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The Beyond

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The Beyond (2010)

July. 16,2010
|
6.6
|
NR
| Horror
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A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.

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UnowPriceless
2010/07/16

hyped garbage

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Dorathen
2010/07/17

Better Late Then Never

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Comwayon
2010/07/18

A Disappointing Continuation

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Hattie
2010/07/19

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

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Fella_shibby
2010/07/20

I saw this first on a VHS in the late 80s titled as Seven doors of death. The VHS guy told me that it was a rare copy. Revisited recently on a blu ray. The film may be frustrating to some viewers because it does not follow a linear path. The movie starts in 1927 Louisiana hotel where v get to see an angry mob, some arriving in boats while others in cars. Yeehaw! They torture n kill a painter, crucifying him on the wall. The blood which comes out from his hand resembles dirty muddy water. Fast forward, a girl from New York inherits this hotel n she starts renovation. How she inherits this hotel no explanation given. A painter falls off after he sees a girl with the creepiest contact lenses. Later we see the new owner of the hotel driving on a seemingly endless bridge to nowhere n the same creepy lenses blind girl standing with her dog on the bridge. A plumber goes to repair the mysterious flooding in the basement n there is the most nastiest eye popping scene. Later the bodies of the plumber n the painter (who's now a decayed n dead zombie) r moved to the morgue where the doc puts ECG machine on the zombie. Crazy science! The painters wife comes to dress the body for funeral n she sees something which we don't get to see n she screams n v get to c an open jar of acid (who keeps an open jar of acid) kept on top of a shelf which is shaking n slowly the acid is dropping on the mothers face, while the daughter who entered hearing the scream tries to escape the acidic froth which goes on like a wave. Cut back to the funeral n we get to see the daughter of the plumber too turned blind with similar creepy lenses. A contractor goes to the city hall to retrieve some old plans of the hotel n he falls down the ladder n is attacked by tarantulas n they do eat his eyeballs. Whats the eyeball obsession? Now the original blind girl who's been dismissed as a ghost or someone who doesn't exist, is attacked by her dog. Who was she is never explained. Do we care? Nope. In the end v get to c hordes of slow walking zombies. The doc keeps on firing, sometimes on the head n sometimes on other body parts. Maybe his aim wasn't that good or else how can he not know about shooting the zombies on the head. The best part is that without reloading the gun, he keeps on firing. One very good scene of a head-shot. Superb effects there. The ending is done surprisingly well and offers a nice little final touch of horror. The doc n the owner r trapped in the painting. Technically, Salvati did a good job with the cinematography. Germano Natali did some stunning special effects. All in all the director Lucio fulci did a terrific job with the lil resources he had to work with.

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bbickley13-921-58664
2010/07/21

It's the type of horror that makes a midnight screening audience laugh out loud as we watched some brilliantly bad English dubbing. A young woman, runs from evil to the sound of a kick ass Italian rock band, and an Italian filmmakers strange love of eye popping terror (literally eye popping). Demons, ghost and zombies all in the same movie in the back drop of New Orleans. A woman inherits a house in the city that just so happens to be one of the seven gateways to hell, bummer. The plot is a hot mess after that is explained, than the movie becomes a series of kills after kills and the lady being lorded around the house looking for an answer that did not really exist.The death scenes are archetype giallo, very slow with scenes cutting back and forth from the victim to the weapon and then very Gory.But I've seen other movies like Suspiria or zombie that have done this a lot better and less cheesy But at this point , that is the fun of the movieNote worthy 12'O clocker

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TheRedDeath30
2010/07/22

I go to a lot of horror conventions and I frequent a lot of horror message boards. I find in my conversations there that most horror geeks go through a typical exploration. You start with the big budget Hollywood horror that was readily available and as your tastes grow more, you start delving deeper into the horror underground. Inevitably, for most horror fans you exhaust the domestic classics and start digging into the foreign films, which brings us to Italian horror and, more specifically, Lucio Fulci.Let's just establish quickly that his films are either going to be appreciated or hated and there is little middle ground. I will admit that it took me a few runs through Italian horror films until I started to "get it" more and appreciate them. Accept right off the bat that you are throwing plot and logic out the window to appreciate imagery. Fulci believed strongly that the best horror should elicit a strong response in the audience and spur them to a feeling or action. It did not have to be a "good story". If you can't get past the fact that the movie doesn't always make good sense, then don't bother. I'm not going to tell you you're wrong because it's perfectly logical to want a good plot in a movie. On the other hand, art doesn't always have to make sense. The art of Jackson Pollock doesn't portray life in the same way as a Reubens portrait might, but that doesn't mean they aren't both valid art.So, with the caveats out of the way, let's talk about the movie. To me, ZOMBIE will always be Fulci's masterpiece and is in my top 50 horror films. This movie is easily his next best. The story revolves around a hotel built on one of the gates to hell, which naturally causes some strange occurrences on the grounds. It's hard to give you more plot than that because...well..there isn't much more. What the movie can provide, though, is good atmosphere and some awesome visual effects.The tone of the movie is consistently creepy. Originally intended to be a haunted house flick, but altered some to make the producers happy, the movie still adheres well to the haunted house feel. From the beginning scenes, there is something unsettling about the house and the events going on and Fulci plays this well by injecting a surreal feeling into things so that it truly feels like a nightmare.The deaths are what you're paying admission for, though. There are some great visual effects here. Gallons of spurting blood, ripping flesh, melting faces, spiders tearing chunks off people. For gorehounds there is a lot of fun to be had here and that's what draws me into this movie the most.Fulci's movies always walk a thin line between surreal and ridiculous. The first time I encountered this movie I wasn't quite sure how I felt about it, but as I've seen it a few more times I've really grown an appreciation for the movie. Set aside your preconceived notions about plot (who needs it) and just enjoy the ride for what it is, a bloody, disgusting, thrill.

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MartinHafer
2010/07/23

"The Beyond" is a film that will offer lots and lots of frights even though it is a bit scant on plot. This makes it a perfect film to watch to scare yourself and your friends without needing to worry about following exactly what's happening. This is NOT a criticism--it really isn't. And, sometimes you want to see a film that is one thrill after another.A young woman inherits a hotel in New Orleans--a city that is reputed to be very haunted. However, this place makes EVERY haunted place in the city put together seem like paradise! This is because everyone around the woman keeps dying horrible deaths--very bloody and horrible deaths. They are absolutely horrific--such as a dog tearing out someone's throat as blood goes shooting everywhere! However, and this is important, while very bloody and intense, the special effects are not as realistic as movies today. This is a GOOD thing, as the film would have simply been nauseating and disgusting--but instead, you could laugh off the deaths. Now by 1981 standards, they were not bad at all--something that works very well when seen today.So is it worth seeing? Absolutely. As I said above, if you are just looking to be scared it's very good. But I didn't give it an even higher score because a few scenes were a bit cheesy (such as the obviously fake tarantulas used in one death). I also thought the guy helping the lady at the end was an idiot. Even though EVERY head shot killed the zombies, he kept shooting them in the chest with no effect! And these were really, really, really slow zombies and he could have easily used 1 bullet per zombie! What a knucklehead! So, remember--if you are being attacked by zombies, conserve your bullets and concentrate only on head shots!

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