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Twilight on the Trail

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Twilight on the Trail (1941)

September. 29,1941
|
6.3
|
NR
| Western
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Hoppy, California and Johnny come to the ranch of a friend and his daughter, disguised as dude detectives from the east, to investigate the disappearances, without a trace, of several herds of cattle.

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ada
1941/09/29

the leading man is my tpye

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Matcollis
1941/09/30

This Movie Can Only Be Described With One Word.

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Ogosmith
1941/10/01

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Jemima
1941/10/02

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

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bkoganbing
1941/10/03

More comedy than usual is in this Hopalong Cassidy western as Hoppy, Johnny Nelson and California go undercover as eastern dude type detectives. In fact we don't see them in their traditional western outfits until more than half the film is done.Hoppy with that affected English accent and California Carlson with that ridiculous looking deerstalker cap are funny in and of themselves. Andy Clyde who was from Scotland and started in music hall was funnier than usual.Not that the chief villain is long fooled. He suspects a rat, but the guys put an end to his rustling racket.Brad King was the young member of the trio and he got to sing some cowboy ballads that Paramount owned the right to. If they sound familiar The Funny Old Hills was introduced by Bing Crosby in Paris Honeymoon and Twilight On The Trail comes from the Paramount picture Trail Of The Lonesome Pine. and was also recorded by Bing Crosby who was Paramount's number one star. King didn't last long, he had no personality at all unlike Russell Hayden or Jimmy Ellison.But the comedy is key more than usual in this Hopalong Cassidy western.

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pensman
1941/10/04

Listen I was a Hoppy fan as soon as I could get into the Saturday matinées, somewhere around five. Nothing but free range parenting when I was a kid. We had watched the Sherlock Holmes TV shows with Ronald Howard and Howard Marion-Crawford as the sleuth and his able aide, so we had maybe an idea of an English accent but not much. But we would have been falling out of our seats watching Hoppy, California, and Lucky passing themselves off as English detectives who couldn't handle a gun, ride a horse, or play cards. We knew what was coming. Hoppy and his pals were pulling the wool over the bad guys and would they be surprised to find out the English dandies—taa, taa; cheerio, old boy—were actually Hopalong Cassidy and his pals. And when the revelation came, we cheered and hooted and laughed at the stupid bad guys. This picture was prime horse opera. It would have been perfect if they had dropped the singing. Whoever thought boys between five and twelve liked singing cowboys? That was almost as bad as the good guy kissing the girl—mush, ugh. The relationships that counted were being with your pals and riding a smart horse. In this film, we worried a bit when a secret search of Hoppy's suitcase revealed he and the boys were rangers. We knew there would be an attempt to bushwhack the guys. And there was; but it failed, but then Hoppy and the boys could drop the "monkey suits" and wear their real clothes and let the rustlers know who they really had on their trail. It didn't take long then for Hoppy to find the entrance to the faux cabin and tunnel the rustlers were using. And here you thought that idea was new to the Fast and the Furious franchise. It looks bad as the bad guys get the drop on Hoppy and California, but they escape to help save the day. Those rustlers never had a chance. And another satisfying end to a good Hoppy film. Now start the Batman serial.

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chipe
1941/10/05

One of the worst Hoppy films. Hoppy and his sidekicks take leave of their Bar 20 duties to help an old friend whose ranch is suffering rustlers.The supporting cast was uninteresting. I never cared for Brad King as Hoppy's young sidekick. It seems he was hired mainly for his singing; his acting was bland. I like it when the heroes go undercover to solve the crime. Unfortunately here, their acting as inept British detective dudes got tiring and silly fast. Finally the mystery solving was pretty unimaginative: the bad guys try to kill Hoppy and sidekicks, giving themselves away.

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sandcrab
1941/10/06

This Hoppy film starts off a bit slow. An old friend calls on the Bar 20 trio to help stop cattle rustling. Hoppy and pals show up disguised as dude detectives from back East but that doesn't last long. Once the outlaws realize this group can shoot straight and ride like the wind, its all over. Its typical Hoppy fare as good prevails over evil.

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