Príncipe (2020)
While wandering around the city on his bike, as if trying to find a path for his life, a nameless protagonist thinks about the encounters and mis-encounters that perpetuate or change his routines, about the fears that trap him and the dreams and desires that set him free. Gradually, the vertices of a love triangle are revealed, leading him to confess his anxieties and to question his certainties.
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I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
For having a relatively low budget, the film's style and overall art direction are immensely impressive.
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.