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Firelight

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Firelight

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Firelight (1998)

September. 04,1998
|
7.2
|
R
| Drama Romance
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In 1838, lovely governess Elisabeth agrees to bear a child of anonymous English landowner, and he will in return pay her father's debt. At birth she, as agreed, gives up the child. Seven years later she is hired as governess to a girl on a remote Sussex estate. The father of the girl, Charles Godwin, turns out to be that anonymous landowner. So Elisabeth has to be her own daughter's governess, and she can't reveal the secret of her tie with little Louisa.

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Reviews

Softwing
1998/09/04

Most undeservingly overhyped movie of all time??

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LouHomey
1998/09/05

From my favorite movies..

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Ketrivie
1998/09/06

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

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Neive Bellamy
1998/09/07

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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lia00027
1998/09/08

It's been such a long time since the last time I saw this movie 12 years ago to be exact, but the power of this movie is still strong and indeed unforgettable.Sophie Marceau is one of the good actress that can portrayed emotion into the character really well, especially for her English is not her 1st language but yet her character here as Ms. Laurrier a governess with a politeness and strong character really had shown well. Her determination to be with her spoiled and lonely daughter is really enjoyable to watch, her passion to be with the a man that she loved all of time is really memorable, her strong character really helped a lot here. The whole setting which was located in England was perfect to show the intimidation of society, however even the rules of society and time cannot forbid their love to be rekindled again. Yes it is a happy ending movie that I like.I remember, the first time I watched this movie when I was in my junior high and I didn't really get the idea about love really well but when I watched this movie I could understand the feeling of each characters especially for their desires to be loved each other. The director deserves thumb up for bringing the emotions of the actors out of beneath.

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cellenb2
1998/09/09

I originally watched this on Encore Indie and it touched me in a way only a few movies or stories ever do. The subject matter could have become tawdry if not handled well, which it was. All the characters had their place, even the American who offered Charles an option of a place to go, to be free of all the pretense and obligation of his life, being also a main theme of the story, obligation and responsibility, as well as the desire to break free of them. And watch it several times, the nuances that come out are amazing and also listen to the background talk, some interesting facts come out which help you understand the characters and stories even more. I actually watch it with headphones on to hear all the conversations going on. And Charles, watch his facial expressions, they are absolutely priceless and perfect. My father actually sat and watched it, and trust me he's a ESPN guy, not romance movies. Anyway, it was just amazingly beautiful and passionate.

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nov201913
1998/09/10

Just by chance, I selected this film at a time of night when I'm ready for sleep. I watched it once.... then, again but fell asleep thru part of it. Two days later, I watched it again (wide awake this time) and that's when I fell in love with it. The first time.... I admit, it was the titillating story... the child was secondary. The second time.... I wanted to watch Sophie Marceau's delivery of her character. The third time.... I realized that Stephen Dillane's delivery of his character was so nuanced, I missed it the first 2 times. He is what makes this story so wonderful.Because I am a big fan of British film, I wondered why I was not familiar with Stephen Dillane's name. After some research, I found that I have seen him in some character roles, but nowhere is he as handsome as in this film. Sophie Marceau is so accomplished that together, some of their scenes unfold as a dance.This film is so delicate, with exquisite timing and phrases, that I can truly say it is as well-done as Campion's The Piano. Elisabeth's shout when she opens the doors to the lake. Godwin's face from recognition to omigod to sweet smile when he sees Elisabeth again. Godwin's explanation that a month with Elisabeth in the house would be an eternity. Their dance at the door when Louisa is screaming to be let out. And many more.If you love stories of heart-felt deep love, this is it. Just be sure to watch it closely and more than once.

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Jim (jim-1225)
1998/09/11

I greatly enjoyed this movie, and quite understand why reviews range from the euphoric to the vitriolic. Some will love it, and some will hate it. I have given it five stars out of ten, just to place myself precisely in the middle. For quality it is worth more, and because it may be construed as condoning aspects of immoral behaviour, less. Whether it does actually condone that which is wrong is open to debate. So, too, is the matter of predictability. Are you expecting blissful lovers to disappear into a glorious sunset?For this period drama, you do have to suspend reality and accept the parameters required for the film to work. We are asked to believe that, way back in the first half of the nineteenth century, a comatose woman, seemingly unable even to blink, would have survived for years, and still have significant life expectancy. Medical science makes such a thing possible in our time, but how would the patient have been fed in those days? Don't let such considerations put you off. For other titles, we accept time travel, real people living inside computer memory, oriental gentlemen waving scimitars who run up vertical walls and jump over tall buildings, and still enjoy the show.Sophie Marceau's acting was outstanding. Who would have thought that Elisabeth Laurier in 'Firelight' and Lila Dubois in 'Lost & Found' were played by the same person? Stephen Dillane, playing Charles Godwin, was more than adequate as the other main lead. The rest of the characters were well cast, each contributing significantly to this very moving tale. 'Firelight' covers part of the lives of two essentially principled people trying to find a way through the distressing circumstances with which each was faced. If they took a wrong turn, which of us is going to throw the first stone? Judgment of every individual is God's prerogative. If this film does nothing else, it does show why there is a debate about euthanasia. I had two special adult friends outside our immediate family early in life, one as a child and one as a youth. Both had flaws in their characters, but were excellent mentors. I chose to adopt some of their traits, but not others. A couple of years past retirement age, I bought my first television, and have since discovered films. I find these very instructive, giving me insights into the human condition which I would not have otherwise. As with my mentors, I am using my discrimination when assessing any messages suggested by each movie. I found 'Firelight' emotionally stimulating, its characters eminently admirable in many respects, but used my beliefs and discretion in determining the validity of any moral that may be inferred from its plot. Isn't this what we all do?Some review comments seem to be denigrating Charles Godwin unfairly. It was Lord Clare who ruined the estate by his profligacy. Charles, on the other hand, was trying to keep the boat afloat as a sheep farmer. To suggest that Charles viewed Elisabeth as little more than a chattel doesn't ring true with me. I gained the impression that he was considering her as well as himself right from the beginning. I also felt that their motives tended towards the welfare of others rather than their own selfish ends. The firelight allegory might also be less simplistic than is being suggested. If I am recalling events correctly, I thought the initial use was to introduce a plot continuity. This was progressed to a vehicle used by Elisabeth to allow her daughter the opportunity to break free of her antagonistic attitudes. At some point, the firelight rekindled a significant memory. Finally, for Amy, the firelight was conspicuous by its absence. Were the words, "May God have mercy on us", just a common expression, or were they spoken from the heart? Judge for yourself.I looked for the DVD, hoping that it would have an audio commentary. Guess what? Buena Vista has allowed the title to become currently 'out of print', so I couldn't even buy the film itself (!) That surprised me, considering the number of reviewers and the high average rating. I'm looking forward to seeing this film again, but will have to wait for it to come around once more on TV. Do keep an eye open for it in your programme guides. If and when it appears, it's well worth watching.

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