Wolf Totem (2015)

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

French filmmaker Jean-Jacques Annaud's China-France co-production is his third enterprise tackling with human-animal equilibrium, after THE BEAR (1988) and TWO BROTHERS (2004), WOLF TOTEM is adapted from a popular semi-autobiographical Chinese novel of the same title and is shot in the majestic Inner Mongolian steppe. During China's Cultural Revolution, in 1969, two students from Beijing, Chen Zhen (Feng) and Yang Ke (Dou) are assigned to the steppe to teach local Mongolian nomads Mandarin and smooth the process of cultural integration. They are under the aegis of Bilig (Mijid), the head of the nomads, a sage mind who inculcates them the precept of the balanced co-existence between mankind and indigenous wolves. But, a pervading human force of greed and self-seeking would soon disrupt the well-maintained balance, wolves are deprived of their sustenance and during one blizzard night, driven by hunger, they attack a horde of horses and result in great casualty, including Bilig's son (although it is an accident). Retaliation is conducted under the command of an apparatchik (Yin), many wolf cubs are perished for the sake of their skins, but Chen saves one cub, secretly raises it like a pet and attachment grows. As often, one considers him or herself doing a good deed would only realise later in the stage it is a mistake, domesticating a feral wolf isn't something worth commending, and it is noteworthy that Annaud doesn't vindicate Chen's behavior by stating that the cub is bereft or in somewhat danger, Chen's behavior is solely out of his own soft spot, with no regard of the consequence for the cub itself, only after Bilig's sensible advice, Chen would right his wrongs to prepare and train the young wolf for its return to its natural territory, and one should remember, it is always a rookie mistake trying to extract a trickle of humanity out of the wild creatures, mutual connection might be able to achieved, but don't belabor yourself with any illusions of any reciprocal gestures. The stand-off between humans and wolves will reach its heroic climax after the ravenous wolf pack assails a sheep corral during one night and this time, the entire pack is almost being extirpated by bullets and unrelieved vehicle chase, witnessed powerlessly for Chen, if anything, powerless is the omnipresent feeling, wherever humans tread, there are black sheep undermining the natural grandeur and harmony, disasters are bound to ensue, a central message cannot be dissipated by the film's lugubriously concocted positive vibe in the end. It is a big relief Annaud doesn't settle for facile wishful-thinking or radical aggression in its tonality, so that the film manage to retain an organic slant which conforms with his previous similar oeuvres. The striking animal stunts orchestrated by dexterous trainer Andrew Simpson greatly hone up the set pieces, especially against its ferocious surroundings (the scenes of frozen animal corpses are manifestations of the primordial power of nature), and it goes without saying the film is a continuous landscape-porn (plus two emphatic examples of cloudscape), although sometimes its immaculateness unfittingly instigates the suspicion of an overachieved CGI-preening during the post-production. The human cast understandably takes a back seat from its awe-inspiring canine counterpart, but the dialogues sound clunky to a Chinese ear, and the character development barely exists, since when Chen and Gasma (Ragchaa), the widow and daughter-in-law of Bilig, become an item? The emphasis is so top-heavy on Chen and his wolf cub, which makes the romantic subplot comes off as abrupt and fluffy. In the main, WOLF TOTEM doesn't shortchange its forte: the spectacular vista and pulsating action sequences, and it also circumspectly bypasses the sensitive political agenda (the film was a mammoth box-office player two years ago during the golden spell of Chinese Spring Festival) and allows the story itself to stimulate reflections on a broader picture: human vs. nature, simply within ecological parameters.

