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Basket Case 2

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Basket Case 2 (1990)

March. 02,1990
|
5.4
|
R
| Horror Comedy
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Having eluded the authorities after a series of grisly murders, the pair find sanctuary at the palatial home of Granny Ruth, an eccentric philanthropist who rallies the cause of "Unique Individuals". But even amongst "friends" the pair soon find themselves having to confront their murderous past.

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SmugKitZine
1990/03/02

Tied for the best movie I have ever seen

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Bluebell Alcock
1990/03/03

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

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Matylda Swan
1990/03/04

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

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Bob
1990/03/05

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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breakdownthatfilm-blogspot-com
1990/03/06

For writer/director Frank Henenlotter, fame came in a small basket, literally. With the release of Basket Case (1982), Henenlotter had shown audiences that he created a unique horror icon to bring forth to the public. Unfortunately that's all Henenlotter had. Looking back, the film did have some parts that were different from other horror films from the 1980s. Yet this did not override the whole fact that the story itself did not make any sense and the characters weren't as likable as one would want them to be. However, even with these flaws Henenlotter was able to get his chance to film a sequel. The sequel did not arrive until 1990 (which was abnormal for sequels back then to have such a gap) and it seemed that there was small bits of improvement. Then again there are still other things that keep getting put into the script that add to the confusion. For what it's worth though, Basket Case (1982) did not need a sequel. Its finale was gratifying enough.Like other sequels, Basket Case 2 (1990) picks up where Basket Case (1982) finished. After their fall, Duane Bradley (Kevin Van Hentenryck) and his separated deformed siamese twin Belial are taken to the nearest hospital to recover. There, Belial and Duane get a ride from Granny Ruth (Annie Ross) and Susan (Heather Rattray) to their home, which is a house of other outlandishly deformed outcasts. Meanwhile, a money grubbing reporter named Marcie (Kathryn Meisle) and her partner Phil (Ted Sorel) look to expose the Bradley brothers' location for their crimes. This story isn't bad at all. In fact, the concept is much more immersive than that of what Henenlotter wrote for his first film. Unfortunately, it's the execution that brings about the problems. It was hard pressed to say whether Belial and Duane were the viewers' designated protagonists. Sure you could sympathize that they were separated at birth and wanted payback, yet the relationship between the two characters didn't feel like they knew each other.That feeling goes double for here. Both Duane and Belial have several opportunities to redeem themselves and learn from their mistakes, and yet they don't. It is truly unfortunate. That's one of the best parts about Henenlotter's writing specifically this time and yet it isn't utilized properly. Belial finds love and Duane thinks that he deserves his chance to be normal and find love with Susan. Duane sits down and talks with Belial and gets laughed at. Well okay, some brother you are Belial. Although I must question Duane's newfound "love" for Susan. They literally just met. Turns out the first chance Duane finds love, he wants to sleep with the girl (just like the original film). Even after Belial finds love, he continues to kill people (just like the original film). These characters do not develop what so ever. It's actually more accurate to say the execution feels fairly similar to that of what happened in the first film. Duane and Belial although brothers, don't exactly have brotherly love to show for each other. A very poor standing love/hate relationship.Another thing that needs to be questioned again is how does Belial have a reproductive system? The first film (even this one through flashback) stated Belial was only connected by tissue and shared no vital organs, so what is Duane's brother running on? The logic makes no sense. Another element that doesn't make sense, yet was creative were the other freakishly deformed residence of Granny Ruth's house. What didn't make sense were some of the deformities like having as one character is credited as "Man with 27 Noses", "Frog Boy" or "Toothy". Many of the designs are truly beyond plausible but the fact that a concept artist had to conjure up such distortions is worth noting. Plus, the practical effects used for the costumes and gory violence are used nicely. And although the design of Belial has changed, he at least has better movement from before and doesn't howl at ear blistering decibels like the original movie.Robert M. Baldwin instead of Bruce Torbet handled the cinematography for this entry. Surprisingly, Baldwin keeps the same visual style of Torbet and cranks it up a couple notches from less gritty indie film to a more professionally made film. Plus, there are some moments where the lighting and angles the cameras move at gives a much more trippier feel to it because it is so bizarre of a story. And because the effects look better, it doesn't seem as obvious that Belial was originally a puppet and now more like a live creature. The music was of no improvement though. Instead of Gus Russo, Joe Renzetti (known for his music from Child's Play (1988) composed the music. And just like Child's Play (1988), Renzetti's music does have creepy sounding tunes but they are very short-lived and more atmospheric than anything else, leaving little to the imagination. It's really nothing to be impressed about because it's so difficult to remember how to hum the tune.It has better looking effects, violence and cinematography and its screenplay had moments of opportunity. Regrettably the opportunities weren't seized, which led to frustrating direction, bad continuity and confusing motivational choices. Surprisingly it's better than the first,....but not by much.

