Home > Documentary >

Embracing Chaos: Making The African Queen

AD:This title is currently not available on Prime Video
Free Trial
View All Sources

Embracing Chaos: Making The African Queen (2010)

March. 23,2010
|
7.2
| Documentary
AD:This title is currently not available on Prime Video
Free Trial
View All Sources

The epic story of how the film The African Queen (1951), directed by John Huston and starring Humphrey Bogart and Katharine Hepburn, was shot on real African locations, barely overcoming all kinds of hardships and disasters.

...

Watch Trailer

Free Trial Channels

AD
Show More

Cast

Similar titles

Reviews

Comwayon
2010/03/23

A Disappointing Continuation

More
Livestonth
2010/03/24

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

More
Kirandeep Yoder
2010/03/25

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

More
Quiet Muffin
2010/03/26

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

More
Edgar Allan Pooh
2010/03/27

. . . the pot? I counted AT LEAST 27 folks opining during EMBRACING CHAOS: MAKING THE AFR!CAN QUEEN. Somehow, the masterminds behind this documentary could not squeeze in Clint Eastwood for HIS two cents' worth, even though he starred as "John Wilson," the fictional version of THE AFR!CAN QUEEN director John Huston, as well as directing the docudrama "Making of" for QUEEN, titled WHITE HUNTER, BLACK HEART. One of the main concerns in QUEEN'S notoriety (or infamy) deals with the cast and crew's "meat wrangler," who was hung himself by the shooting area's local government for feeding the Tinsel Towners tasty stews and cutlets made from the flesh of slain villagers. If I had an hour to examine a classic movie with such a unique tidbit of culinary data hanging in its closet, I would devote AT LEAST 45 minutes to exploring this aspect of Hollywood's insatiable appetite for "local color." Instead, less than a minute is spent here on this potential bombshell, as most of the "chefs" verbalizing here instead natter on about camera angles, diarrhea, lighting equipment, financial shenanigans, rewrites, whiskey, elephant hunting, toilet rafts, fake leeches, pseudonyms, blacklists, premiers, and Oscar races. I STILL want to know who "Et" whom, and what percentage the grub "donors'" survivors currently receive of the QUEEN's residuals.

More