Chan films he appeared in, Sen Yung played "Number Two Son" Jimmy. Benson Fong played "Number Three Son" Tommy, a totally different son. But when Winters took over the role of Chan, they kept Sen Yung on but changed his name from Jimmy to Tommy, even though he's still referred to as "Number Two Son!" Just another example of the shoddy writing and production at Monogram. This is an exceptionally boring Chan film. Attractive Carol Forman is about the only thing worth recommending about this one.

A ship is being loaded at the Port of New Orleans, where the LaFontanne Chemical Company is shipping out a load of chemicals. Mr. LaFontanne(Boyd Irwin)is visited by two of his partners that for some reason want a death waiver on each other put in place; this demand seems suspicious just as Mr. LaFontanne discovering that he is being followed. There is the chance that the ship is being loaded with something other than chemicals and it is becoming apparent that someone doesn't want the ship ever leaving the dock. LaFontanne hires Charlie Chan(Roland Winters)to find out who and why he is being shadowed. In the mean time a former partner thinks the Chemical Company swindled him out of his invention of a poison gas...now he wants more than he was originally paid. This is a reason to threaten Mr. Fontanne, who drops dead in his office before a meeting with Chan. This script is too contrived and poorly acted. Winters just doesn't have the charisma to be a decent Charlie Chan. Other players: Birmingham Brown, Victor Sen Young, Virginia Dale, Howard Negley, Douglas Fowley and John Gallaudet.

Docks of New Orleans has one scene that makes the whole movie worth watching. Number Two Son Tommy Chan and chauffeur Birmingham Brown decide to play a duet of ' that old Chop Suey Boogie', with Tommy on violin and Birmingham on piano. The look on Charlie Chan's face as he hears the off key tune from another room, while trying to solve the murder mystery, is priceless.Spoilers ahead: The clever ending, with a captive Charlie Chan tricking the bad guys into believing they have been trapped in a room filled with odorless poison gas, is quite amusing. Roland Winters brought a very low key wit to his portrayal of Chan, which serves the character well; as Charlie frequently reacts to the outrageous events around him with one raised eyebrow and an air of humorous resignation at the idiocy he must contend with, from both dopey policemen and his enthusiastic assistants. This is one of the lesser films in the long running series, but fun for Charlie Chan devotees.