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mjharrison247
1990/03/07

I have always loved basket case since I was a kid. It was up there with evil dead and American werewolf. So when it comes to the sequel I was a little dubious. However,I can tell you this is one of the best b movie horrors I have seen in a long time.Basket case 2 is what evil dead 2 was to evil dead. Only with evil dead 2 they were deliberately trying to be funny whereas with this I'm not so sure. Ash had his chainsaw hand balial ends up with a claw. Its almost as if they were parodying evil dead 2.With a huge cast of monsters,kind of like comedy cenobites,this would easily rival American horror freak show. And now for the spoiler...there is even monster sex.If you are a fan of b movie horror you will love this.

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BA_Harrison
1990/03/08

Everyone's favourite surgically-separated Siamese-twins, Duane (Kevin Van Hentenryck) and Belial, return for more freakish fun in Basket Case 2, in which the brothers escape from hospital (after their near fatal fall in the first film) and find sanctuary at the home of 'Granny Ruth' (Annie Ross), who runs a haven for the physically deformed. Meanwhile, a reporter working for the gutter press is hoping for a major scoop by tracking down the brothers' whereabouts...Frank Henenlotter's sequel to his demented debut Basket Case once again displays a very unique vision and some incredibly dark humour, but made on a bigger budget, and away from the the original's 42nd Street locale, it lacks the trashiness, sleaziness and general grubbiness that gave the original film much of its charm.Also serving to weaken the film somewhat is the collection of grotesque freaks that reside at Granny Ruth's place, who include a buck-toothed, floppy eared creature, a frog-headed man, a living gargoyle, and one monstrosity with teeth as big as planks; these creations are inventive, but way too silly looking and childish in their mannerisms to be unsettling.Fortunately the positives outweigh the negatives: the cast pitch their performances perfectly, imbuing the film with just the right level of deranged lunacy; there are some inspired touches of twisted humour (gotta love the disabled badge on Granny Ruth's van and Belial's hilarious sex scene); and Henenlotter manages to deliver quite a few effectively macabre moments, my favourite bits being a meeting between Duane and a reporter in an Irish bar that doesn't go as planned for the newsman, a photographer's unexpected encounter with the freaks in Granny Ruth's attic, Duane coming face-to-face with a 'baby' that refuses to be born, and a suitably disturbing finale that sees the psychotic siblings joined together once again.

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jujkuj2
1990/03/09

If you loved the first film and thought it was a great movie with the exception of the low budget and occasionally bad acting then you might not like this film very much. I want to start off by saying Belial looks terrible in this movie. Did they think it would be a good idea to change what he looks like completely?! In the last film (despite the low budget effects) Belial looked good in a cheesy way. Switching off of that subject I would like to say that this film did have a higher budget and it was good that Kevin Van Hentenryck returned to play as Duane in this movie and that the budget was a lot higher in this film and the production value is noticeably better. Another thing is the continuity with the previous film is just bad. If you saw the first film first you would see that Belial tried to kill Duane because of jealousy but in this film they just brush it off like nothing happened and they tried to say it was an accident. I also didn't like the story about a house of freaks that was going overboard with the whole freak thing It was nice but these other freaks were just ridiculous. How Can a human be born with a frog head?! Overall this film isn't a good sequel but it isn't that bad.

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