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Killing vs. the Flying Man

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Killing vs. the Flying Man (1967)

January. 01,1967
|
5.1
| Adventure Crime Science Fiction
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The first sequel to KILINK ISTANBUL'DA picks up right where the 1st installment left off. Superman manages to locate Kilink's hideout on a remote island where his fiancé and her father are being held behind bars. Meanwhile, Kilink's scientists finally manufacture a lethal destructive canon-like weapon that is able to blast away even portions of mountains.

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Reviews

ChanFamous
1967/01/01

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

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Robert Joyner
1967/01/02

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Benas Mcloughlin
1967/01/03

Worth seeing just to witness how winsome it is.

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Sienna-Rose Mclaughlin
1967/01/04

The movie really just wants to entertain people.

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udar55
1967/01/05

"Shajam!" Thank heavens Onar films released this on DVD because it ties up one hell of a cliffhanger from KILINK IN ISTANBUL. Running only 50 minutes (with the first 20 being a recap of ISTANBUL), this one features more of everyone's favorite criminal mastermind Kilink. He keeps seducing the ladies who apparently love kissing a skull mask. We finally get to see his death ray in action (its a big flamethrower that blows stuff up) and even get some comedy relief this time around with a knucklehead boat captain. They flying man with a big "S" on his shirt (copyrights be damned) is back and everyone is still clueless to his true identity. No one even suspects a thing when he shows up in a locked cell. When people ask where his alter ego went, he merely says, "Ah, I think I saw some of Kilink's guards take him away." He is quick on his feet. A section of the film (the climatic duel on top of a building) seems to have been lost and is recreated via a series of stills and voice-over. Strangely, this adds to the films charm. John Barry supplies most of the score. =)

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