40 Carats (1973)

Nice effects though.

everything you have heard about this movie is true.

It's an amazing and heartbreaking story.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

After all that sturm und drang for Ingmar Bergman, Liv Ullmann tackled a comedy, Forty Carats, based on the hit Broadway play. It originally starred Julie Harris (succeeded by June Allyson, Joan Fontaine and Zsa Zsa Gabor), with Gretchen Corbett as her daughter, and Glenda Farrell as her mother. It later became a summer stock vehicle for actresses such as Lana Turner, Ginger Rogers, June Lockhart, and others.Forty year old Norwegian-American divorcée Ann Stanley (Ullmann) is a successful real estate broker. She lives with her mother (Binnie Barnes) and her daughter (Deborah Raffin). Ann's ex-husband is an actor, Billy Boylan (Gene Kelly) and she hasn't had any romance since their breakup.While in Greece, she meets a 22-year-old young man, Peter Latham (Edward Albert) and the two sleep together on the beach one night. Embarrassed, Ann leaves without saying goodbye. When she meets him again in New York, he still wants to be with her. Ann is not able to deal with the age difference, and her mother wants her to take up with a wealthy southerner who is after her, J.D. Rogers.When it was to be directed by William Wyler, many top stars, such as Audrey Hepburn and Elizabeth Taylor, were up for the role. For me, Liv Ullmann, as likable, lovely, and beautiful as she is here, was not quite right for this role. For one thing, I had trouble understanding her English. For another, she is not adept at comedy. They say a great comedian can do drama but not vice versa. Also, there was not much chemistry between Ullmann and Albert. Both he and Deborah Raffin died too young. Albert only a year after his father. He is very good and at the peak of his career here. The stunning Deborah Raffin is a good Trina. This was Binnie Barnes' last film, and she and Raffin played well off one another.Gene Kelly was over the top. I think this could have been directed with a stronger hand.Nowadays, 40-year-old women sometimes do date younger men so it's not such a big deal, and Ullmann looked like 40-year-olds look today, meaning she looked younger than what we used to think of as 40. This is a sweet film about the heart wanting what the heart wants, and that love can sneak up on you when you least expect it under less than ideal conditions.

Where to begin? Pretty much everything about this movie is absolutely dreadful. The plot is a shallow fairy-tale with the most improbable twists and turns, and its central theme - that where true loves reigns, age difference simply does not matter - is just plain silly. By way of proof we have a recent high school graduate fall in love with and marry a 43 year old multi-millionaire from Tulsa, Oklahoma, and 40 year old Liv Ullmann fall in love and marry 22 year old Edward Albert, by coincidence the son of another multi-millionaire. All of that is bad enough, but what really put me off is the way Ullmann - an obviously sensitive and intelligent woman - is shown as being overcome and indeed pushed around by a creepy guy with no personality who grabs at her to "help her undress" and is just generally obnoxious in his self-satisfied smugness. Ullmann looks attractive enough to make her a plausible love object for a 22 year-old, but the other way around? Goodness! Her acting is at least better than that of the rest of the cast, which is really not saying much. To round it all off Gene Kelly gives a hammy performance as Ullmann's ex-husband. So - terrible on every level: plot, acting, message. Zero stars if that option were available.

While vacationing in Greece, a 40-year old woman (Liv Ullman) has a one-night fling with a 22-year old (Edward Albert). She returns home to New York and meets him again when - surprise! - he comes to date her teenage daughter.I loved this movie when I first saw it in 1973; I was young and thought it was blissfully romantic. Watching the movie now with a more mature eye, I find it silly and off-putting. Ullman is stiff and bland and doesn't inspire lust in the slightest. Albert is sincere but sometimes creepy and pushy and there's no chemistry between them. His undying love for her seems juvenile and gee, what are the odds that he'd turn up a world away as her daughter's date? In an annoying subplot, Gene Kelly gives a hammy and embarrassing performance as Ullman's former husband. And I found it disturbing that the 17-year old daughter is paired romantically with a 43-year old man and the family is thrilled for her. *shudder* The movie, based on a Broadway play, looks and sounds very stagy with artificial, phony dialogue and there is a laughable go-go dancing scene that definitely dates the film. Not recommended.

In her usual intense style, Liv Ullmann gives a likable performance as "40 something" Ann Stanley. While vacationing in Greece, Ann has a chance meeting with "20 something" Peter Latham, endearingly played by Edward Albert. Much to Peter's disappointment, Ann quietly disappears in the early morning hours, leaving him with little more than a one night stand. Peter later returns home to New York, where one evening, as he arrives to pick up a date, his date's mother appears at the door and it is none other than Ann Stanley, his one night stand from Greece. This chance meeting sets the scene for some very awkward moments and great comedy. I've never found myself rooting for a "May-December" romance so enthusiastically. Gene Kelly, Binnie Barnes and Deborah Raffin are wonderful in their supporting roles. "40 Carats" is one of those films that was such a pleasant surprise for me and I've never understood why it has been so overlooked. Give it a chance. I think you'll really enjoy it.