Garden of Love (2003)

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

A story that's too fascinating to pass by...

The first must-see film of the year.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

The only survivor of a horrific massacre when she was six years old, Rebecca Verlaine (Natacza Boon) has blocked out all memory of the terrible event, so she is understandably shocked when she begins to experience visions of her dead father and his mutilated pals, urging her to find those responsible for their deaths so that they can seek retribution.Garden of Love? Don't worry… Olaf Ittenbach hasn't gone soft on us and made a romantic drama; despite the soppy sounding title, it's business as usual for the German splatter director, meaning extreme gore by the bucket-load, with heads squished, bodies torn asunder, guts ripped out, and blood splashed all over the place. The only problem is that, in order to get to the good stuff, one has to endure those other Ittenbach movie traits: iffy acting (English dialogue with a strong Teutonic twist), questionable direction, and uneven pacing—in this case the film takes an age to get going, explodes into violence for the film's standout scene, drags again, and then gets nice and bloody for the ending.Still, fans of the director's other work should be well aware of what they're getting into and will no doubt hang on in there though the less eventful bits, safe in the knowledge that, when Ittenbach does open his bag of special effects, it is guaranteed to get very messy indeed.

Garden of Love starts late one night in a seemingly normal farm house, however when local police arrive there after a phone-call they discover several horribly mutilated murder victims & one survivor a young girl named Rebecca Verlaine (Anika Julien) who is found in a come. Twelve years later & Rebecca (Natacza Boon) comes out of her coma & is adopted by some relatives, at first Rebecca has no memory of the horrendous events that left her entire family dead but slowly she starts to remember & soon starts suffering from terrifying visions of mutilated ghostly people talking to her. Rebecca & her now husband David (Daryl Jackson) decide to revisit her childhood home to confront her demons, what Rebecca finds at her old home leads to betrayal & brutal murder...Also known under the title The Haunting of Rebecca Verlaine in the US this German production was co-written & directed Olaf Ittenbach who was also responsible for the numerous gory special make-up effects which to fair are probably the highlight of the film. Not that it matters that much but first off I feel like I should mention the (proper) title Garden of Love (I can see why it was changed for US distribution) because I have absolutely no idea why Garden of Love is called Garden of Love, there are no garden's & there's not that much love either so why is this called Garden of Love exactly? Anyway, the film itself is notable for it's very gory set-pieces which are pretty impressive (no horrible CGI computer effects in sight) & that rather obvious fact that it was produced by German filmmakers in English for an English speaking audience & as such the barely legible broken English strange sounding dialogue gives Garden of Love a somewhat camp & surreal feel that I personally quite liked. I mean if the majority of the dialogue scenes in Garden of Love were written & shot properly it would probably make for an awfully dull film as the only thing of interest would be to see the next gore scene but with this slightly bizarre feel to it I found myself liking the whole thing. The first half of Garden of Love is a straight ghost story while the second half has a few twist's & changes direction & becomes a revenge story. I certainly didn't think it was dull & the strange uneven tone of the plot & the almost but not quite right sounding dialogue coupled with the cool gore scenes made for a fairly entertaining film, if not exactly for the right reasons.As I have already mentioned the real highlight of Garden of the Dead is the gore, there's loads of it. From slashed throats to decapitations to exploding heads to ripped out guts to face ripped off to heads ripped in half to someone being pushed through a wire fence with gory results to stabbings to someone getting their eyes drilled out to gory shotgun wounds & loads more besides. This one really hits the spot if you know what I mean. There's also a very amusing scene in which the ghost's take over a TV commercial for kitchen knives & the announcer says that this knife will cut through bone & proceeds to grab his female assistants arm & chop her hand off as a gory demonstration! I also have to mention that there are no quick editing or shaky hand-held camcorder moments which is just great & even more reason why I like this. You know, you can actually see whats meant to be going on!Although the film has that low budget made for video look about it the special effects are impressive & it has reasonable production values. The acting is very strange as obviously mostly German actors try to speak & act in English & it comes across as very stiff & awkward. Star Natacza Boon was actually born in England & even more bizarrely than anything in this film she had a documentary made about her by the BBC when she was 15 focusing on the fact that she apparently had the longest daily trip to school of anyone in the country as she travelled over 400 miles everyday to drama school (to end up in a film like this to, was it really worth it Natacza?) from when she was 12 until when she was 19.Garden of Love is an odd film made by Germans in a language they obviously didn't quite understand (think Troll 2 (1990) which was made by Italians in English) & as a result it has some unintentional comedy moments to go along with the rather impressive gore scenes. I liked it, so sue me.

