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Beau Travail

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Beau Travail (2002)

March. 31,2002
|
7.3
|
R
| Drama
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Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.

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YouHeart
2002/03/31

I gave it a 7.5 out of 10

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Merolliv
2002/04/01

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

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Allison Davies
2002/04/02

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Staci Frederick
2002/04/03

Blistering performances.

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Rick James
2002/04/04

Never mind the pseudo-psycho plot that is really just undeveloped, the music that is mainly purloined or the character development that is really nil. The scenery and the physicality are worth it. Imagine a place whose most interesting geographical feature is an immense salt flat stretching to the jagged mountains on the horizon, and you'll get the idea. It's hard to believe the French Foreign Legion is this romantic, but the bodies are certainly worth the show.No one seems to have observed that "beau travail" can be play on words in French. It can mean "beautiful work" but it can also mean "empty" or "vain" work. Clever.

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noralee
2002/04/05

"Beau Travail" uniquely provides a woman's eye, director/co-writer Claire Denis, on the movie genre of taut men in groups, peace time military subset, with much less profanity or crudeness or misogyny than is typical.The camera loves looking at all these half naked, trim, fit young men, as they are seen over and over in all kinds of repetitive physical exertions, from the usual military obstacle courses to martial arts exercises that look like tai chi, to ones that seem like yoga and then banging against each other. (Surely these images must have influenced the later directors of "Tigerland" and "Jarhead.") It is amusing to see them busily ironing clothes in order to get the required creases in their uniforms. I haven't seen such a sensual scene of men ironing since Kevin Costner in "Bull Durham." The narrating sergeant "Galoup" is the usual strict bully, punishingly competitive in all these exercises. But I completely missed that the film was an adaptation of "Billy Budd" until I saw the closing credits that referenced the Britten opera on the soundtrack because the object of his attention, "Sentain," doesn't seem like a helpless victim.Unlike all movies about the duress of basic training and keeping enlisted men in line, the story is not from the point of view of this victim, but is told as a flashback by the sergeant with lots of references to what is lost and found (we hear "perdu" and "trouve" a lot though some is lost in translation as idioms are poorly translated in the subtitles, such as of sang froid).The sergeant seems out of "The Bridge Over the River Kwai" school, setting the under-employed Foreign Legionnaires posted on the coast of Djibouti to work repairing deserted roads and literally digging holes in the desert to work out his frustrations.The orphan just gets under his burr until he intentionally provokes him to the limit. It is certainly not clear what it is about him that annoys the sergeant. His lean beauty? His casual heroism? Even if there's some conflicted homosexual urges, and the sensuality of the local African environment and music are continually emphasized, amidst the homo-erotic subtext, the sergeant clearly has the hots for a young local woman.We don't get to learn much about the individual Legionnaires. The commandant, the crusty Michel Subor, is comfortable as a career soldier and, surprisingly in this genre, does support a sense of fair play and justice, as symbolized by his chess playing. He keeps insisting the men are no longer Russian or African but now are loyal to the Legion (as we keep hearing the anthem over and over). There is some grudging tolerance of the exoticism of diversity, even as the Muslims are teased during Ramadan.Even as viewed on video tape, the setting and contrasts in Africa are beautiful – from the desert to the sparkling bright ocean, but the narration is annoying, even as it ties together the memories of regret.The music is very evocative of the setting. The curving sensuality of night time African dance clubs and the women dancing is contrasted with the formality of the men's exercising. So I think in the conclusion the sergeant is finally trying to integrate all his experiences to the tune of "Spirit of the Night."

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TooShortforThatGesture
2002/04/06

Dull, dull, dull.I will admit I decided to watch this film for the purported "eye candy". But I kept watching because I was promised an meaningful interpretation of "Billy Budd" in the Foreign Legion. (I had also watched Dietrich and Gary Cooper in "Morocco" earlier in the day and was intrigued by the idea of watching 2 films set in the French Foreign Legion in the same day.) The film pretty much fails on both counts. There are some interesting looking guys who are filmed at times in various states of dress looking hunky and hot in the Mediterranean sun -- but this is not a flesh feast or even a good old-fashioned war movie. You can do better in that regard with a documentary about the Navy Seals. As for the storyline - I think I understand what the director was going for --- a sort of stripped-down minimalist storytelling that echoes the minimalism of the North African landscape and architecture. But it really doesn't work. Instead, one just feels that nothing is really happening and that the few incidents we are shown seem unconnected and often pointless. (And, of course, maybe that is deliberate and meant to evoke the pointlessness of military existence, but, even if so, it's not very entertaining and it doesn't really teach us anything we don't already know.)

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jf-lagardere
2002/04/07

... but I guess I'd like it like other very personal Claire Denis movies. Mauvais Sang from Leos Carax and with Denis Lavant is also a personal favorite and I've seen it quoted somewhere. Just because a movie is stylish doesn't mean it's bad. Unstylish movies? Lots of them... Claire Denis succeeds in creating a very personal climax that makes for movies to be remembered long after you've seen them. Beau Travail would translate literally as "Beautiful Work" but I think the best translation would be "Nice Job" as in "You did a nice job, here". With the ambiguity of job meaning both work and occupation. I don't think "Good Work" is a proper translation like I've seen here and there.

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