Battle Circus (1953)

Bad Acting and worse Bad Screenplay

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Mostly, the movie is committed to the value of a good time.

The Korean war had already found its way on to American movie screens when BATTLE CIRCUS came along. And some of those other films, like FIXED BAYONETS! and THE STEEL HELMET, are infinitely better. But this slick MGM production has its merits and should be watched, if anything for the script and direction by Richard Brooks.Less convincing, though, is the casting of June Allyson and Humphrey Bogart in the lead roles. Does anyone really think they have much chemistry? I will concede there is a slightly romantic scene where they run through the rain and fall in the mud. But eventually, that gets gooey (in more ways than one). And how does this make us relate to these characters and the deeply personal bond they have managed to forge given the circumstances of their immediate situation? What helps us temporarily forget the more inane aspects of their relationship are the key action sequences depicted in the story. And those moments convey a great deal of tension and are very well staged. The movie also gets points for knowing that the 'M' in M*A*S*H stands for mobile. We see the main characters uproot and move around to administer to the injured and dying like they would be required to do in such a dangerous environment.

This is an interesting movie. It's not the best war movie you'll ever see; it's not the most exciting movie you'll ever see and it's not one of Humphrey Bogart's best movies by a long shot. But it's still very interesting in its own way. I was intrigued by it at first because it's the story of a MASH unit in the Korean War - long before MASH the TV series or MASH the movie or MASH the book. To be honest, I really hadn't been aware that a story that focused specifically on a MASH unit had been done before that. I have to say that I enjoyed this much more than I enjoyed "MASH" the movie. This seemed to take a far more serious approach to the subject, and it seemed to stay on topic far better. It makes many of the same points that author Richard Hooker would make in his 1968 book (and that would be the inspiration for the later movie and TV series of the same name) - the pointlessness of war, the heroics of the medical teams and the need for those involved to just find a way - any way - through, whether that meant alcohol or sex (or, I suppose, anything else.) It's different, though, in that it portrays a much more positive picture of the military.Bogart played Major Webb, second in command of MASH 8666. He's a bit of a lonely figure with a past that doesn't really get explored much, but he's obviously a superb doctor. Into his life comes Lt. Ruth McGara (June Allyson) and they develop an interesting relationship that both sometimes fight against, that sometimes neither takes very seriously and that seems to eventually develop into something real. There wasn't really much passion (or chemistry) between them, but the relationship seemed believable to me in the circumstances, where such relationships probably come and go pretty quickly depending on who gets transferred where and when. It's a cautious relationship understandably, and so perhaps the emotional connection that sometimes seems lacking actually works. It's that relationship that's the plot device that moves this forward.Interspersed are vignettes of war. The hospital comes under fire on occasion, it's constantly on the move to keep up with wherever the front happens to be, there's some reflection on the impact of the war on Korean civilians, and the most exciting scene of the movie is probably the North Korean prisoner who manages to smuggle a grenade into the hospital. It's not an exciting, action-packed war movie. It seems to simply give a look at the life of those serving in a MASH unit, and it seems to be one of the many "tribute" sort of movies that were made in the era. Although casualties are certainly present throughout, it's also not at all graphic in its depictions, and (even understanding the greater sensitivities the industry at the time had to such things) I found it ridiculous that Webb could perform chest surgery on a young Korean boy which included an open heart massage and yet apparently not get a spot of blood on him while doing it!It's not great. I would call it interesting, mostly for its look at a MASH unit before M*A*S*H*. (5/10)

The black and white photography, camera angles and editing of Battle Circus are top rate adding verisimilitude to an unusual story about medics during the Korean War.The dialog between Bogie and June is hard-boiled and cheesy and quite wonderful. It is entertaining to see a big-hearted 1950's female character (Allyson) deflecting an in-your-face, unapologetic wolf (Bogart) without need of feminist presumption, sexual harassment law and political correctness cops.With their distinct, defining and appealing faces and voices, both leads make the film's romance seem some what logical within the logic of 1950's Hollywood. It sure is fun watching them.And so too is a terrific Keenan Wynn and the mechanics and team work required to set up MASH units in a war zone. In the film, the tented hospitals were set up, taken down and hauled off and set up again by men and women who were clearly experienced in the service.The surgery tents and medical sequences in Battle Circus are sanitized compared to what one sees on television these days and what was depicted in the TV series M.A.S.H! Back then, the entertainment world respected the privacy of someone's innards particularly when their guts were spilling out of a body ripped by shrapnel.

"Battle Circus" is another vehicle written and directed by Richard Brooks, with less satisfying results… Very likely the major fault was in teaming Bogart with June Allyson, an actress of extremely limited range whose perpetually simpering attitude and breathy whining of lines must surely have kept Bogart's nerves on edge… The idea of the film was a sound one, a semi-documentary approach at portraying the day-by-day activities of a mobile field hospital behind the front lines during the Korean War… The film fell apart, however, when an almost juvenile love plot interceded… One laughable scene found Allyson disarming a partially crazed prisoner who was threatening to blow everyone up with a hand grenade, thereby proving her courage under fire to a rather uninterested Bogart, who finally falls in love with her