A semi biographical adventure-drama from China directed by the French director known for 'Seven Years in Tibet'. He was chosen after many Chinese filmmakers refused to take the project, because of the dedication it required. The film highlighted the outcome of the two ethnic groups, Mongols and Hans overlapping with the mother nature. The film should have been one of the best in the line of 'Siberia Monamour', but there a few things that did not work in its favour.It was just like the 'Embrace of the Serpent', based on a person who went to a distant place with a motive, but learnt another thing. Especially realsing the value of the native people and their land and culture. The main character was totally resembling to the Brad Pitt's role from 'Seven Years in Tibet' and very inspiring. You learn nothing by observing afar, you have to get in and get along to gain knowledge of the place. So you have to be one of them in order to see through their eyes of the place and then would find its true identity.The tale begins in the late 60s during the China's cultural revolution. Two young students from Beijing sent to a remote place in the Inner Mongolia to teach the locals read and write. Instead, one of them gets interested in wolves and decides to study them by raising a cub. During that time, the confrontation between the wolves and for the human encroachment of their natural habitant determines the future of the grassland. The ultimate face-off between them ends with the emotional."The problem for us Mongols is that our history wasn't written by us, but mostly by our enemies."When you don't belong to that place, you should not intervene in its natural order. The China's history is always bad when it comes to the land grabbing, either it is the ongoing South China Sea dispute or the Tibet and thousands of others. This is such a film made by China itself that spotlights their wrongdoings. Just see the film to know how much different the Mongolian, especially the nomad culture and the Han-Chinese. They' both saw the mother nature with different intentions. So imposing one land's rule to another does not work and that's the film's most important message.Very sad the film was not realistic since it was based on a real story. Visually it was very good, especially the locations were spellbinding and used so well to tell a story, but the animal behaviours were too silly, something like that happen in the children's stories. Then there's evidence the animals were harmed during making it, so feels uncomfortable in many scenes and I won't advise kids to watch it if they're very fond of the animals. In that angle this film got a completely a wrong motion picture rating. If you are a light hearted, you should as well turn away from it. Because even though they won't show the killings, in a few segment they were just graphics and make-up, but still you are definitely going to feel the pain, very disturbing film.In a few scenes, feels bad for what Mongols regrets for letting the Hans to do all the terrible things to their land despite at one stage of the history they were more superior than them. At least the film ended on a positive note, only because of the alteration in the screenplay from the controversial book. It was originally selected to represent the previous Oscars, but soon it replaced with another to avoid the International humiliation. I think the film was not that terrible, but not being true to the book was the issue. It is very hard to suggest it, it might upset you for the various reasons, so all I can say is choose wisely.6/10

Short and straight, the movie is beautifully shot and some pretty good actors in the mix.Always pleasant to see different landscapes, gorgeous animals and different cultures.That being said, the movie, from beginning to the end, is a violent documentary on how to mistreat and disrespect these wonderful creatures, with 3 excuses: they kill the cattle, they are worth money, they serve as sacrifices to Tenger, one of the Mongol Gods.So.... all these 3 reasons together seem to be enough excuse to extinguish a race from the face of the earth (at least on their territory).Violence, specially to the wolf pups is hard to swallow, specially if you admire this creatures. It's like a movie about Eskimos killing seal pups just to sell the skins....Word of caution, don't watch this with your kids.I'm sure (and hope) the director didn't hurt any animal shooting this. The violence is cleverly shot to avoid seeing it until the end.... BUT it is there, the action is there, the movie is stained from beginning until the end with pointless acts of violence towards wolves.In the end, a very unbalanced effort, leaning towards gratuitous violence. Pointless, stupid, to the point of frustrated boredom and sadness overall.To avoid, sincerely.

The scenery of Wolf Totem was excellent in a classic IMAX style, back when IMAX was only used to shoot documentaries about wolves versus now when we shoot narratives about them..The action sequences were great as well. This is the third movie this year behind, Max and White God, that actually shows canines battling (This one being with wolves). It amazes me that PETA is not all over these people for showing animals fighting and getting kill in such a real matter. I'm not even a dog lover, but in this day in age it's surprising they do stuff like that on camera.I was also impressed with the human performance of the main actor and his female lead. I could see the passion the lead actor had for the wolf and I did not need subtitles to understand him, very good body language.It was a lovely moving painting.