Wushu Warrior (2010)

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Amazing worth wacthing. So good. Biased but well made with many good points.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

I am fast becoming a big fan of WUSHU and saw this on Amazon Prime and thought, why not? The reason why not is it's numbingly boring. Matt Frewer always seems to require a Mt. Dew AMP to get any inkling of energy in his performances. This is no exception. I was hoping someone would come along to shake him and wake him up, The plot is basic WUSHU - Son looking to avenge the death of his father learns the true meaning of Kung Fun. They go off on far too many tangents to make this make sense. Just because you have a script doesn't mean you should make the movie. If you have nothing better to do on a Sunday morning and you've seen every Shaw Brothers and Golden Harvest film available, still don't watch this.

Eager for a new face in the kung fu genre, I had kept this Tod Fennel vehicle on my radar for the longest time before finally renting it, and in the aftermath, I'm just glad that I didn't buy it. WUSHU WARRIOR is an occasionally pretty but consistently substandard effort to make a Hong Kong period piece thru European production companies. In its heart of hearts, the film wants to be a martial arts version of DANCES WITH WOLVES but ends up so bereft of its own identity that I'll be surprised if I can still remember it in a week from now.The story: When his father is killed for interfering in the opium operation of the devious Lord Lindsey (Matt Frewer), Jonathan Elders (Fennel) - a British boy living in China during the 19th century - is raised by a group of rebels and learns the art of wushu to enact vengeance on the evil lord.I'm not sure what medium this movie was produced for (theaters, video, TV?), but it has a curiously contained look. I'm pretty certain that the entire film comprises less than ten whole sets, and while generally nice-looking, they're all relatively small. Stylistically, the picture makes me think of a small-scale version of SON OF THE DRAGON, and instead of David Carradine, we have young Tod Fennel in the lead. Tod seems to be a good martial artist, but his screen presence leaves a lot to be desired: were it not for his singularly awful haircut, he'd be completely faceless. Then again, such is the case with most performers in the movie, the majority of which are Chinese first-timers. Veteran Matt Frewer is a rare exception, though he too isn't on top of his game: the scene wherein he intimidates and then shoots a guard ought to have been impressive and foreboding, but because of the inauspicious script and blocking, it just looks contrived.The martial arts content likewise ends up being pretty forgettable - not terrible, just not worth much notice. A karate practitioner in real life, Fennel gets the wushu moves down pretty good, but the choreography tends to be basic and unambitious. There's a lot less wirework than I had expected (what's there is pretty silly, though), and I appreciate how many of the five matches remain grounded, but I can't point to a single one that rises higher than numbingly average in quality; there's just not a lot of cool things going on in them. Likely realizing this, the filmmakers addressed the problem via some really laughable CGI inserts throughout. In the film's universe, martial arts seem to be synonymous with magic, and as a result, one character (Gang Zhao) is inexplicably able to teleport while Tod manages to conjure a wispy dragon which blasts Matt Frewer against a wall, DRAGON BALL Z style.On an offhand note, the film managed to surprise me with the treatment of the character played by Amber Goldfarb, taking her in a different direction than convention intended. Needless to say, this isn't enough to make the movie worth watching, and I can't recommend this to too many people. Its PG-13 rating may make it accessible to younger fu fans, but I can't think of anybody who'd genuinely appreciate this one.

OK, for the starter, let me say an entertaining movie from me always get a 7, a good enjoyable movie a 8 and so on. If i go from 6 and down, its because the movie really suck or that i want to turn it off cause I'm bored.Personally i was thinking trough the whole movie what was its real identity and thats where it probably fail for a lot of people when personally i still can enjoy it. Thing is, you start looking at this movie like an epic story, then it become way more of a vengeance "train me master please so i can kick the bad guy ass" to try to go back to the epic trail.Problem is, its neither of them. The fighting is not enough present, not carrying the movie if i can say, its more like there is a couple scene here and there. Then as for the story, its a little bit cliché like some said, it lack the polishing feel of a movie like Red Cliff for example.But then at the same time, i didn't watch the clock, i was interested in following the story enough to stay in front of the TV, so i was ENTERTAINED, which is as far as many movies will go. Rarely a "Dark Knight" will pop and make you watch it every day during 2 weeks without getting bored.I must had that I'm not a fan of hidden dragon crouching tiger, I'm not a fan of Chinese martial arts movie where the characters are obviously wired and fly over the screen. Here there is a few supernatural scene, but nothing that can be annoying. Like Dragon Tiger Gate, it pass with the rest of the movie without making you think "its so stupid" So yeah basically don't watch it as a pop corn beer time kung fu movie, don't watch it as an epic masterpiece, but just watch it as a cool little movie and thats it. I would recommend it to teen as well so you could see it with your family.

Watch this movie for what it is. A GUY MOVIE. It's simply a good kung fu flick. No horribly mushy love story, no long drawn out character development, no silly twists for the director to show how much better he thinks he is than the rest of the world, and no "indy" or "emo" blood letting or soul searching. There's even a valid historical reason for the Chinese to speak English.The gunfire is underwhelming, while the "sorcery" and super-natural effects are very well done. It feels organic and an extension of the warrior spirit. Not sure if it was intentional, but this has the feel of "there still lies power in the old ways." Not over-the-top, for the most part. The final fight scene is a bit of a stretch though. The few "wire-fu" moments aren't over-ambitious, and serve to show growth in the art, rather than feeling like an excuse to show off (as in Crouching Tiger and the like).If you're a martial artist, this film leans ever so slightly to the spiritual side of the art. Just enjoy it and try not to dwell on any inaccuracies. The protagonist is orphaned, taken in by a wushu master and his village, and through the years learns the secrets. He finds strength, and learns control. It struck a chord with me, as I'm sure it will with other who take their training seriously.