Graduation (2017)

One of the best films i have seen

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

"Graduation" is proof that the plight of the white male we're currently hearing so much about in America is not limited to the U.S.In the latest film from Romanian director Cristian Mungiu, our protagonist, the middle-aged Romeo, desperately wants his daughter to get into an elite British college. He hounds her day and night about her exams. She seems like a responsible, level-headed girl, but we sense that the whole thing isn't quite as important to her as it is to her dad. Then she's sexually assaulted one day, and the emotional and physical trauma the assault causes threatens to affect her performance at her exams. Romeo decides to take matters into his own hands and we watch as things begin to spiral out of control."Graduation" is a bit one note. We understand early on that Romeo is projecting a lot onto his daughter. He's unsatisfied with his own life, which is a failure in his own eyes. He has a desultory and sullen marriage, lives in what looks to be government housing in a poor area, and is part of a traditional patriarchal system that seems to be losing its grip. "Graduation" is full of scene after scene of middle-aged men striking bargains, calling in favors, putting each other in touch with a friend of a friend. But there's an increasingly desperate quality to all of the mutual back scratching, and we sense that these guys are beginning to feel what it's like in a world where they no longer call all the shots. The final image of the film lingers on a group of young graduating Romanians. What will become of them, the film seems to ask? What future Romania will they manufacture? The answer is unclear, except for the fact that it will likely not include a place for someone like Romeo.This is the third Mungiu film I've seen after "The Death of Mr. Lazarescu" and "4 Months, 3 Weeks, 2 Days," and while it doesn't pack anywhere near the same wallop as those other two films, it's still quite good. It reminded me an awful lot of the recent Iranian movie "The Salesman," as both feature middle-aged men going to extreme lengths to influence circumstances that are largely out of their control.Grade: A

Graduation, by Cristian Mungiu reviewed by NC WeilThis 2016 Romanian film by the director of 4 Months, 3 Weeks and 2 Days, spans the time between a young woman's high school final exams and her graduation. Her father, a doctor, and mother, a librarian, though estranged (he sleeps on the couch and has a lover), both dote on their daughter, and their highest concern is her well-being. The girl is an excellent student, but the day before her exams she is attacked by a would-be rapist - in the scuffle her wrist is broken, but her violation goes far deeper than bones in a cast. Her father, a precise, methodical, and - yes - kind man, is determined to see her go to university in the UK where she has been offered a scholarship (contingent on high exam scores). He will do anything to make that plan happen. The assault is one more reason - Romania, for him, is a dead end. He and his wife are stuck there, but for their daughter, it is not too late. She must leave.The film opens with a rock shattering a window of their ground-floor apartment - the doctor certainly has a point about the benefits of living elsewhere - and he has labored to give her the chance to escape. But after the assault she gets cold feet.Strip away the differences between Romania's culture and our own, and the film boils down to a father wanting what he is convinced is best for his near-adult daughter, with his intentions overriding her own desires and distractions. Graduation is about leaving one phase of life to move into the next. The impossibility of planting your own experience directly into the heart and mind of a grown child is on painful display here - you have learned the hard way what you should have done, but she, rationally or not, has to make her own choices.For a parent, relinquishing control can mean one's life has truly been wasted - you didn't save yourself, and you can't save her either. But she's no longer yours to control - to insist on obedience is to keep her dependent, unable to be any kind of adult. In the end, that stunting is probably a worse trap than whatever limits her bad decisions impose. Mungiu's sympathy for all his characters forces us to recognize that everyone, no matter how corrupt or self-serving, is just trying to make the best of the life they're stuck in. Futility outranks evil in his compromised worldview.

All parents can be excessively protective when it is regarding their children. Bacalaureat unfolds the moral choices of a father to justify his decisions especially securing the future of loved ones and how far can he go? Besides, as it was said in the film, 'What is important is not the processes we have experienced but the result we want to achieve. We have to pass every tests regardless of the methods we choose in order to live the life we ​​desire.'It may be a slow-paced film for some viewers but it is a complex study of a father's moral values as it was seen after hitting the dog with his car, he went to the same place to find out what had happened to the dog and then he came across with death body of dog and he started to sob because of the remorse. If he had left Eliza to the school at the beginning of the film instead of letting her walk, would the consequences be different?

Seen at the Film Fest Ghent 2016 (website: filmfestival.be/en). In the last four years, I've seen several depressing movies about corruption in former Communist countries. It seems a popular topic in the area, as can be readily derived from noteworthy examples like Durak/The Fool (Bykov 2014), Dolgaya Schastlivaya Zhizn/A Long And Happy Life (Khlebnikov 2013), and Leviathan (Zvyagintsev 2014). Even though the movie at hand follows suit on the same path, it however winds up being not that depressing as the others. Especially the final scenes brought some silver lining for the country's future, albeit that I'm not so sure it is the actual message that the film makers try to drive home.Anyway, the running time is more than 2 hours, but I could not spot any boring or redundant scene. Everything included in the script was necessary and useful, emphasizing how convoluted the tangled web became as woven by the various protagonists. It made abundantly clear that one step causes the next step, and so on and so on, until the point that no backpedaling is possible anymore. In other words, the original policy of our lead character Romeo may not have brought him wealth or influence in the past, yet his route was straightforward and devoid of complex deals deserving counter deals to make the circle round.The threesome family seemed a happy family from the outset, which proved gradually untrue in small steps. The case was not that their problems were unnatural or far-fetched, therefore it took its time for the cracks to become visible. Progress developed slowly but steadily. It was a surprise, for me that is, that there was some sort of resolution in the end. It countered the assumed morale of this movie (my assumption), that there is no middle road in corruption: either one steers clear of it, or one gets involved in complex arrangements from which one cannot get loose once started.All in all, two hours well spent while watching my favorite theme develop on screen, at the same time asking myself what I should have done in similar circumstances. Such thought provoking plots are very welcome, mostly also carrying an existential takeaway message hidden under an exercise for the viewer. We were taught that Honesty Is The Best Policy, but the plot of this movie lets you get doubts underway.