This film is further evidence that Olaf Ittenbach is the current king of splatter and gore. There are directors who make scarier and more accomplished films than Ittenbach but no one currently orchestrates squashed skulls, severed limbs and general acts of mutilation better than this German maestro. Garden Of Love is a horror treasure - a highly entertaining mix of black humour and flying body parts.Garden Of Love is probably Olaf Ittenbach's most structured film, the time leaps and flashbacks which feature so prominently in his other works have been toned down. This has the advantage of making Garden Of Love more appealing to mainstream horror fans but is initially somewhat disconcerting for fans of the manic storytelling on display in films like the classic "Premutos". After overcoming the initial shock of the film's traditional structure and the noticeably improved production values, Ittenbach fans will not take long to settle into the film - despite the somewhat slow start. In fact, in the film's first 30 or 40 minutes is oddly violence free with the exception of the initial massacre and an ingenious butcher knife infomercial.The film's plot is admittedly rather thin. However, it more than suffices as a backdrop to the film's real purpose - blood, and lots of it. In short, the Verlaine family is massacred in their sleep and the only survivor, Rebecca, wakes from her coma with amnesia. Years later, Rebecah starts receiving messages from her dead family on the TV (just go with it!) and she returns to the family farm for a reunion of sorts. This is the point where Ittenbach kicks free of the storytelling constraints that interfere with his virtuoso approach to blood and gore and lets rip. My favourite scenes include Rebecca's inventive use of a power drill and a spectacular set piece in which the zombified Verlaine family members literally rip a team of police men to shreds. Skulls are smashed, holes punched through faces and bodies, heads shot off and torsos ripped in half. Ittenbach handles this scene with the grace and precision of a maestro conductor standing before an orchestra.The real brilliance of the film lies in the director's "more is more" approach to gore and his phenomenal skill at employing special effects. Garden Of Love is another showcase of brilliant blood and gore effects. Their realism and impact belie the film's modest budget. It is only the presence of some dubiously talented Ittenbach regulars among the cast that occasionally reminds you that you are watching a micro budget, shot-on-video horror movie. The exception to the mediocre acting is the lead Natacza Boon, who makes a reasonably convincing scream queen. The make-up artists and cameramen deserve a lot credit for the eerie atmosphere inside the Verlaine farmhouse.Garden Of Love exceeds all the requirements of a good splatter film. You can't help but sense that it will only be a matter of time before the rest of the world catches on to the pleasures of Olaf Ittenbach and his beautifully sick and twisted mind.

I have had the pleasure of seeing this film at a horror festival in Edinburgh. Garden of Love does not have a serious bone in its sick low-budget body. There is lots and lots of blood and gore, starting with the opening credits. The plot is extremely silly like everything else in this film. In fact you might say this film is a pastiche of gory films. At first this film seemed really bad, but it was so entertaining that the director must have been doing something right. Garden of Love definitely needs to be enjoyed in company (with like-minded people!).A lot of people were laughing at the quality of the acting, but to be so funny throughout the film it had to be deliberately bad - SURELY?. The character playing Munster was my definite favourite and I would see the film just for his extremely camp performance. I am not sure that many actors could have made the awful lines quite so funny.You may have gathered that Garden of Love won't be everyone's cup of tea but if you have a soft spot for bad taste gory films then see it, because it's wonderfully awful.