Clash (2009)

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

I picked out CLASH from the shelves on the strength of it being a Vietnamese martial arts thriller – and knowing the calibre of recent Thai fare in the same genre, I was hoping it would be up to the challenge. Sadly, it turns out to be a bit of a lacklustre effort, one that's hampered by a low budget and a lack of creativity and freedom in delivering the action.As soon as the central team are holed up in a dilapidated, run-down old country house as their base of operations, I knew this would be a shot-on-the-cheap kind of movie. And so it turns out to be. Strangely, the plot seems to be virtually copied from the Frankenheimer movie RONIN, right down to the hotel stakeout, the double cross, and the reveal of one character's background at the end. Needless to say, it doesn't hold a candle to that movie.Instead, this is the kind of predictable and slightly cheesy fare that appears to have been done on the cheap. The script is poor and the performances are nothing to write home about, which leaves us with the martial arts to contend with. I can report that the fights are pretty well staged, if not reaching the same level of greatness that we saw in ONG BAK, for example. Johnny Nguyen is a great fighter, but the camera doesn't love him like it loves him in WARRIOR KING and it's all just a little bit by rote. The same goes for Ngo Thanh Van – she's arresting, but only on a B-movie level.The result is a film that's average at best, and which feels a little bit stale and past it's sell by date. Nevertheless, I plan to check out a few more Vietnamese movies to see what they're capable of delivering.

I suppose one of the best ways to plunge into the cinema of another country, is for action junkies like myself to see what they have to offer for the genre. I haven't seen a Vietnamese film before Clash, so it's anyone's guess how it would have turned out, though there were plenty of positive reviews for other Vietnamese action flicks such as The Rebel, which also starred leading man Johnny Nguyen, a veteran in his part of the world, who also served as the writer of this film. It shouldn't be that bad, right?For the most parts, the film was mighty entertaining, telling the story of a female mercenary code named Phoenix (the stunningly beautiful Thanh Van Ngo) who had assembled a rag-tag group of peers to go on missions, one of whom happens to be Johnny Nguyen's Quan with whom she shares a relationship with. Her objective through these dangerous missions is to ultimately save her daughter from the clutches of her evil employer. So much for mother's love, since Phoenix was a one time prostitute who got taken off the streets to do her employer's dirty work, complete with a quick montage of her training.That's as far as the story goes, with enough twists and turns and double crossings to keep the audience engaged in pretty much a flimsy plot, designed only to keep our characters floating from fight sequence to fight sequence, which is truly the draw of the film, influenced in many ways by Hollywood and Hong Kong action cinema from yesterdays. I have to admit even if there were shades of other films in this, at least this effort had made it through to production with an international crew assisting to spruce up production values, where in Singapore we're still lacking in playing catch up.Killer moves got designed for Phoenix such as her thigh wraparound the enemy's neck or upper body before giving it a final fatal twist, but to get there, the fight choreography for most of the characters can get a little bit dull and repetitive. Everything will start off with the firing of auto or semi automatic weapons, and when the finite rounds get expended, everyone will turn into Jackie Chan - come to think of it most of Jackie's earlier action films were similarly designed - and relies on the punches and kicks to dispatch opponents. And it does get repetitive as mentioned with the usual punch-punch-kick combo moves that one's enemies could predict with every extended fight.But thanks to some of the Mixed Martial Arts sequence, Clash at least attempted some variation, and without the use of wires and CG, the fights all look authentic and as our anti- heroes pit their skills against others they get into a battle with. However the finale was a bit of a cop out, which I suspect could have been influenced by test audiences to give it a more positive spin perhaps, since a plot element of a chunky inventory appears magically when in the first place it called for a more tragic and emotional convergence which had to give way.Still, Clash offers quite a lot especially for action junkies wishing to keep tabs on what's on offer in our neighbour's cinema, and from what I have seen here with its charismatic leads who are not only good lookers but are able to handle their battles with aplomb, we may be in for more treats if more films improve upon what's available now, and could become major contenders for action films that can draw a worldwide audience.

What does matter in this movie? Isn't it the action? You can throw in a nice characterisation too and you have a nice mixture of an Martial Arts movie. What more to expect? The answer to that is up to you. The action choreography is good enough. The group effect and the actors do their best to hold the tight story together.While it mixes a few things in the group dynamic (and a few foreseeable "twists" here and there), it does work as a straight story, if you do not expect too much from it. And the (brief)case should not bother you too much. Or the significance it holds (or doesn't). Even if isn't solved for you, this was meant to be that way. And while that seems a bit too much claim for a martial arts movie, it holds up

Attended the first screening of Clash at the Tribeca film Festival. It was billed as the "international premiere". The place was packed, the director was in attendance and there was an expectation of seeing something special. By the end of the film things had turned less happy.The plot of the film has a woman code named Phoenix assembling a team of men to help her steal a lap top from a group of French men. She has to complete several missions in order to win freedom for herself and her daughter who is being held hostage. But things don't go right from the start and only get more complicated as people die and traitors appear.I've just over sold the film. Its nowhere near as exciting as I make that out to be. Actually there isn't much of anything until we get to the action sequences that punctuate the film. The action is very good, with a couple of nice small twists, but it is not at all ground breaking nor does it match the description in the film festival write up (and one has to wonder about any film where you have to draw attention to its box office take).The trouble in the film comes in major three places.First the film is terribly soapy. There are longing looks and measured breaths and any number of soap opera like touches that are used to heighten the dramatic parts. Frankly by the end of the film the audience was laughing at the over cooked nature of the longing looks. Its dull and boring and people around me were snoring.Secondly the film insists it has style and attitude. It has an amped up soundtrack like many Hollywood films. It is often filmed in a style that apes the many better, and worse, Asian films floating around. Those films pull off the attitude by actually backing the material up with a grittiness lacking here. Yes, the action has what it takes, but the rest feels like dress up.The last problem, and its a killer, the film makes no sense. Nothing or very little is explained. Things just happen. There is an exchange early on where our heroine insists that no one ask questions. She might as well have been talking to the audience as events transpire with out rhyme or reason. For example we get part of a talk about a raid on the French men's house and what plan to use and then suddenly they are in motion on a plan set up by a guy who never said anything. (Forgive me I want to give a second example of the nonsense of the plot but find that none of it makes any sense in the details) The action is worth seeing but wait for a point where you can borrow a copy from a friend.