East of Eden (2005)

Let's be realistic.

It's entirely possible that sending the audience out feeling lousy was intentional

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

James Dean died in September 1955, leaving behind him mystery, legacy… and eternal youth. Indeed, we'd never know what was eating that spirit torn between the tumultuous torments of young age and the realm of coming adulthood, but we know though that the tragically abrupt end to his lightning way to success turned, Dean into an instant icon. He'd be to youth what Marilyn Monroe was to glamour, John Wayne to Western and Hitchcock to thrills.His first film, "East of Eden", moves in the same circle than "Rebel Without a Cause" but in the polar side. If Jim Stark in "Rebel" faced the emasculation of his father and drove his own self like a racing car that would ultimately crash into the wall of reality, Cal Trask's father doesn't quite lack authority but perhaps something more life-impacting: love. Cal Trask is like the counterpart of Jim Stark, the rebellion is the tool for the former, the end for the latter, and both are directed toward the father… or the authority figure. And are you surprised that the two names' anagrams are exactly the same? It's never about Stark or Trask, but about James Dean.Dean inhabited his roles because they inhabited his life already. Dean had lost his mother at the age of nine and had no connection whatsoever with his father who worked in Los Angeles while he grew up in Indiana. In an especially poignant moment, facing the disapproval of his father, and the rejection of his gift, Cal tries to embrace him but his hands can barely reach his father's neck. It's physically painful to watch, but it gives us enough time to measure the desperation in Cal, facing the incapability to reach his father Adam, a farm-owner who didn't only plant lettuce in his grounds but also the seeds of his younger son's jealousy. He's played by the towering Raymond Massey.Adam is a stiff man, who loves both God and his son Aron (Richard Cavados) but can't duplicate that feeling toward Cal. It is left open to interpretation whether Cal grew these awkward mannerisms and emotional secrecy from the lack of paternal love or whether Adam seemed to favor Aron because of his odd behavior. But there are two certitudes; Adam could only love Cal if he was like Aron. Interestingly, Massey didn't get along with Dean who kept on teasing him and improvising his lines, the clash between the old-school and the new generation drove an interesting feud that Kazan expertly exploited for the film. Cal couldn't be like Aron even if he tried, just like Dean.But the awkwardness of Dean finally pays off in the terrifyingly poignant third act, in "Rebel" Dean incarnated a son who killed the father (symbolically) not to disappoint himself, in "Eden", it's the very fear of disappointment that drove Cal for most of the film, and many so-called rebellious kids where fearing disappointment like plague and only became rebels by rebelling from their own ties, once they realized the efforts would be fruitless. There is some Freudian parricide so to speak in "East of Eden", but the original 1952 novel, by John Steinbeck, is also a retelling of the story of Abel and Cain, it's also a brother's story with a rivalry caused by women. Starting with the most significant one: he Cal and Aron's mother, who fled from Adam's virtuous grip in Salinas and went to the 'east of Eden', in Monterey, a fishing port where she lead a successful brothel. She's played by Jo Van Fleet.Obviously, Cal inherited that 'dark side' from Kate, but when she finally tells her story, we start to see goodness in her, or at least, attenuating circumstances, and through a mirror effect, in Cal too. And the well-meaning Adam becomes a Biblical tyrant who tried to mold everyone under his own vision of family, to the point of lying to his son Aron and telling her that she went to heaven. The other female player is Aron's fiancée Abra (Julie Harris). She's a respectful and optimist girl who had her deal of troubles in the past, enough to be able to see goodness in Cal when he tries to please his gather and jealousy in Aron's when he suspects some ill behavior from his brother. Abra could have cemented the family, but there are just too many conflicts to expect a happy ending.Basically, envy, wrath, jealousy run in the family, and create many hellish situations paved by the best intentions, even the only money Cal can earn for his father will be deemed as dirty and unholy and will provoke the breakdown we all expected. Indeed, watching "East of Eden" is like knowing a ticking bomb will soon explode and the anticipation of a family meltdown is magnificently conveyed by the nervous, awkward but electrifying performance of James Dean. Elia Kazan contributed to cinema in many ways, but besides Brando who changed the face of acting, Dean was his best gift to the world. Dean was a newcomer, an unknown face, but when Kazan saw him and had a few exchanges, he knew Dean had Cal in him, he knew his life experience created that odd concoction of delicacy, shyness and rebellion.Many critics found his acting weird, difficult to enjoy or too mimicking his then-idol Brando. But there's a lightness of being in Dean I can't find in the steaming passion of Brando, Dean still tries to fit in his environment, conveying an ahead-of-its-time brilliant embodiment of vulnerability, something new but that holds up very well today, and that Academy members were clairvoyant enough to notice, and give Dean the first posthumous nomination of Oscar history.Unfortunately, "East of Eden" was the only film he could see released, by the time the two others came, he was history, and a legend.

