Exit the Dragon, Enter the Tiger (1976)

A Disappointing Continuation

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

While it doesn't offer any answers, it both thrills and makes you think.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Not convinced that Bruce Lee died by accident, his good friend "David Lee" (Bruce Li) sets out to investigate the real cause of death. His first clue comes from Bruce Lee's mistress and Hong Kong film star "Suzy Yung" (Chao Hsauo-Chun) who has some possible incriminating evidence against a major crime figure known as "the Baron" (Li Chang). But when "the Tiger" (the other name David Lee is known by) begins to get too close to the truth, the Baron becomes intent upon stopping him at all costs and comes after both Suzy Yung and David's girlfriend "Susie" (Kong Sam-Yi) to make his point. Now rather than reveal any more I will just say that the death of Bruce Lee left a very large void in martial arts movies which several different film studios tried to fill--and Bruce Li happened to be one of the actors chosen in that regard. Unfortunately, unlike his famous predecessor, he didn't have the acting ability to really appeal to world-wide audiences and his films suffered as a result. And this particular movie is indicative of that fact as it pales in comparison to any and all of Bruce Lee's films. That being said, I have rated it accordingly. Below average.

Exploitation cinema exploits audience desire for lurid subject matter, and there can be few more morally reprehensible forms of exploitation than the short-lived "Bruceploitation" genre, which sought to make money out of films pertaining to the death of Hong Kong's box office hit, Bruce Lee. But to call these films on their lack of scruples is to waste breath - such films luxuriate in their own lack of taste. There is an extent to which the whole of drama and cinema is an exploitation of the difficulties of life, and perhaps these films are a little more honest than most. In any case, there was a public need to air concerns gossip and conspiracy theories about Lee's death, and so these films provided a place for such a need to be fulfilled.What is really fascinating about Exit the Dragon, Enter the Tiger is it takes a postmodern notion of everything being up for grabs as fiction and stretches it to rarely reached lengths. A film in which a new film star investigates the death of an old film star, in which an actress plays an actress who was present at the old film star's death, which plays out in the style of the films of the old star's films - it's heady stuff.The investigation into the death of Lee by his pupil and supposed successor Li is a pretty flimsy affair. We never get to find out why Bruce was killed, but Lee's real death provides a basis for a fictional plot about a drugs ring wishing to use martial arts stars as couriers. But it's a pacey enough film, with excellent widescreen cinematography (the framing is particularly impressive) and sharp editing, and if the plot is rather slight and the characterization rather one dimensional - well, we are dealing with a genre (the martial arts film) which is hardly known for its sophistication in those departments. Li doesn't have Lee's presence and charisma, but he's cute and is convincing enough at the centre of some tasty fight sequences.All of the positive elements of the film come together at one moment in the final scene - Li is fighting the drugs kingpin The Baron, who unsheaves a sword-stick and lashes at our hero. Li's shirt is cut off, and bare chested with cuts across his body, he looks just the image of Bruce Lee in a famous scene from Enter the Dragon. The film has been building towards this moment, and all Li has to do is vanquish the villain to take the mantle of his forebear, which he does. No matter that Li didn't go on to nearly the same international success as Lee, and faded rather ignominiously from the screen by the early 80s, this film has done exactly what it intended to do - momentarily replace Lee with a plastic facsimile, air a bit of gossip about his death and make a small pile of money in the process.It's no good expecting anything else of a film like this, and it's as honest about its intentions as can be - and given the low-brow nature of those intentions, a considerable amount of film-making skill and effort has been put into the picture - you have only to think for a moment the logistical difficulties filming the final seaside rocks at incoming tide sequence must have presented to realize that although the filmmakers are exploiters, they certainly weren't slackers.

This is just another example of someone trying to make a quick buck off of the death of a legend. This film basically is about a supposed disciple of Bruce Lee named David hunting for the people who allegedly murdered his mentor (for the record, his official cause of death was listed as a cerebral edema). However, all this film does is exploit the death of Bruce Lee and all the theories surrounding the sudden death of perhaps the greatest ambassador for the martial arts. Why couldn't they just let the man rest in peace? Sure he died at a young age, but there probably was nothing sinister about it. However, the main problem I have with it is the fact that they tried to pass off a "Bruce Lee" wannabee off as the genuine article. This made this film more of a rip off than it already was. I hope that the person who made this garbage feels real good about the way he tarnished a true legend of the screen.

I'd just like to say, if you listen closely to the music in some of the sequences, you'll also hear Pink Floyd's 'Shine on You Crazy Diamond'. It was quite common for kung-fu in the 70's to use popular music from radio and other movies as main theme's and incidental music. Every now and then you'll hear some Ennio Morricone or some Jerry Goldsmith peice somewhat briefly but still recognizable. One of oriental films' odder attributes.