Hello, My Name Is Doris (2016)

Great visuals, story delivers no surprises

A story that's too fascinating to pass by...

It's easily one of the freshest, sharpest and most enjoyable films of this year.

The movie is wonderful and true, an act of love in all its contradictions and complexity

What can I say other then the fact that this movie is about a frustrated old woman who, one day, decides to break up a young couple and then to claim that she never wanted to harm anyone. And for some reason, the gets sympathy and respect for it. All I can say is that this movie is absolutely pathetic and not worth watching.

I find that modern films come in four varieties: those which stand the test of time (a rare few), those which appeal to older audiences or the art house crowd, those only meant for young audiences, and those which the various generations can look at in their own way. That last genre is how I see this film, and coming from the late baby boomer era, I find a lot to appreciate here, a lot to make me cringe, and even a lot more to laugh at. I identify with the seemingly sad character played by Sally Field, lost in her world of having taken care of a dying parent. She's also the sole survivor of the veterans in a modernized company (ridiculously) which takes out chairs and puts in oversized beachballs simply "because". A new young employee (Max Greenfield) whom she becomes obsessed with, stalks on social media (another big eew), becomes ridiculously trendy, yet comes to life for the very first time. I can't imagine working at an office with nothing but millennials, because as is shown here, the basic rules of language and communication get destroyed. Field though seems to be having a ball and indeed is extremely funny. There's an ironic reference to "The Glass Menagerie" which Field appeared in on Broadway at the same time. Field is supported by the wonderful Tyne Daly, earth mother supreme, raising an over the top millennial granddaughter who shows Field how to make a fake social media account and gives her all sorts of ill-advised pointers on getting Greenfield's attention, all the while virtually avoiding her grandmother. So much to amuse, but way more to annoy with it's ultra liberal viewpoints of what society has become. Unlike other modern movies, though, the urge to turn it off is suppressed by the wonderful Fields. Her outburst when an estranged brother and some intrusive social workers try to get the hording Fields to throw things away is truly magical, and as much as you realize how obsessive/compulsive she is, the attempted control is maddening. If this accomplishes anything, it's the thoughts this brings up: of a growing generation gap, of old ideals needlessly replaced by senseless trends. and how just one odd meeting of the minds between different generations can change the world.

I'm just gonna say: Imagine if it was from a man's perspective. Imagine all the people flipping out over a 60-year-old man trying to pursue a young girl. Not such a comedy genre anymore, aye? Yet somehow this is funny? This shouldn't have been a comedy genre at all. This should have been placed as a thriller but idk, somehow it's quirky and funny when an old woman pursues a hot young man? Why is it funny? Because all women are so harmless? Sure. Plus her stalkerish tendencies to get involved in everything he does is downright creepy. I'm just gonna let you imagine if the genders were switched and see for yourself how terrible of an idea this movie is.

This movie shows that there is a generation gap. Not in years but in understanding this new electronic age and computers. Not everyone is capable with computers, mainly seniors. You cannot exclude us because of our age (me 70 years old), we are are not so easily impressed with Facebook, etc. Sometimes just making a phone call is much appreciated this movie shows this.