America and American Movies were No Doubt Feeling Their Cheerios in the 1950's. So Much So that Often Removing that 50's Patina was Difficult when Transitioning to Other Periods of Time. This Movie Reeks of the Decade that it was Made and 1917 is Present Only in Reserve.James Dean, a Quintessential Icon of the New Breed, the Post War Youth with Something to Say and a Anti-Establishment Way of Saying it. The Rather Calculated Movie Art of Their Father's Generation was Being Challenged and Broken Down with "Method" Acting and Improvisational Experiment.Dean's Mannerisms, Wardrobe, and Hair-Style were So Firmly Fastened to the Contemporary the WWI Years were Having a Difficult Time Breaking Through, and the Period Comes Off as Artificial and Distant. This Leaves Some of the Background of the Story Thin and Wispy.Julie Harris is Better and Dominates the Screen Despite Deans Dramatic Displays of Body Language that Draw Attention, and Not in a Good Way. The Rest of the Cast is Fine, Especially Jo Ann Fleet as the Mother.Not a Bad Film, but Hardly a Great One. It's Even Worse Today with a Dated Feel and it Has Lost its Appeal as Something Seething and Seems Overrated but Above Average. The Pulitzer Prize Winning Novel from John Steinbeck has Many Admirers and Most Seem Extremely Disappointed. But to be Fair, this is Film and Not Prose.Overall, Worth a Watch for its Place in Popular Culture, to See James Dean and Puzzle Over His God-Like Status, and for a Pretty Standard Studio Production that is Typical of Well Crafted Filmmaking from Ultra-Conservative Movie Studios that were Cautiously Concerned About New Trends and This was About as Daring as it Got in the Decade.

Based on a John Steinbeck novel, Elia Kazan's "East of Eden" stars James Dean as Cal, the son of entrepreneur Adam Trask. Cal feuds with his younger brother and father, both of whom perceive Cal to be "bad". Also deemed "bad" is Cal's mother, the owner of a local brothel.As Kazan has truncated Steinbeck's novel, each character's actions and motivations become slightly cartoonish. Adam himself is portrayed as a religious fundamentalist, so scarred by his now absent wife that he deems everything unsavoury to be a "mark of wickedness". Psychologically abused by his judgemental father, Cal embarks on an unhealthy quest to both find his mother and earn daddy's favour."East of Eden" is filled with artificial, exaggerated oppositions, trite melodrama and strained allusions to the Biblical story of Cain and Abel. On the flip-side, it's beautifully shot, boasts amazing wide-screen photography and contains a number of interesting passages. Elevating things further is Dean's performance. Dean would act in only three films before dying at the age of 24 ("Giant", "East of Eden", "Rebel Without a Cause"). In each of these films, he played sensitive, troubled young men. These characters are outsiders, idealists, confused, ashamed and filled with a burning desire to belong. More than this, their on-screen suffering seemed to echo Dean's own off-screen troubles.Dean's performance in "East of Eden" has been called "groundbreaking", but it wasn't really. Brando and Montgomery Clift were already making waves as Method Acting Mega Stars, and Paul Newman and others would soon do so as well. What Dean did well was popularise a certain turn-of-the-century teenage archetype; all adolescent ache and emotional turbulence. And as Dean was immortalised as an adolescent and never allowed to grow up, his characters only seemed more doomed. As the years went by, his three performances would accumulate almost mythological proportions. This sentimental necrophilia would blind fans to Dean's flaws – his obvious attempts to mimic Brando, his overly mopey scenery-chewing etc – but in a way is also wholly deserved. "East of Eden" boasts gorgeous colour cinematography by Ted McCord, a lush score by Leonard Rosenman, and fine performances by Julie Harris and Jo Van Fleet.7.5/10 – See "Marjorie Morningstar", "Some Came Running" and "Rebel Without a Cause".

As an adaptation of John Steinbeck's novel, "East of Eden" falls short. The movie leaves out the first three parts of the novel (though this is forgivable, given the pacing issues that could arise in movie form), leaves out the character Lee, who introduces the concept of "timshel", and, as a result, ultimately ignores the moral message of the novel. The idea of "timshel", which is Hebrew for "thou mayest", is used by John Steinbeck to assert his message of free will as opposed to predestination; because the movie abandons this concept, all that is left is a story about the love triangle happening between Cal, Aron, and Abra. To one who hasn't read the novel, this plot line may be sufficient, but to one who has, the focus on this love triangle (which did not even occur in the novel; Abra and Cal did not show romantic interest in each other until after Aron had left to go to war) may bring disappointment.However, the portrayals of the characters that were not cut out were mostly accurate to the novel (Jo Van Fleet's performance as Kate was probably the closest to the original character), and the acting was not particularly bad, though there were scenes, such as the fight between Cal and Aron, where the acting was bad to the point of making the serious scene hilarious.I might recommend this if you're looking for a bad or cheesy movie to make fun of with your friends (the Cal and Aron fight is particularly amusing for this purpose). Overall, this movie is rather inaccurate to the source material and thus a sub-par adaptation.