Foreign Agent (1942)

Purely Joyful Movie!

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

The first must-see film of the year.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

A Number of Things Draw Attention to this Billy Beaudine Directed Ultra-Cheapie from Monogram. Every Scene Looks Just as Cheap as it is. The Fight Scenes have the Most Anemic Sound Effects Ever Heard in a Professional Movie. The Punches are Punctuated by a Sort of Clicky, Squishy Sound. The Battle on the Ocean is So Confusing with its Use of Repetitive Shots and Still Photos Foreshadowing Ed Wood by a Number of Years.The Sets are Incredibly Bare and Frumpy Even by Monogram Standards. They Look Thrown Together from what was Lying Around and are Dusty and Dirty Given the Appearance that a Dust Rag or Broom wasn't Available.The Cast, Except for the Glimmering Gale Storm Who Just Radiates, Look and Are, Miscast, Bored, Drunk, and Without Makeup Most of the Time. Everything in the Movie Looks Old, and Worn Out Including the Plot that is Ironically Only a Year or So After Pearl Harbor.There are Subversive Peace Organizations, Good Russian Comrades, Scarface Nazis, and a Jap Played by an Obvious White Actor with a Painted On Mustache. The Crowning Achievement is Miss Storm's Bouncy Performance Singing "Taps for the Japs". Now that's a Precognitive Pop Tune.

Two American couples defeat Axis plans to relay military intelligence to off-shore subs.This Monogam programmer was made right after the start of WWII. What surprises me is that the Nazis and Japanese are not as caricatured as I would expect. They're more scheming than malevolent, though Okura (Lebedeff) grunts more than he speaks. That's probably because Lebedeff had trouble with Japanese inflections. Anyway, if you can figure out how the message interception method works, you're smarter than I am. Note too how the blue-collar duo of Collins (Moran) and McGurk (Lytell) do the gritty barroom fighting. That prefigures Hollywood's heightening of the common man's role in defeating the Axis. Then too, there's that soapbox speech from an apparent isolationist who wants the US to steer clear of war. Isolationism from European wars was a controversial topic of the time. Here, however, it's used as part of a Nazi plot. But maybe most telling of the time are the very real fears of a Japanese attack on the West Coast, following their success at Pearl Harbor.Good thing that Gale Storm is cast. She sparkles, as usual, while the rather homely Moran also shows engaging personality. Together, they lift the energy level beyond the colorless leading man (Shelton). Then there's the climax that's so sudden and flat, it's like Monogram ran out of film, which they probably did. Anyway, the movie remains an interesting little time capsule, livelier than the usual poverty row product.

**SPOILERS** One of the 350 movies and TV shows directed by the legendary William "One-Shot" Beaudine in being that he never re-shot a scene no matter how bad it was. "Foreign Agent" has to do with this group of Nazi spies working right out of Hollywood who are trying to get their hands on this blueprint of a defused military search light. The search light will be able to spot and detect enemy planes and at the same time not give away its position. Thus preventing it from being blown to pieces by the attacking war planes when they get sight of it.The Nazi Agents lead by American hoodlum Nick Dancy and his Japanese cohort Okura break into the hotel room of Hollywood studio electronic expert Mr. Mayo ransacking the place after murdering him and, by hanging Mayo from the ceiling lamp, making it look like a suicide. For all their hard and murderous efforts Dancy & Okura fail to find Mayo's important blueprint of the defused search light in that he never had it with him in the first place. Being chewed out by their boss head Nazi Spy Dr. Warner for screwing everything up the two decide to track down Mayo's daughter Mitzi whom their sure, and right for once, has the blueprint in her possession.Trying to fill up some one hour of screen time were made, among other things, to sit through a boring fight scene that really has nothing to do with the movies, thin as it is, storyline involving Mitzi's friend and roommate Joan Collins and her hard headed as well as hard drinking boyfriend Eddie McGurk. It turns out that the Nazis mistaking Joan, who was driving Mitzi's car, for Mitzi mugged her and stole Joan's $10.00 engagement ring given to her by Eddie! How the Nazis could mistake a cheap ring, that looked like it came out of a box of Crackerjack, for a search light blueprint is never made clear in the movie!Later when Eddie confronts the two Nazi Agents at a local bar he has it out with them in the most exciting, if you can call it that, scene in the film. The hard hitting Irishman's boxing ability resembled that of the swishy and cream puff style of "Slapsy Maxie" Rosenberg then that of the explosive one two combination knockout punches of Jack Dempsey and Joe Louis! Were also given to understand in how successful the Nazi Agents are in a newsreel involving an attack on a, what seems like , American convoy in the North Atlantic. This is all done so haphazardly that you have no idea who not only the good and bad guys are but aren't really sure in what ocean, the Atlantic or Pacific, the action is taking place in!As you would expect it's the Nazis headed by Dr. Warner who end up fumbling the ball, or search light, and end up getting caught red handed by the FBI and local police. Not only is Dr. Warner on the outs with the US Government, facing a quick trail and execution for espionage, but his fellow Nazis as well. That's in Dr. Warner being set up, by Mitzi and her boyfriend Jimmy, in framing him in secretly turning his by now very confused and disoriented fellow Nazis Spys over to the US Military Authorities.The future "My Little Margie" Gale Storm, as Mitzi Mayo, is about the best reason for watching this mess of a movie. Gale not only does a fairly good job of acting but sings the films two songs:"Down Deep in my Heart" and the patriotic and butt kicking, for the boys on the front lines, "Taps for the Japs".

With William "One Shot" Beaudine directing, Monogram reacted to the US entry into WWII with its typical style........cheap and cheaper. Starring John Shelton (whoever that was) and Gale Storm (better known as "My Little Margie" from early television), the story, what there is of it, concerns a group of spies ("group" in a Monogram film means two or three individuals) ineptly working at espionage. There are basically two sets, an apartment and the spies' hideout and the acting is what you expect from Monogram Studios.The story is unimportant here......needless to say the spies get caught in the end before any damage is done. But there are a couple of things worth noticing. In the beginning of the film there is a shot of the Hollywood Blvd. and Gower street sign. "Gower Gultch" as it was known was the home of the poverty row studios, Monogram, PRC, etc. It appears Beaudine ran outside the building to take a shot of the street sign as a lead in to the film. Sure beats location work.Secondly, in an earlier part of the film the conversations of the spies are recorded by the good guys. In order to flesh out the film's running time, the recording is played later in the story and we have the chance to hear a total repeat of the earlier scene of the aforementioned conversation. It is this kind of thing that is endearing about the poverty row studios. They found a way to make films on a shoestring using little tricks like that.This film isn't much but it is not as bad as some of Monogram's offerings. So if you are a fan of Monogram, Mascot, PRC or Tiffany studios, give it a watch. You just have to love these little footnotes to Hollywood history.