Beats Rhymes & Life: The Travels of A Tribe Called Quest (2011)

Well Deserved Praise

Too much of everything

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Great movie. Not sure what people expected but I found it highly entertaining.

www.eattheblinds.comThree Hip-Hop groups defined the way I interfaced with Hip-Hop as a kid: The Jungle Brothers, De La Soul and A Tribe Called Quest. Their music was the soundtrack of my youth: beats and rhymes with a positive, life-affirming vibe. To me, these groups were giants living amidst point guards; years later, when I interviewed a number of them for my Hip-Hop documentary 5 Sides of a Coin, I felt like I'd grown up, being allowed to stand face-to-face with many of my childhood idols.I still love Hip-Hop, but nostalgia has a way of tempering things. It's been nearly 20 years since I've had an epiphanic Hip-Hop moment; the last one I remember was hearing 36 Chambers or Illmatic for the first time. Don't get me wrong, I still bump my head to a lot of what's out there...it just doesn't move me the same way it used to.A few weeks back I watched Michael Rapaport's Beats, Rhymes and Life: The Travels of A Tribe Called Quest and I was instantly reminded of Hip-Hop's significance in my life. Rapaport's film isn't shot on the best cameras or filmed by the most competent operators, but it really doesn't matter. This film was made by a Tribe fan for Tribe fans and whether it succeeds as therapy or mediation between Tip and Phife is irrelevant. If --somehow-- this doc has anything to do with ATCQ fulfilling their contractual obligation to produce one more album, then it's a monumental success; if not, it's still a great way for die-hard Tribe fans to reconnect with one of Hip-Hop's greatest groups.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday MorningAcclaimed director and massive ATCQ fan Michael Rapaport delves into the origins and history of A Tribe Called Quest, one of the most pioneering, influential hip hop groups to emerge since rap burst onto the mainstream with Rapper's Delight in the late 70s/early 80s. Rapaport charts how the groups evolvement started when they met up as friends, to mix beats in their spare time, and how they tried to just be simple entertainment, in contrast to some of the more inflamatory, anti-authoritarian hip hop groups that went before them (as well as explaining the origins of their odd name) before catching up with them on their 2008 reunion tour, where member Phife Dawg has made a comeback after treatment for diabetes.There doesn't seem to be an awful lot of variety in music these days, with everything pretty interchangeable from everything else, and a lot of new stuff not having the confidence to break away from what went before it and trying to branch out on it's own. So it's a shame that a lot of this samey music does contain a strong hip hop flavour to it, since we have a film here that tries to tell the story of a group from a time when rap was coming into it's own as an art form and spreading it's wings and flying in the charts. There was a genuine, truthful message either way to it, whether they be ardent political statements or just spreading a message of chilling out and getting down.It's clear Rapaport's a fan, and there is a genuine air of passion and depth about his subjects. But, as is clear in any group of friends, they were obviously some conflicting personalities and, while they managed to work together as a group, tensions could and did inevitably combust back stage. While neither Q-Tip, Phife Dawg, Ali Shaheed Muhammed or Jarobi White exactly gave off a Tupac Shakur vibe about them, it's clear their 'street attitude' was still there and they weren't afraid to throw the f word around liberally. Still, ATCQ were hardly a group that especially glamourized the nastier things in life, while not exactly spreading a message of peace, just distracting the youth from getting into trouble with their funky, jammy beats.As a suburban white kid (but quite a big fan) there are some aspects of the culture groups like ATCQ represented that will probably always be anathema to me, but that's not to say it's hard to see why groups like them became as successful as they did or grew the fan base they did. ****

First off, a big thank you to Michael Rapaport for doing this. And he truly directed a wonderful documentary. I grew up on a tribe called quest, however, I am an African,living in Africa and those were the days before the Internet, so I really never heard any news surrounding the group. This documentary fills in all these gaps for me, finally made me understand what made ATCQ tick and such a brilliant hip-hop group. The director really did a great job balancing the views from both protagonists, Q-tip and Phife. Q-tip really comes across as a musical genius and Phife as the real funky diabetic (never understood this until watching this movie) and I had never heard Ali Shaheed speak, but I was hanging on to every word of his. I think M. Rapaport should have given Ali more time. And Jarobi, the y. Nice dude, from the documentary I'd wish, he had not left the group when he did, he fitted in just like anybody else.Finally, the live shows were amazing. I wish I had had the opportunity to attend just one of them, anyway, if ATCQ ever come to Accra, Ghana, I'll be the first in line to buy tickets.Great documentary, great story-telling from the director, highly recommended to any music lover out there.

I'm troubled that some reviewers object to the fact that this film doesn't ignore the considerable tensions that existed within A Tribe Called Quest.This is a documentary, not a propaganda film... the backstage dynamics between the members of ATCQ over the years (both positive and negative) are highly relevant to the film, assuming that it wasn't meant as a puff piece. If anything, Rapaport held back a bit MORE than he should have, which is part of the reason why I don't give the film an even higher rating, as I would (for example) to the brutally revealing documentary Metallica: Some Kind of Monster.Also, anyone who watches the film and doesn't get some sense of why the group meant so much to so many of us (in its artistry and in its spirit) just wasn't paying attention.I do hope that the DVD extras spend more time on the extended Native Tongue Family... while it certainly isn't ignored in the film, the Native Tongue Family deserves at the very least its own mini- documentary.