Hit and Run (1955)
Judge Csanádi András makes a confession to his boss one night: he fell in love with the pretty, modern driver woman, Zenthe Judit in a fencing room. The girl suddenly returned his feelings. One night she confessed to him crying: she hit someone. The case was assigned to Csanádi, who wanted to investigate the circumstances meticulously despite his feelings. Thus the so far hidden life of Judit, which is bound to the past former world and its values is now highlighted. He is confused, asks his boss to absolve him from the assignment, but refuses to do so. Csanádi realises in the court room: Judit kept on telling lies, she played the lover for her own interest. The judge passed his crisis, he will deliver a fair sentence.
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Although it has its amusing moments, in eneral the plot does not convince.
This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.