Tab Hunter Confidential (2015)

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

I have absolutely never seen anything like this movie before. You have to see this movie.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

This film is so real. It treats its characters with so much care and sensitivity.

This is a great documentary. It is not a boring account of the numbers of movies he made or records he sold or a fan girl rant about the greatness of Hollywood and its possibly handsomest leading man. This is a very true story of someone who was down, then up, then down again and back up. He did not let himself become part of the Hollywood problem that had to be kept secret. He broke away and did Polyester and Lust in the Dust after Hollywood had thrown him into the scrap heap of old pretty but wrinkled toys. His ice skating and love of horses and other scenes show that he was a real person, not just management's flavor of the month. Hooray for Tab Hunter. We need many more like him.

Tab Hunter was almost certainly the best looking actor ever to grace a movie screen and one of the few major players ever to come out as gay. His book, "Tab Hunter, Confidential" is a hugely readable account of Hollywood in the fifties and now it's been turned into a brilliant and moving documentary by filmmaker Jeffrey Schwarz. Watching this, two things struck me about Mr Hunter; on a purely superficial level, for a man in his mid-eighties, he's still incredibly handsome, (and certainly doesn't look his age). Secondly he comes across as one hell of a nice guy, a man to be deeply admired for staying true to himself.Like Tab's book, Schwarz's film is, of course, a great portrait of Hollywood, (even if there is something gruesome about seeing old movie stars who haven't weathered the years quite as well as Tab has), but it's also refreshing to see these people talk so openly and honestly about Tab's sexuality in the knowledge that Tab is more than happy for them to do so.Could he act? Most definitely, though he was never given a part that really stretched him, (it's just a pity that "Gunman's Walk" was never taken that seriously). Maybe if he had been more successful it would have been a lot harder for him to be as open but his honesty, and not just about his sexuality, but about his talent, (and he was also a champion show-jumper and a fine figure skater), and his career makes this one of the best films of its kind I've seen.

Greetings again from the darkness. "Made it, Ma. Top of the world!" That line was famously bellowed by James Cagney in the 1949 film WHITE HEAT, and it reasonably could have been shouted behind closed doors, a few years later, by Tab Hunter. Of course, that wouldn't have been the only thing Mr. Hunter was keeping behind those doors. In his 2005 autobiography, he came out publicly as a gay man. Director Jeffrey Schwarz takes that book, and puts a very forthcoming Mr. Hunter in front of the camera, to deliver a fascinating, entertaining and educational glimpse at what it was like to be a movie and musical superstar at a time when being a gay man was not just a social taboo, but actually considered a mental illness.Normally, "talking head" documentaries quickly become tiresome, but now in his 80's, Mr. Hunter remains an engaging and delightful man, and he is so sincere and upfront in telling his stories, that we couldn't possibly turn away. In addition, director Schwarz drops in interviews from those who were there. These include: Debbie Reynolds, Connie Stevens, Robert Wagner (filling in his for his deceased wife Natalie Wood), John Waters, George Takei, and Robert Osborne. Each recall moments from real life, with the studio publicity romances (Reynolds, Stevens, Wood) providing the touch of melancholy that brings focus to the matter at hand.Another entertaining touch added by Schwarz is his use of actual dialogue snippets from Hunter's films to deliver punch to a point – sometimes comedic, sometimes more serious. Never succumbing to the career retrospective approach, the film does offer significant film clips, photographs and recollections of Hunter's unique career that found him #1 at the Box Office, as well as #1 on the Pop Music Charts (his recording of "Young Love" knocked Elvis off the top of the charts).The film could also serve as a historical documenting of the Hollywood Studio system, as Hunter's success with Warner Brothers was never to be duplicated once he gained his contractual release (through buyout). We do go through the career re-birth brought about by Hunter's work in the John Waters offbeat classic POLYSTER, where the former matinée idol finds himself making out on screen with Divine, the 300 pound transvestite who was a fixture in Waters' films. Surprisingly, it's Hunter's fearless approach to the material that makes it click.But beyond the Hollywood insight, the film is most effectively the story of a man who, because of his era, had to be one person in public and another behind the closed doors. Hunter describes this as "being rewarded for pretending to be someone you aren't". He speaks frankly about his relationship with Anthony Perkins, as well as a couple of other serious relationships. We also learn about his childhood, when he had an abusive father and was close to his older brother, who later died in Vietnam. Hunter speaks of being "lost as a kid". Beyond the Hollywood years, it's fascinating to hear Hunter speak of his time on the Dinner Theatre circuit, where he put up with the travel and drudgery so that he could pay the bills and care for his sick mother. We also learn that in addition to his staggering good looks, his on screen appeal, and his musical talent, Hunter was also a world class figure skater and competitive equestrian horse jumper. Yep, Tab Hunter is pretty much the guy we would all despise … if he just wasn't so darned nice and likable!

Saw this film at the Berkshire FF and can't wait to see it again in Provincetown, MA. Mr. Hunter and Mr. Glaser received standing "O" at the end of the film and at their appearance for the Q and A's. For all of the intricacies of storytelling (it covers Hollywood history, Tab's personal history and struggles and the resolution he has come to) the film flows seamlessly. It is fascinatingly illustrated with studio stills, film clips, interviews and personal snapshots. Tab narrates the film, and his "concentration" as he looks at us is mesmerizing. He has shared incredible insights with his audience about his fame, his loves, his family....occasionally with a delightful, self-deprecating twinkle. Profoundly, however, it is his success as a human being that will touch us most.