Arsenic and Old Lace (1944)

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

The first must-see film of the year.

The movie is wonderful and true, an act of love in all its contradictions and complexity

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Two seemingly sweet little old ladies bump off their lonely male lodgers much to the horror and surprise of their newlywed nephew Mortimer (Cary Grant).What I had hoped would be a charming American comedy classic turns out to be amongst the most tortuous two hours of cinema I have ever sat through. Directed by Frank Capra, the film stars Cary Grant as Mortimer, a writer renowned for his anti-marriage diatribes, who has just done the unthinkable and got hitched to beautiful blonde Elaine (Priscilla Lane). But before Mortimer can leave with his wife for their honeymoon, his discovery of a dead body at his aunts' Brooklyn home throws him into disarray.With zero concern for subtlety from either Capra or his star, Arsenic and Old Lace is a loud, repetitive, drawn-out exercise in absolute tedium, the plot going round and round in circles until the viewer is finally put out of their misery with a really dumb ending. Grant over-acts like his life depends upon it, mugging and doing double takes whenever possible, as though this is all that is needed to drum up laughs; it isn't. The majority of the supporting cast are just as insufferable: the guy who thinks he is Teddy Roosevelt really grates, the old ladies are far from endearing, Raymond Massey (as Mortimer's escaped criminal brother Jonathan) glares a lot, and Peter Lorre merely plays a caricature of himself.Somehow this movie has earned itself a solid reputation and a high IMDb rating (8.0), which confuses me just as much as It's a Wonderful Life's place at #25 in IMDb's Top Rated Movies. What is it that others see in Capra's films that I don't?

AAOL is based off the play by the same name. It centers around the comic life of two, young newly-weds who are getting ready to go on their honeymoon! The gentleman, played by Cary Grant, was reared and has been living with his two eccentric aunties and relative Ted for some time now. Soon to leave for his honeymoon, he is aghast to learn that there is a corpse of a dead man in the dais of their sun-window in the front parlor. Assuming that his demented (but sweet) relative Ted did the dastardly deed himself (after all, Ted thinks he's Teddy Roosevelt!), Grant learns that his aunties did this murder, and have been doing it for many years. All is Okay though, because the sweet ladies are killing these aged old men off for charity, so that they don't live too long in aged agony! Add to the farce, there are eleven more bodies buried in the basement, and Ted buries them thinking they are simply victims of Yellow Fever from digging the Panama Canal.

Arsenic and Old Lace is a farce directed by Frank Capra with an underlying dark comedy. It does feature a tad too much mugging to the camera and its theatrical roots are hard to hide.Mortimer Brewster (Cary Grant) is a famous drama critic known for his anti marriage stance. Which explains why he is trying to get a marriage licence incognito. He is getting married to the girl next door, Elaine Harper (Priscilla Lane.)Before he goes off to Niagara Falls for his honeymoon he brings her to her family home to announce his nuptials only to discover that his two kindly understated elderly aunts have been putting arsenic in their homemade wine and knocked off lonely old men and buried them in the cellar with the help of a delusional uncle who thinks he is Teddy Roosevelt and keeps blowing the bugle.It gets worse, this is the night that his long lost older brother has returned, preferably escaped or on the run from somewhere. Jonathan Brewster (Raymond Massey) has turned up with a Dr Einstein (Peter Lorre.) Jonathan has had plastic surgery which has made him look like Boris Karloff and it seems he has also brought a corpse with him.Mortimer fears for his new bride's safety and in the ensuing mayhem a flatfoot calls to look into the madcap Brewsters.The film is fun, at times frenetic but is really too long for this type of comedy. Cary Grant just about gets away with the mugging to the camera, Lorre and Massey are sinister and funny together. Lane is sidelined too much. The film just feels a little too sloppy and out of control. An honourable failure.

