The Slowest Gun in the West (1960)

That was an excellent one.

There are better movies of two hours length. I loved the actress'performance.

The best films of this genre always show a path and provide a takeaway for being a better person.

This film is so real. It treats its characters with so much care and sensitivity.

"The Slowest Gun in the West" was a pilot for a TV series that wasn't picked up by the networks. After seeing it, I could easily see why...it was terrible.The town of Primrose is filled with evil gunmen and a nasty boss (Bruce Cabot). However, the townsfolk want the place to be a nice place to live and keep hiring sheriff after sheriff--and they get killed one after another. One day, an abject coward, The Silver Dollar Kid (Phil Silvers) comes into town and the townsfolk get an idea--hire this annoying guy because he's such a coward that the gunmen won't kill him because they don't want to be known as the guy who murdered a totally yellow guy(?). And, using lots of anachronistic and annoying ways, the new sheriff brings peace to the land.The show has three huge problems. The biggest is the ever-present and annoying laugh track. The other is that while this idea MIGHT have worked, it certainly wasn't enough to support a series. Additionally, Silvers and his shtick was 100% annoying and became grating as the show progressed. Overall, a rather dopey idea that just didn't work.

This seems to have been made immediately after the "SGT Bilko" show went off the air, as a vehicle for Phil Silvers by Nat Hiken, the mind behind "SGT Bilko." It may have started out as a pilot for a new show starring Silvers. If so, it is not surprising that it was never made. Silvers' character as a fast-talking con-man does not merge well into the western genre.It is always good to see Silvers in anything, but he's not very convincing as a cowboy, even "the slowest gun in the west." There are some funny moments, but many of the jokes fall flat. The theme-song, a western-style ballad about the Silver Dollar Kid (Silvers' character), is repeated far too many times, far too loudly, and gets intrusive after a while. The rest of the cast is stiff, and do not seem to be very well-rehearsed.The movie picks up when Jack Benny's character appears. Benny was rather famously not very good in movies, but he is very natural in this role -- which is just an extension of his character from radio and TV. Unfortunately he isn't in the movie very much, and the climax of the movie is a big letdown.It might be fun to see for fans of Silvers or Benny, but don't expect big laughs.

I have never liked canned laughter and it certainly did not help here. Yes, I do like "Gilligan's Island".Like viewing the burlesque skits of old Vaudeville, one can intellectually understand that something should be funny, once was, but today it will just miss the mark. I wanted to like this as so many well rounded performers took part in the effort. After viewing this made for TV film I remember seeing it when it originally aired, I did not then find it funny, yet I appreciate why it should elicit a smile. I watched because I recall, as a child, some of the humour of the "Phil Silvers Show" - that was the 1950's, it is now 2008 and the bloom is off the rose.

This is an innovative and hilarious western starring veteran comedians Jack Benny and Phil Silvers. The town of Primrose, Arizona is filled with outlaws. In desperation, the law-abiding townspeople hire the cowardly Fletcher Bissell III (aka The Silver Dollar Kid, played by Silvers) as their new sheriff. The townsfolk are convinced that law and order will be restored because the local outlaws will be too proud to gun Bissell down. This proves to be the case, because none of the outlaws wants to ruin his reputation by being "the man who gunned down The Silver Dollar Kid." In retaliation, the outlaws hire their own cowardly gunfighter, Chicken Finsterwald (Benny), to go up against The Silver Dollar Kid. Finsterwald's "style" of gunning people down theretofore amounted to knocking out an old lady's cane in a dark alley and shooting her in the back. Despite pressure from the townspeople and outlaws, both Finsterwald and The Kid manage to avoid confrontation until the final, surprising showdown in the street.Benny and Silvers are at their best in this one, with Silvers' wisecracking and Benny's low-keyed, self-effacing humor and deadpanned looks. Great support work is provided by veteran heavies Ted DeCorsia, Jack Elam, and Lee van Cleef. The dialogue is smooth and never forced, probably due to a combination of such a "veteran" cast and a good script. Nat Hiken wrote and produced this film. TV buffs will recall that he wrote, produced and directed "The Phil Silvers Show" in the 1950s and "Car 54, Where Are You?" in the 1960s.This is a movie the whole family can enjoy. The movie was made for television and I do not know if it is available on videocassette. I highly recommend it.