Gordon's War (1973)

Wonderful character development!

It's a mild crowd pleaser for people who are exhausted by blockbusters.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

I'm certainly not an expert when it comes to Blaxploitation cinema, but I've seen enough films by now to know that I root for the underdog titles rather than the popular blockbusters. Flamboyant and famous genre classics like "Shaft", "Foxy Brown" or "Black Caesar" may be entertaining, but I prefer the raw and desolate atmosphere of unsung gems like "Across 110th Street", "Ganja and Hess", "Fight for your Life" or "The Spook who sat by the Door". Ossie Davis' "Gordon's War" can definitely also be added to that shortlist from now on as well! This film doesn't rely on the groovy charisma of one single lead- player (although Paul Winfield is truly fantastic) but instead it portrays a harsh and saddening image of life in the decaying big city ghettos. Mostly thanks to the authentic Harlem filming locations, in combination with a straightforward no-nonsense script and a handful of marvelous action sequences, "Gordon's War" is a rewarding Blaxploitation gem worth tracking down. Decorated war hero Gordon Hudson returns from Vietnam only to find out that his beloved wife died of an overdose and that a whole generation of Harlem youngsters is falling victim to lousy heroine. You know the revenge/vigilante routine from here onward: Gordon assembles his army buddies and go back to war, only this time it's a personal battle against the drug pushers on the streets and crime lords who provide them. Apart from being a fast- paced and competently made thriller, "Gordon's War" is also memorable for featuring one of the most inventive safe raids I've ever seen and the bizarre supporting role of Grace Jones in her first screen appearance. The abrupt finale is a bit of a letdown, though, and the film could have done without the clichéd "oh-we-used-to-be-so-happy" flashbacks.

Gordon Hudson (Winfield) comes home to Harlem after serving in Vietnam. Once he gets there, he is angered, saddened, and shocked by what he sees. Drug pushers, pimps, prostitutes, junkies and other undesirables have turned Harlem into a wasteland. Drawing upon his combat training, he sees his mission as driving out the pushers and pimps, and he simply continues the war once home. In order to do this, he reaches out to his buddies Bee Bishop (Lee), Otis Russell (Downing), and Roy Green (King). They set up a command post in one of the many abandoned buildings in their area. They then proceed to clean up the streets in the most effective way: vengeance. You may be asking yourself how they know who to focus on, but with names like Big Pink (Heard), Spanish Harry (Lewis) and the dead giveaway Luther the Pimp (Gordon), their work is cut out for them. Will they rid the streets of the baddies and clean up their home? Or will they all lose GORDON'S WAR? Find out today! Excellently directed by Ossie Davis, Gordon's War is a winner. Davis adds a lot of nice little, subtle touches that keep the viewer highly entertained. You really do care about Gordon and his compatriots' plight. You want badly for them to succeed. The movie combines many of our favorite things that we're always looking out for: gritty NYC locations, a tough, no-nonsense approach, good character development, the setup of a command center, and the classic "assembling a team" scene, and of course, revenge, revenge, revenge. Among other noteworthy items, of course.This was before another one of our favorites, the "Cleaning Up the Community" montage really took hold - the whole film is Gordon and his friends cleaning up the community. Whether this movie is actually Blaxploitation remains in question - simply because it has Black characters automatically pigeonholes it as "Blaxploitation"? However, nostalgia fans will see a lot of their favorite things on screen: gigantic cars, fly threads and hip lingo. One of our favorite moments took place in a roller skating rink. No matter what subgenre of action movie may arise, it wouldn't be complete without the final abandoned warehouse shootout. A very cool chase caps things off nicely.Featuring the perfectly-chosen music of Barbara Mason and New Birth, Gordon's War delivers the goods.

After playing a villain in Trouble Man, Paul Winfield was then cast by director Ossie Davis as Gordon Hudson, a Vietnam vet who starts an all-out war on the drug pushers in Harlem after his wife died of an overdose. He gets help from fellow veterans Bee Bishop (Carl Lee), Otis Russell (David Downing), and Roy Green (Tony King). Among the people they're after: Luther the Pimp (Carl Gordon) and Spanish Harry (Gilbert Lewis). Not all is serious, though, during one scene Roy gets very lucky with a fine white woman (Jackie Page credited as "Bedroom Girl") and you get to see...oh, watch the movie. Also, music artist Grace Jones appears as Mary, one of many naked women assembling the stuff in abandoned buildings. Lots of cool explosions and a climatic chase of a car pursuing a motorcycle keeps the film on an exciting level. So on that note, Gordon's War is worth a look. P.S. On the Wikipedia site, it's revealed that Lewis was the original King of Cartoons on "Pee-wee's Playhouse". He'd eventually be replaced by William "Blacula" Marshall.

I love this one alot I've seen it now about 12 times. Such a great perfomance by the main character .Good gritty Harlem NYC locations and situations.This film really hits home for me ,I grew up on some of those filthy streets .One mans noble mission to rid the neighborhood of this poison called drugs,is the focus of this film .Ozzie we love you ! I only wish this was true life . I would tell anyone to give this a try one evening ,but it seems to be such a rare piece...