And it doesn't even gallop, it's like roadrunner's running style. Indeed, this is one of the craziest movies you'll ever experience, even by today's standards. Yet it is so confident in its material that it embraces it with wide open arms and squeeze the most out of it… sometimes a little more than needed.Roger Ebert said that no good film is too long, no bad film is short enough, but I think there should be an exception with screwball comedies, because they're fast-paced and rely on plots that are the densest in terms of twists and situations' reversals, so that eighty non-stop comedic minutes have the same two-hour feel than thrillers. "Arsenic and Old Lace" would have benefited from a wiser editing, and Cary Grant's performance should have taken a significant part of it. The star himself disliked his performance saying it was too over-the-top, and "Casablanca" writers Epstein brothers, who adapted the play, expressed similar concerns.Director Capra agreed to make a few changes but the call of World War II left the initial production unaltered and some notable irony in Grant's acting as Mortimer Brewster: the straight-man of perhaps the most lunatic movie family ever being no less lunatic in his own reactions. His two aunts (Josephine Hull and Jean Adair) have discovered an unorthodox way for euthanizing old and lonely men: some glasses of wine mixed with arsenic, strychnine and a pinch of cyanide. It's less the fact that they just 'relieved' their twelfth victim from the burden of life that is funny in its wicked way but their total obliviousness to it, and this is where Grant's acting doesn't match the actresses' performances.The two aunts are funny because they are exactly as you would expect two old ladies to behave: sweet, smiling and cheerful, thus contributing to the funniest running-gag when no one, not even cops, believe they really buried corpses in the cellar. Someone acting ridiculously isn't funny, but someone being ridiculous in all seriousness can be. So while the aunts play their part with the perfect dose of nuance, cluelessness and a pinch of detachment, Grant's reactions when he discovers the corpse, learns about their actions, tries to reason them or to get his newlywed wife Elaine (Priscilla Lane) out of the house, are so over-the-top that they undermine the plot's credibility.What can be so credible about two old ladies who kill men and get away with it? Well, even the zaniest screwball classics had order within their chaotic story-line. "Arsenic and Old Lace" follows a clear plot line, Grant must prove that the acts of killings are from his crazy brother who pretends he's Teddy Roosevelt, so he has to keep the lowest profile. Yet his hysteria has side-effects and raises more suspicion and troubles than his brother's antics and aunts' behavior. In the end, he's as crazy as everyone else, one can blame it on the shock but he never feels like recovering from it and plays Mortimer Brewster in the same note. Now, is he funny? Yes, even hilarious. On its own, Cary Grant is unforgettable with all his screams, charges, howls and mimics to the camera, Grant really takes you off-guard and proves that he has the comical timing of the greats. It is just that he's not in-line with the other performers. And what was just a feeling in the beginning was confirmed when the two villains made their entrance: Raymond Massey as brother Jonathan and Boris Karloff's lookalike (another funny leitmotif) and his diminutive companion, Dr. Einstein, played by Peter Lorre). In the scene where the two men discover the macabre truth about the cellar, they don't overreact, but they simply compare their tallies and have a similar argument about one who didn't technically die by being killed till 'Johnny' points out that if the ill-fated man hasn't been shot, he wouldn't have died of that pneumonia.So, I'm torn between two attitudes when it comes to Grant's over(re)acting. I love to think that Mortimer wouldn't be so "crazy" if he wasn't surrounded by such crazy people, and his attitude is precisely the one of a sane person, but I'm pretty sure there was a way to tone it down. His character wasn't far from his Dr. Huxley from "Bringing up Baby" who also had a lot to deal with, and Huxley had an interesting line, he said he felt some attraction toward Hepburn's Susan during quiet moments, but there were no quiet moments. I wish Brewster went into quieter phases and not just when he was gagged.Now, the film had all the ingredients to the perfect screwball classic, using every kind of humor, and some great meta-referential jokes, exploring the profession of Brewster as a critic, it just tried to be too funny for its own good while a little less would've been better. But I'm being too harsh on the film; overall, I think it's a very nice moment you spend watching it, its length doesn't ruin the enjoyment and it has aged well, like a good wine... without any lethal addition of course.