Charley's Aunt (1941)

Very disappointed :(

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Umpteen film versions of the classic farce have been filmed, and this one (along with the rarely seen musical version) ranks as the most famous. Jack Benny is about as British as I am, but he delightfully parodies the eccentricities of his fellow Oxford residents, mincing deliciously when he is forced to dress up as Whistler's Mother to be a chaperon for his roommates and their lady friends. Pretending to be one of their aunts, he is unprepared for the real aunt's arrival, she being totally amused by his identity theft and the fact that the faker couldn't be any more different than she is. She's the lovely Kay Francis, and he looks like something that would turn a cucumber into a pickle without the use of vinegar.It's surprising to see Richard Haydn in a straight romantic role considering his comic character parts in films like "Sitting Pretty" and "The Sound of Music". Joined by the handsome James Ellison, they are excellent comic agitators to Benny's blackmailed female impersonator. Anne Baxter and Arleen Whelan are appropriately giddy young girls mostly utilized as window dressing, but oh, what a view... Francis turns a small role (approximately 20 minutes on screen) into a nice return to "A" films after being neglected in her last years at Warner Brothers and reminds how charming she was in light hearted roles. Eccentric portrayals by Edmund Gwenn (hysterically chasing Benny), Reginald Owen and Laird Cregar (having to get blitzed to romance Benny's female character) are excellently bumbling and filled with droll humor.I should mention the British version made around the same time called "Charley's Big-Hearted Aunt" with Arthur Askey which is not as well known in the States but very funny in a different way with some twists not used in the other versions.

Most cross-dressing films ("Crying Game" excepted) require a fundamental stretch of the imagination--that Dustin Hoffman, Tony Curtis and Jack Lemmon (and Tom Hanks for that matter) can all be accepted as women with only a wig, a dress and a falsetto voice. Hoffman took the disguise farther since "Tootsie" was a much milder farce, and almost succeeded, but still there was that voice. Jack Benny in drag requires far more of a stretch than the rest, as he is easily the uuuugliest cross-dresser ever. Wearing only a bad wig and a Mother Hubbard over rolled-up pants (from which much humor derives), he could well have been used as the model for J. Thaddeus Toad's female get-up in Disney's "Wind in the Willows." What makes it funnier is, he's the most reluctant female impersonator of all, and not above mixing it up in most manly fashion with the fellow students who have coerced him into this masquerade. You can get the plot from several other reviews. What's weird is that the two gorgeous ingénues in the flick (one of them Anne Baxter, long before Eve and Nefertiri) spend a lot of time necking with this supposed old lady, and not reluctantly. WE know "she's" a man but THEY don't, yet there they sit smooching it up with "her" and enjoying it. Kinky-winky, as Paul (center square) Lynde used to say. Fortunately for those who find all this a bit too odd even for farce there's the wavishing Kay Fwancis, wavishing indeed, as the title character and reason for all this foolishness, and along with Laird Cregar (playing it straight for once) the calm center of the storm. Quite funny even if some of it is unswallowable.

A couple reviewers have commented that this film is not available, though it is now available on DVD. Unfortunately, some of Jack Benny's other films (such as THE MEANEST MAN IN THE WORLD) are not.Jack Benny plays perhaps the oldest college student ever filmed. At 47 years of age, casting this comedian seemed like an awfully big stretch. Through a series of mistakes, Benny pretends to be a rich widow in order to avoid being kicked out of college. Unfortunately, this ruse snowballs when two men fall for "her" and the real lady widow appears on the scene! CHARLEY'S AUNT is a film that is based on a play produced in 1892 and has been filmed on several occasions. This is the second American sound version and it is quite polished and clever (with an excellent supporting cast)--though the film also shows a bit of its age. While funny, it also seemed rather old fashioned and familiar--perhaps too familiar--with much similarity to many other films involving a man dressing up as a lady. Perhaps in 1941 it was a hit, but today it just seemed very reminiscent of too many other films, such as SOME LIKE IT HOT and TOOTSIE--both of which are better films. One of the main reasons is not just the script but Benny seemed miscast due to his age AND he just didn't look or sound like a lady. Dustin Hoffman and Jack Lemmon definitely seemed more suited for their parts.Still, despite these shortcomings, it's a pleasant time-passer and a film that is hard to hate.

Jack Benny is "Charley's Aunt," in this 1941 film version of the famous play, one of several film re-creations that exist. Benny plays Fancourt Babberly, a somewhat older student at a British university in the late 1800s who, through a series of complications, winds up playing Donna Lucia of Brazil, the aunt of another student, Charley, because Charley and his friend Jack need a chaperone in order to have the dates they've planned. The late-arriving aunt is actually portrayed by the lovely Kay Francis, and wait until you catch the look on her face when she sees what's been impersonating her. As ridiculous looking as Fancourt looks in his drag attire, he manages to win the hearts of both the ward of one of the young women and the father of Jack Chesney, who pursue him relentlessly. Fancourt, meanwhile, finds the real Donna Lucia quite a strudel.There's nothing like a man in drag for laughs, and when the man is Jack Benny, watch out! Benny, famous for his long takes, is delightful here, and what makes him even funnier is that every once in a while, he says one word or another with a British pronunciation in the middle of a sentence where he's using his typical American accent. It had to be on purpose.The DVD of the film has a short publicity reel shown in theaters called "Three of a Kind," which has Benny in the 20th Century Fox commissary trying to explain his role to Tyrone Power and Randolph Scott as a bellhop asks his approval on a girdle, a dress and shoes. It's very good.Jack Benny was a wonderful actor and comedian with a great, dry, sometimes exasperated delivery. He made audiences laugh for years. Thanks to the existence of his radio shows and movies, he's still doing it.