The Real Glory (1939)

Yawn. Poorly Filmed Snooze Fest.

Wonderfully offbeat film!

I have absolutely never seen anything like this movie before. You have to see this movie.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Can you imagine a love triangle, where a woman has to choose between Gary Cooper, David Niven, and Broderick Crawford? Of course, everyone in their right mind would choose David Niven in a heartbeat, but when Broderick breeds and names a unique species of flowers after his love interest, it's pretty cute.Unfortunately, the best part of The Real Glory is the beginning romance with the three men trying to court Andrea Leeds. Then, the war starts, and it goes downhill. Gary Cooper, the biggest star of the three at the time, soars to take up the most screen time, and the plot is hardly interesting. I like Gary Cooper in a couple of movies, but when he's cast as in a strong, decisive role, he just isn't convincing. This is far from the best war movie you'll see in your lifetime, so unless you're a total Gary Cooper fan, I suggest you skip it and find a better one.

THE REAL GLORY 1939This Samuel Goldwyn Production is about a series of battles during the Moro war in the Philippines. This armed conflict took place from 1903 to 1913. The film stars, Gary Cooper, David Niven, Broderick Crawford, Andrea Leeds, Reginald Owen, Russell Hicks and Vladimir Sokoloff.The film is set on the Philippines island of Mindanao. The US Army is pulling out and leaving the local militia and Police force in charge. The locals are sure that once the US Army leaves, the Moro guerrillas will swoop in and kill all the men, then sell the women and children into slavery. The Army leaves several men to help train the locals to defend themselves. (Cooper, Niven, Crawford, Owen, Hicks) The Moro leader, Tetsu Komai, tries to draw the American led militia out into the jungle where they plan on slaughtering them. When this does not work, Komai, with help from his inside man, Vladimir Sokoloff, send in several suicide types to kill the American commanding officer. This they succeed in doing, but this also fails to bring out the Constabulary. Now the Moro types dam up the river and stop the flow of fresh water to the village. There is soon a cholera problem and people start to die. The Army doctor, Gary Cooper does what he can. The man in charge now, Reginald Owen, is afraid to do anything about the problem. He is going blind from an old wound. Needless to say he is keeping this info from Cooper and the rest. Owen finally orders one of the men, Broderick Crawford, to take a detachment of militia and destroy the dam. The problem here is that the Moro leader is kept up to date on the intelligence front by inside man, Sokoloff. Broderick and his men are massacred with only a single survivor. The situation now is desperate in the village from lack of fresh water, as well as the disease problem.Now Sokoloff steps up and offers to lead another detachment up a secret trail to the dam. Owen falls for the ploy and leads off most of the militia garrison. They also take along a healthy amount of dynamite. Cooper, left in command of the village, now discover Sokoloff's duplicity. He puts David Niven in charge, grabs up a shotgun and takes off to warn Owen.While Owen is being led up and down various jungle paths, the Moros have massed for an attack on the now depleted garrison. Cooper manages to reach Owen and fill him in on Sokoloff. After disposing of the swine Sokoloff, Cooper and the rest destroy the dam, build some rafts, and return to the village. Meanwhile, back at the ranch, er, I mean the village, there is a full-fledged battle going on. The Moros, using freshly captured rifles, are getting the upper hand. Inside the barricades, Niven and the remaining militia are putting up a stubborn bit of resistance, but they are outnumbered and losing ground. Just as it looks like the Moro bunch will be victorious, Cooper and the boys arrive. They take the Moros in the flank and soon have them on the run with heavy casualties. The Moro leader, Komai, is killed by one of the Philippine Militia officers, Rudy Robles. The threat to the village and its people is ended. There is a side plot where Reginald Owen's daughter, Andrea Leeds, falls for the dashing doctor, Cooper. This one comes off like a version of Gunga Din with plenty of action and derring do. The director was Henry Hathaway, who had worked with Cooper on, THE LIVES OF A BENGAL LANCER. Hathaway cranked out more than a few decent films during his career. These include, SOULS AT SEA, SPAWN OF THE NORTH, WING AND PRAYER, THE BLACK ROSE, RAWHIDE, KISS OF DEATH, NIAGARA, THE SONS OF KATIE ELDER and TRUE GRIT. Helping out behind the camera was Rudolph Mate. The 5 time Oscar nominated cinematographer (Gilda, Sahara) would become a director himself. He would crank out a series of well-respected westerns and film noir like, DOA, UNION STATION, BRANDED, THE VIOLENT MEN, SIEGE AT RED RIVER, THE FAR HORIZONS, and THE RAWHIDE YEARS.

This is a very enjoyable adventure that clearly influenced Raiders of the Lost Ark and the other Indiana Jones films. It is expertly directed by the unfairly forgotten Henry Hathaway and Gary Cooper is excellent in the lead role as a doctor assigned to help train Phillipine natives against the dangerous Moro tribesman who regularly invade their villages.I must point out that another user comment, by one "skt171," attempts to make an analogy between this film and our current situation in Iraq. The analogy is correct, but not in the way the poster intended. This film is now widely considered both "historically and politically dubious," a fact pointed out by the well-respected Time Out Film Guide.For this reason, it is hard for me to take the poster's assertions seriously, particularly when he tries to point out how our media would have "ruined" our successful intervention in Phillipine affairs as it (presumably) is ruining our involvement in Iraq. Except for one problem...our involvement in the Philippines was neither as noble nor as successful as this film depicts.One other interesting point: this film is being shown repeatedly on the Fox Movie Channel prior to an important election in which Iraq is perhaps the most pressing issue. In fact, they are "celebrating" the legacy of studio-system "product" (their term, not mine) Henry Hathaway all month. Hathaway, of course, made MANY pro-war films during his career...which basically consisted of him taking whatever job the studio gave him. I can just see the Fox executives thinking to themselves, "if only movies were still like this...those Democrats wouldn't have a leg to stand on! Lets show nothing but Hathaway films until after the election." Im sure the reason for this is to prompt others to liken this inaccurate film to Iraq...it seems to have worked for skt171 (although he saw the film on VHS), thats for sure! Bottom line: enjoy this film as an adventure story. It works beautifully in this way. But look elsewhere for accurate history. And please, do not use this film as a basis for supporting our presence in Iraq, but rather as a blueprint for what a pro-Iraq War film would be like if we still lived in an era when movies were allowed to function as a propaganda arm of the US Government's military policy.

As interesting as the personal relationships were written - for the times, the action sequences were the most escapist - from the laws of probability.It was interesting to see the Moro leaders speak to each other in English then turn to their followers and speak to them in the native language. It was surprising to have Canavan view the Moro gang's ceremonial planning for the next act and not recognize the Moro chief, Datu, as one of the conspirators. It was astounding that when a speedy return to the fort was required, taking the time to build 10-15 rafts to float the squadron down the undammed river was the method of travel. It was magical to see that trees were cut and lashed together for the rafts without the appearance of tools or an area for construction.But it was just unbelievable to watch the men navigate the rushing river rapids standing on the rafts with push poles, then have only the native constabulary falling off the raft while Canavan stands statuesque as the raft plows into a giant rock in the middle of the river.These were all things that could have been accomplished correctly relatively easily.It was just funny to see the close-up scenes on the river that were clearly mixed images. But that's the best they could do then. It was also funny to see the cannon shots into the fort wall, unless the script was trying to say the attacking gang had somehow lifted the cannon over the wall and was firing from the outside. It makes David Niven's English accent while claiming an entire life in the US almost plausible.Escapist? Whew, I should say! But I guess it's the best they could do?