Pardon Mon Affaire (1976)

One of the best films i have seen

Just so...so bad

It's entirely possible that sending the audience out feeling lousy was intentional

This movie feels like it was made purely to piss off people who want good shows

Although it has elements of the dubious morality that obtained in the seventies overall this is a gentle charmer from the screenplay by Jean- Loup Dabadie through the direction of Yves Robert through the ensemble acting led admirably by Jean Rochefort. I haven't seen the Hollywood remake so I am unable to compare and contrast, I have, however, seen sufficient Hollywood remakes of French comedies - including one actually written by the great Francis Veber, i.e. adapting his own French screenplay for Hollywood - to know they seldom, if ever, live up to the original let alone eclipse it. The plot has elements of The Seven Year Itch and Dabadie acknowledges this by having the fantasy object stand over an air vent which blows her dress up; the difference is that in The Seven Year Itch there was only one male lead (Tom Ewell) and the object of his fantasy (Marilyn Monroe) whereas here Jean Rochefort has three male buddies all experiencing female trouble. Overall a pleasant, entertaining soufflé.

A banal bureaucrat who works in a Paris ministry sees an engaging amazon in an amaranth dress;the man had a decent family life.On all sides,his friends are left by their wives because they were caught having affairs. Étienne Dorsay's wife,Marthe (the delicious Danièle Delorme),is an attractive and very straight woman;she warns her husband about the consequences of his being caught with another woman.But Étienne plans nonetheless to meet the mysterious beauty sub Rosa.Étienne sees the woman,Anny Duperey, on an ad poster,and finds how to meet her;then,he rides Anny Duperey down.Completely amoral,Dorsay's imbecility is equaled only by his selfishness.As such,the movie is cynical and illusion-less."Un elephant ..." is a long flash-back,as it starts with Dorsay's odd illumination on the roof,when he contemplates freely the prospective of stepping further into profligacy.It is the turning of an bureaucrat into a libertine;but Dorsay remains none the less an imbecile."Un elephant ..." has several subplots (Jean Rochefort's three womanizing and somehow stupid friends have their various misfires with their prosaic love affairs;Dorsay' s wife,Danièle Delorme,is harassed by a disagreeable teen-ager,and she sometimes looks as if she is close to ceding to him).A female colleague,Martine Sarcey, misapprehends his intentions. A word about the actors:Jean Rochefort brings some bonhomie and calmness,but also the crap poetry of the boorish clerks.Not a bit of respectability in his character; Jean Rochefort/Dorsay remains selfish and narrow-minded.The script is an almost bitter study in amorality,albeit that in a suave register,and it has the '70s frankness of keeping to sex only.These sex marauders,Jean Rochefort and his friends,have no charm,and the movie does not pretend that they have any.Around Dorsay,the sex escapades fail ,but "Un elephant ..." has a bizarre,fanciful and interesting ending.It is true that "Un elephant ..." does not reach the narrative ampleness that some sex-comedy of that era had,instead it is constructed as a series of gags,and as an open registration of sexual tribulations that ultimately denotes a certain "disabusement".Three gorgeous actresses (Anny Duperey,Danièle Delorme,Martine Sarcey).

This Yves Robert's film gave Gene Wilder the idea for a US remake ("The Woman in red"). But the latter doesn't have neither the freshness nor the simplicity of the French version.As a European, I feel myself better at ease with the Robert's movie because it is nearer to my culture -and the fact that actors and action are set in Paris make easier for me to understand the way characters think...It's doubtless a French comedy, with a perfect actor for this kind of work -Jean Rochefort, who portrays a typical French "bourgeois", awkward, shy and proud of his social position at the same time. A frustrated male of Latin culture...!Etienne (Rochefort) falls in love with a sexy woman he meets in his bureau. This woman is then chosen for an advertisement... He will do everything for conquering her, unless telling it his wife. The film is a joke about men erotically fantasies.The film is witty, charming and well written. Whereas Italian comedies play mostly with satire, strange comical faces and misunderstandings, French comedies are less caricature, they present "clownesques" situations in (appearently) more serious environments. Two excellent comical approaches! They're so different from American comical movies -in American comedies there's more mess, you laugh because situations are so incredible and full of contradictions.This film is worth to see, Jean Rochefort is funny even if he seems serious. When I saw the Gene Wilder movie I didn't enjoy so much -Wilder is an excellent actor, but his "Woman in red" had something quite artificial.. It was not as spontaneous like the original one. Wilder is better with his extravaganzas, with slapstick elements...

This truly funny and very well written - by Dabadie - comedy directed by Yves Robert is certainly one of the funniest movies I've ever seen. It is also one that I enjoy seeing again and again.Where the pretext for the story is really just what it is - a pretext - the most interesting part is the relationships that fuels the friendship between four men entangled in very difficult "rapport" with women. The funniest one certainly being the mother-son relationship that is in fact a true love story, that goes on between Guy Bedos and Marthe Villalonga. The scenes between those two are real anthology pieces.The secondary roles are also very attaching, particularly the one held by Christophe Bourseiller.All in all, this "coup de foudre" turned bad, told in voice over with amazing wit and elegance by Jean Rochefort is a classic that stands alone in the face of very mediocre French comedies.The sequel - Nous irons tous au paradis - is also very enjoyable.