Casanova Brown (1944)

Most undeservingly overhyped movie of all time??

Dreadfully Boring

Mostly, the movie is committed to the value of a good time.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

A man named Casanova becomes involved with a number of women and a cute baby. This attempt at screwball comedy has a few amusing moments but much of the humor is forced. Despite the efforts of veteran screenwriter Johnson and director Woods, the film takes a while to get going and soon runs out of steam. Cooper tries hard but can't overcome the weak script. Morgan comes off best, playing Cooper's would-be father-in-law. Wright is perky as Cooper's wife, but seems too young for him; there was an age difference of over 17 years between them. Interestingly, the baby girl is played by a fellow named Billy Chapin, who went on to have a brief acting career before retiring at age 16.

This movie starts out promisingly, with an early scene in which Frank Morgan advises against Gary Cooper's marriage to his daughter, Anita Louise. Frank Morgan, playing an unabashed gold-digger, loudly complains to Cooper about his perceived penury at the hands of his family - including his daughter, Anita Louise. I am a fan of all 3 actors. Frank Morgan is (to my mind) a Hollywood treasure, Cooper a legend, and Louise a very lovely, versatile and under-appreciated actress seldom seen in the leading role. I also have nothing against Teresa Wright, and while not blessed with great range, she usually delivers heart-warming performances.From a promising opening, the story slides downhill all the way to the end. I found nothing humorous about burning down the home of Cooper's would-be in-laws. The butler in such a fastidious, non-smoking household would never just blithely walk away, allowing Cooper to continue smoking, or alternatively he would certainly supply him with some means of disposing of his ill-timed cigarette. Moreover, nobody with any common sense would permit himself to be left holding a lit cigarette without asking for some means of disposing of it. And finally, nobody in his right mind crushes out a cigarette in a handkerchief and sticks it in his pocket! This whole sequence just made Cooper seem foolish and gauche. It is a poor contrivance - ill conceived and filmed in a way that induces ridicule not laughter. The forced medical examination of Cooper is equally contrived. Nobody lets himself undergo a complete medical examination without his being advised of its purpose or giving his consent! That Cooper did so is too removed from reality to be funny - it's absurd! Stealing babies from hospitals is a serious legal offense, and that, too, is nothing to laugh about. Finally, the scenes of Cooper's overly fastidious, neurotic attention to his baby's feeding and weight may have struck a nerve with a few people who have experienced anxiety over their own newborn babies. But to me they just seem tedious and slow. The wardrobe and prop departments went over the top in those scenes, while paradoxically, the script writer went to sleep.The lines are just not in the script to generate humor. They just miss on all cylinders. The laughs come not a mile-a-minute, but more like a light year-a-minute. The only time the movie has any energy or humor is when Frank Morgan is on camera.The scene that is totally wasted is when both of Cooper's love interests and their respective fathers are cooped up in the same hotel room together. There is probably a rich vein of humor somewhere in that mine, but none of it was extracted.In the end, one of the two very likable girls is going to get hurt. Predictably, it is the Anita Louise character, who gets jilted on her would-be-wedding night! While it is not on camera, that is her fate, and it is not particularly funny - even as a loose end. She hadn't done anything in this film to make me unsympathetic (unlike Gail Patrick, say, in My Favorite Wife). Consequently, I was expecting (perhaps "hoping" is a better word in the context of the film!) for Anita Louise to enjoy a happy ending, too. The fact that such a nice character is essentially wiped out at the movie's end really undermines the effect of the "happy ending" for Cooper and Wright.I kept waiting for something to happen, for the witty dialog so characteristic of movies of the era... And it never delivered. A good performance by Frank Morgan in a slightly different role is totally wasted here.

What a waste of time. There is absolutely nothing funny in this so-called comedy. The plot, or lack of it, is is pretty stupid and corny. Gary Cooper was much better in Ball of fire and Meet john doe and Teresa Wright didn't do many comedies. Don't waste your time.

As a professor on the verge of matrimony for a second time, Cooper (the unlikely Casanova here) learns he's become a new father, by his ex-wife Isabel (Teresa Wright). He wants to find out the truth for himself so visits the hospital directly. One thing leads to another and he decides to kidnap the baby, with mostly awkward and hilarious results.I like Frank Morgan in this movie as he tries to be the practical observer and adviser. He shines with his usual wit and bumbling charm. Cooper, being the 'outside parent' makes an interesting remark at one point about fatherhood, that men can be fine leaders and do great things but can't be considered capable enough to raise a child, all of which goes to show the roles society dictated then and even now.This is amusing entertainment without going overboard on comedy.