Chop (2011)

Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

A man gets a ride from a truck driver when is car beaks down in the middle of a canyon. The truck driver seems friendly at first, but before long, he's tied the man to a chair, hacking off his limbs one by one, that is, after destroying everything else in his life first. Apparently, he had wronged the truck driver years before and the driver won't stop until he can recall what he did. Mostly unstressful black-comedy/horror hybrid, as the plite of the unsympathetic protagonist fails to generate any tension and 'trying-too-hard-to-seem-clever' script boasts only a few laughs. That being said, it's still better than 'Hard Candy.'

I can't believe there are only 6 reviews on this film. My God this film had me in tears laughing all the way through. It's sharp, clever, witty and downright hilarious. I won't get involved into any plot ideas here but lets just say there are a myriad of plot twists on display here. In fact this film is extremely gruesome as well but it balance the elements very nicely to pack in a 90min feature. The director has been noted with this reveiwer and the main hero of the film is a talent beyond talent. The show really belongs to the main antagonist as he is full of tricks up his sleeve and is so evil throughout. This is in the runnings for best comedy horror for me of all time.

Lance Reed (Will Keenan) is forced by a psychotic stranger to confront his duplicitous past. Seeking retribution for a crime, the man forces Lance to reveal his innermost secrets by systematically removing his limbs.Will Keenan ("Terror Firmer") and director Trent Haaga are Troma veterans, and it shows. They take the fun of low budget and bring it here, in full force. I am actually surprised Lloyd Kaufman makes no cameo. (Who does make a cameo? Actually, Camille Keaton of "I Spit on Your Grave". Nice touch!) You have to enjoy dark humor -- maybe even Troma humor -- to fully appreciate this. Should it be funny that a stranger terrorizes this guy's life and tortures him and his family? You know, probably not. But it is. Very, very funny.

You know by now this isn't going to change your life or how you define film, so let me tell you what it can do for you. A perfectly decent latenight comedy horror viewing, made proportionately better by how much beer at hand.The guy behind this grinded his teeth working at Troma, so he knows film as Lloyd Kaufman taught it; make your own damn movie, doesn't matter how cheap or choppy so long as the game is agile, self-aware and one step ahead of you dear viewer. This is done on the cheap but is all the rest. The setup here is that our likable guy is being quite literally chopped away until he can remember how he affected others. Turns out he was a pain in the ass junkie before he cleaned his act. Strangers are brought in to take a piece. Our half-mad psycho keeps taunting for an answer.There is some gore and some tension involved that is probably being spoofed from Hostel - our guy looks a little like Roth anyway - but this is pitch black comedy first and foremost, like Trome used to do it minus too much explicitness. So throw some weirdness on screen that you know is going to attract a crowd, then be a good host and make everybody have a good time. This one does, up to the halfway point at least.The downside: it's a great premise, our guy wakes up and fingers are missing. It hinges a lot of its power on us feeling genuinely sorry for the plight of our awkward protagonist. But that's the whole thing and it's not taken further. While enjoyable and riproaring for a while, it gets tedious in the latter stages.The Pegg/Wright team could have done this with more acerbic wit, a young Sam Raimi with some cinematic verve. It would have been a classic in both cases.