Deadly Games (1982)

A lot of fun.

While it doesn't offer any answers, it both thrills and makes you think.

The film may be flawed, but its message is not.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

1982 slasher Deadly Games (not to be confused with the similarly titled '84 slasher Fatal Games) begins promisingly enough, getting its first scene of gratuitous female nudity in well before the opening credits have finished—that's got to be some kind of record. The topless beauty is then chased through her very dark house by a killer dressed in black (including regulation ski mask and gloves), before the woman falls through a window to her death on some rocks. So far so good.Sadly, after this encouraging start, it's all downhill. The victim's sister, Keegan (Jo Ann Harris), turns up at the scene of the crime, and a more irritating character it would be hard to imagine: within minutes you'll be wishing it was her who took the face plant onto the rocks, the woman's goofy mannerisms and constant, supposedly amusing quips proving irritating in the extreme. And she is the main character for the next eighty minutes or so. Not so great.The remainder of the film primarily consists of Keegan developing a relationship with married cop Roger Lane (Sam Groom) and a friendship with Roger's best buddy, oddball theatre owner Billy Owens (Steve Railsback), one of whom is obviously the killer. This leads to such exciting scenes as the threesome going to the park for a football game, watching an old movie at the theatre, and playing a board game (part of a montage that is accompanied by a lousy song), all of which has sod all to do with the plot.After lots of pointless waffle, interspersed by a couple of random jump scares, a spot more nudity (during the obligatory sex scene), and a couple of bloodless murders, the film ends with a predictable chase through the darkened theatre, after which Keegan conveniently finds a gun and shoots the killer dead. Normally this would signal the end credits, but writer Scott Mansfield has another surprise up his sleeve, one that'll leave you wondering what the heck you just watched.

"Deadly Games" a.k.a Who Fell Asleep, which to be honest I did as it just dragged mostly for me. It started off well with a young woman getting disturbing phone calls and then getting attacked by a man in a ski mask, which was quite tense and exciting, but the outcome was rather tame.The aspect that I did like about it was the characters, especially the core female cast which I did find rather interesting and blossoming romance between the female lead and the cop, which was actually kind of sweet and they had decent chemistry together. But after a while it did get rather tedious, like for a start none of the other murders had any real spark or tension to them. But the lead actress Jo Ann Harris was rather likable as the female lead, and quite refreshing to have someone real and plucky in the role.It's just everything else in this movie just lacks, for a start the killer was just too easy to figure out and when it came down to the final scenes, it was just well dull and total lack of proper motive, just made everything that came before it rather disappointing.All in all there are glimmers here and there of a decent slasher movie, but sadly not enough of anything special with a mystery element that just doesn't work, despite good performances, this movie was just way too boring to keep me that interested.

After the death of a young lady in a quiet town, Keegan the sister of the victim shows up and gets tangled in the daily life of the town inhabitants. Soon there's another victim, and Keegan takes upon herself to figure out who the killer is while wooing with the cop who's on the case.Aggravating! Here's another case where the video artwork does a good enough job selling what is a generically spineless and tedious slasher fare of the 80s, where it deserves to languish in obscurity. It's a mystery story at heart, but director Scott Mansfield looks like he was influenced by the slasher craze (with certain set-pieces) that formulated in this period to deliver an indistinguishable feature of too many spontaneous changes in its patchwork direction. This would go on to devoid the structure of tension.What starts off amusingly decent (some lady stripping and fondling her breasts in the front doorway of her house?!), transcends in to a sluggish (if peculiar) melodrama of redundant sequences involving endless interactions (like a playing a board game, while sharing the good times with a trite sounding song accompanying) and vacant characters, only to be broken up by some tame and non-suspenseful killings. The two elements never entirely gel together. The premise is cluttered with predictable and perplexing details, which only made me yawn and look at the clock. The mystery/or the slasher side of the story is half-baked that when it comes to the reveal of our ski-masked, glove wearing killer it's quite unsatisfactory. That's if you've made it that far, but the ending is an unusual choice.Not helping the slight story and turgid script, was that the visuals were poorly lit and cinematography looked dusky (however there are moments like the pointless football game that's extremely well shot). I thought maybe it was the video, but the lighting in certain scenes was non-existent, which leads to the assumption that it was due to the production's low-budget. Was this the case of trying to rally up mood and atmosphere? If that was so, it didn't always work despite the best efforts by director Mansfield. Were it seemed to pay off was the choice of some eerie, high-pitched sound effects and music score. These were well executed.The performances are somewhat acceptable with leading actress Jo Ann Harris making head-way with her quick-witted attitude and sincere appeal, even with that somewhat squeaky voice. Colleen Camp is fine, Sam Groom is laughably unconvincing in his role and a disinterested Steven Railsback is pretty much wasted.This mundane and diluted effort can only roll up a 2 on this dice and leaves you thinking maybe it should have discarded it's slasher strokes.

I somehow thought this movie would turn out to be an undiscovered treasure, but no such luck! Visually murky and poorly plotted, this is basically an oh-so-familiar retread of "Halloween", though the director shows some talent and tries to surpass the limitations of the script. The lousy ending does not help. (*1/2)